dichotomy

My other accounts:
 https://on.soundcloud.com/zXWh1K1a4pvEx1Vc8

https://soundcloud.com/gabor-varga-392421361



Contains strong threat, violence, sex references, drug misuse, very strong language. 🤮

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Curly Compositions from a German Composer.

I mesh ambient, film, electronic and pop methods to evoke the dramas of extreme experience ranging from chromic pain and trauma to the joys of transcendence. All compositions copyright 2024-2025 Ian Grey

Pavlov - Glasgöw Based Sound Guerrilla & Lyrical Bohemian Cris Jodie Harrison 

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In the biomes of Indietronica, Triphop, Electronica, Grunge, Punk, Ambient, Folktronica, Witchcore, Indie, Electropunk, LoFi & a 1,000 other b@stardisations of subgenres. 

History/Bands
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Big Beat (1996-98)
Libra (1998-2002)
Cris Jodie Harrison (solo) (2001-2006)
Voodoo Junkie (2006 - 2013)
Cris Jodie Harrison (solo) (2013-2015)
Kaiju Pricks (2015-2022)
Stardawg (2023 ~)
Pavlov (2024~)

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Influences: The Knife, Kraftwerk, The Stooges, Goldfrapp, John Coltrane, Neil Young, The Pixies, Public Image, Dr Dre, Grimes, The Delfonics, Son House, Nile Rodgers, Beach House, New York Dolls, Crystal Castles & so much more.


EAT THE RICH, YOM YOM!!!
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1/3 of Hell Feeder  https://soundcloud.com/hell-feeder
AKA Babalon Anon https://soundcloud.com/babalon-anon
https://soundcloud.com/babalon-anon-spoken-word
Additional Audio Tweaking https://soundcloud.com/rexoid-1

Experimenting with rhythm and sampled sounds. 
Moody Industrial grooves and dark soundscapes.
Direct message regarding remixes. 

Reposting:
Dark Ambient, Industrial, Hip Hop, Spoken Word, Trap, Dubstep, Classical, Soundtracks, Ambient, Dark Folk, Future Garage, Hardcore Techno, Drum & Bass, Breakcore, Drumstep, Speedcore, World, Contemporary Classical, Miniatory, Martial, Electro, Electronic, Ska, Dancehall, Electro-Swing, Experimental, Lo-Fi, Soundscapes, Old School Jazz & Blues, Noise, Trip Hop, Rap, Alt Rock, Baroque, Bassweight, Drone, Downtempo, Gypsy Swing, Ritual, Orchestral, Choral, EDM, Dub, 8-Bit, Operatic, Doom Metal, Grime, Afro-House, Chamber, Filth, Krump, Duduk, Bhangra, Breakbeat, Tribal, Mixes, Turntablism, Found Sound, Field Recordings, Post-Rock, Cloud Rap, Gabba, Schranz, Musique Concrète, Hauntology, Mash-Ups, Screwed N' Chopped, Bro-Step, Witch House, Glitch, Ragga, Atmospheric, Cinematic, Chip-Tune, EVP (Electronic Voice Phenomena), Piano, Prepared Piano, Lindy Hop, Latin, Plague Wave, Jungle, P-Funk, G-Funk, Jeep Beat, Performance Poetry, Slam Poetry, Storytelling, Podcasts, Moombahton, Reggaeton, Rare Groove, Dungeon, Drill, Big Beat, Modulation, Dream Pop, Drift Phonk, Neo-Classical, Halftime.

"The spectator views that which you have created.
The artist perceives that which you sought to achieve."
Babalon Anon

Template Legato, also known as Hirotaka Kato, is a songwriter & composer based in Sendai, Japan.

Electronic noises 

I co-found a duo with my friend Artur
on guitar - Surfers Like Us

dichotomy

Robert Knote