The world where the warm metal chorus of synth sounds is fused with art is wonderful.

Sehr schöne Harmonien, die wie Blumen im Frühling blühen.

You make some extraordinary harmonics here, mesmerizing! <3<3<3<3<3<3<3 ...

excellent sonic textures with nice harmonic overtone

This is a such a nice blend of classical and contemporary sounds. Very creative work!

dichotomy

A small tribute to my friend RamixJoe..   Check Out His Music!!   

Hey Joe (RamixJoeTribute)

A small tribute to my friend..  FlexHead..  Check out his music!!

Underground Flex (FlexHead - The Best)

Cast of characters:
Jonathan Beckenstein — @jonathan_beckenstein — acoustic guitar, composition
Cgmaness – @user-419254289-15129531 – Chris – bass, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion, and vocal harmonies
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland FP-10 piano and Collings mandolin
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T slide guitar, production, mix, and mastering
Mistermark-- @user-432503709 -- Mark – harmonica, edited fiddle samples, and jaw harp
This song began when Jonathan wrote it on his acoustic guitar several months ago with the intention of developing it into a larger song. When Josh approached him about doing a collaboration, Jonathan thought this one would fit the bill. I should say at this point how much we all admire Jonathan and enjoy his music. On the unlikely chance you aren't already familiar with his music, I suggest you go hop on his page and check it out. 
  All that to explain the level of excitement that ran through Eclectic Collective when Josh shared the project with the group. Chris was first to jump on it, coming up with his intricate bass line even before Ken added his moving drums, although they went back and forth a couple of times to create the rhythm section. Josh jumped on right after that part was complete, adding his mandolin and piano to the mix. Steven was next up, adding his howling slide throughout. Last, but certainly not least, Mark came up with the driving harmonica and twangy jaw harp, and the raspy fiddle, adding them all to complete the instruments. 
  At this point, we had a pretty good instrumental song on our hands. However, Chris decided to give it the extra kick by adding the vocals, the lyrics for which he wrote himself. Our multitalented drummer, Ken, added the vocal harmonies shortly after, too.
  Now that it was in the bag, we needed some production for it. So, we turned to Stephen, who mixed and mastered it in his alwasy expert fashion. 
  This song is a real treat for everyone in the band, as I mentioned earlie. We are all very grateful to Jonathan for sharing this song with us, and had a wonderful time helping bring it to life. We hope you enjoy listening to it as much as we enjoyed creating it.

Original lyrics by cgmaness:

 Come on now let's break a leg,
We've got it made in the shade.
One more day, go out and play.
I guarantee we've got it made.
Oh, we've got it made.
Happy to be with my friends today.
Fill up your drink whatever it may take.
I guarantee we've got it made.
~Gibberish~
Don't need a reason,
Or wait for the seasons to change.
That's what I claim.
Go out on this limb with me,
And realize, we've got it made.
We got it made in the shade.
Can't you see we got it made?
Oh, we've got it made.
Happy to be with my friends today.
Fill up your drink whatever it may take.
Can you believe that we've got it made?
Come on now let's shake a leg.
We've got it made in the shade.
Don't need a reason,
Or wait for the seasons to change.
That's what I claim.
Go out on this limb with me,
And realize, we've got it made

We Got It Made- Jonathan Beckenstein/ Eclectic Collective

In Euripides' tragedy 'The Suppliants', a group of Argive mothers travels to Eleusis to plead with Theseus, king of Athens, to help them recover the bodies of their sons, who fell during the failed assault on Thebes. The Thebans, in fact, refuse to return the corpses for burial. These mothers, immersed in profound grief, represent the universal symbol of maternal mourning in the face of the loss of their children in war.

Cover picture: Theseus and Amphitrite with Athena looking on. Interior from an Attic red-figure cup, 500–490 BC. Currently housed at the Louvre Museum of Paris (inventory G 105).

Composed by Michele Ansani (2023-2025).
Female vocals courtesy of VOX.
Posted on SoundCloud: 2025, April 4.

The Suppliants *

On My Mind

Alternate version.

Jetsolen,
Metemolontisaintride,
Relentosaintride,
Ressolon,ressolon,
Ressolon,mesantolontide
Crine,
Elengy insantillontress,
Clontress,
Ressolon misemolisentratide,
Time to let it slide,
Relent to save time on the side,
Save time on the side.

Votantetist, Ressolon

Phoebe (2005)

violin bass clarinet and undercurrent omnisphere patch/ forebodingness abounds

forebodingsssss

Gentle. delicate (and hopefully emotional) little piece for 4 cellos and choir.

Composed, arranged, recorded and produced by Mark Taylor (Chameleon Music)

Silence & Tears: 17 Musical Short Stories

Emptiness Inside

Mountain IV. From the album Pocket Planet Earth x Minute Meditations vol.III.

Bandcamp: https://linakamura.bandcamp.com
Spotify: https://open.spotify.com/artist/5JJaCP2DNoIXagSqLAWfhF
YouTube: https://www.youtube.com/watch?v=Op6yfGX0ev4
Find More Here: linktr.ee/linakamura

Composed and Produced by linakamura
Artwork/photography by linakamura
Released August 27th, 2025

Pocket Planet Earth x Minute Meditations vol.III

Mountain IV

Curly Compositions from a German Composer.

dichotomy

Robert Knote

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