Elektronesch Musek mat akusteschen Instrumenter verbonnen. Dës sougenannt ambient Musek soll hëllefen de stressegen Alldag hanner sech ze loossen, einfach mol ofzeschalten a sech ganz eleng op d'Musek ze konzentréieren.

Presentéiert vum Richard Heinemann.

Galati is an ambient and experimental music project active for more than fifteen years. The work unfolds through slow harmonic movement, extended soundscapes, and layered textures, where guitars, electronics, and acoustic instruments converge. The discography includes solo works and collaborations released on independent labels.
Curated by Roberto Galati.

Albums
Drift (Roberto Galati | Francis Gri) self release 2025
Cold As A February Sky [Glacial Movements] 2024
Divide (galati | mosconi) [ROHS! Records] 2023
Alps [Databloem] 2022
Oneiric [Midira] 2022
Dissolve (GALATIMOSCONI) [ROHS! Lontano Series] 2019
Fragility [Databloem] 2019
Silence (as a din) [Databloem] 2018
Penombra (GALATIMOSCONI) [Krysalisound] 2017
Gletscher [Tranquillo/Psychonavigation Records] 2015
Mother [Psychonavigation Records] 2014
Godhavn  [Psychonavigation Records] 2013

Netlabel releases :
Wide Open Spaces (2013) Sirona Records 
Floe Edge (2012) Treetrunk Records 
Wistful, introspective home-recorded bedroom space rock music (2006) Benekkea net/rec label release

Estudiante de antropología y músico electrónico.

Hi, I am musician - electric guitar and computer. Most of the time I am working with ableton live, building soundcollages, make songs or go into the world of rhythm. I like the instruments of cinematique instruments and i screw a lot of with virtual Instruments, before I let them out. I work a lot at theatres, making soundtracks for theatrepieces and that makes me happy, because here I meet several artists from different subjects and ages. 
And i teach and compose music for radioplays.

Immersive love is a nostalgic tribute to the times of 2000s and the Netlabel scene. Back then independent musicians and music producers, used the internet to distribute their music without the intention of making a profit. They allowed other artists to use their music for free, which allowed them to express themselves without the constraints of the music industry. This passion for music-making spread to other musicians and listeners, leading to the formation of a network of labels and blogs that formed communities of individuals who created, shared, reviewed, and published the music of independent artists. However, the rise of social media and streaming platforms with algorithmic models led to a decrease in creative freedom and marked the end of this period.

- free downloads
- entire catalog released under CC BY 4.0 
- youtube safe (no copyright claim)
- not constrained to specific genre or style
- non profit
- always accepting demos

+2V9fB5Koz2YwYzM0

booking@gentleriot.net

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