Calm

Thomas Newman

Favourite

Para programar (classical ambient)

Filmscores, soundtracks (esp. OSTs), and other film/movie-related music

Soundtracks & Filmscores

A compilation of various pieces of contemporary classical piano music

Contemporary Classical Piano

Epic

روقان

Covenant from Metamorphosis

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Islands: Essential Einaudi is the first time that all of Einaudi's best known music appears in a single collection. It’s available as both a single disc and special double disc version. Islands also includes new tracks The Earth Prelude and High Heels as well as two new remixes of Lady Labyrinth and Eros.

Available to order now:
iTunes: http://po.st/EinSoundCIiT
Google Play: http://po.st/EinSoundCIGP
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Divenire

Monday

Una Mattina

Nuvole Bianche

released 2011 on "The Devil's Walk", original version features Soap&Skin,
instrumental version featured on Breaking Bad episode 13 of season 4

Apparat / Goodbye (Instrumental)

Ennio Morricone's Chi Mai (meaning Who Ever in Italian, although it looks Asian to me :)

Live video: http://www.youtube.com/watch?v=nHHPlqwxZA8

He composed this in 1971 for an Italian movie called Maddalena, and reused it in 1981 for the beautiful final scene of the French movie Le Professionnel starring Jean-Paul Belmondo who insisted on using this music. It was also reused in some other movies and TV series and is famous in French pop culture thanks to a memorable dog food TV ad for Royal Canin, where the music is used while a dog is running in slow motion.

The instrument is a Clavia Nord Stage 2, using a Bösendorfer sampled grand piano with some echo, and strings I control with an expression pedal, well, try to control.

Video

Ennio Morricone - Chi Mai (Le professionnel) [piano + fx]

Trying to replicate Vangelis' Memories Of Green from the Blade Runner soundtrack.

Live video: http://www.youtube.com/watch?v=zqn6AuCiA_s

Vangelis composed (improvised?) Memories Of Green in 1980 for his album See You Later, but it's not as famous as the Blade Runner soundtrack in which the track was included too.

The instrument is a Nord Stage 2, using a sampled Bösendorfer piano with a flanger effect, some synthesizers controlled with an expression pedal, and a generous amount of reverb.

Vangelis - Memories Of Green (Blade Runner)

The Hunger Games -- Trailer Music (Deep Shadows)

Mass Effect 3 - Earth

Enrique Iglasias - Hero

14 lights (Thomas Newman cover)

أم الخلخال، توزيع واخراج خالد جبران
من ألبوم بريدج Bridge

Visit Mostakell مستقلّ

Khaled Jubran - Emm el khelkhal خالد جبران - ام الخلخال

This is Piano in an Empty Room from Vangelis' Blade Runner Trilogy 25th Anniversary album released in 2007.

Live video: http://www.youtube.com/watch?v=ok0ZMA7_88M

Photo (cropped) by Kay Arne Jensen - https://www.facebook.com/photo.php?fbid=653845857961186

Vangelis plays it on an acoustic piano with beautiful ambient room noise. I tried to replicate the feeling by boosting the pedal noise on my synth, and I added some pads that get pretty dark and intense towards the end.

The instrument is a Nord Stage 2, using a sampled Steinway grand piano and virtual analog synthesizers controlled with an expression pedal, and a generous amount of reverb.

Vangelis - Piano in an Empty Room (Blade Runner)

Interpretación: Roberto B.
Soundtrack: Road to Perdition.

Piano Duet - Thomas Newman

Abraham's Theme composed by Vangelis for the legendary Chariots of Fire soundtrack in 1981.

Live video: http://www.youtube.com/watch?v=FNfLGn9xZho

The instrument is Clavia Nord Stage 2 using a sampled Rhodes Mark I electric piano set to low and a pulse wave virtual-analog waveform oscillator.

Vangelis - Abraham's Theme (Chariots of Fire)

Enrique Iglesias - Finally Found You (R3hab & ZROQ Remix)

Facebook:
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Website:
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Soundcloud:
R3HAB

Twitter:
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Enrique Iglesias - Finally Found You (R3hab & ZROQ Remix)

Thomas Newman - Simple Truths

Mass Effect 2 - Suicide Mission

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

Download

Recomposed By Max Richter: Vivaldi, The Four Seasons

Richter: Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 1 (2012)

Thomas Newman - Any other name

Die lange Version unseres Pianostückes aus der TV-Werbung

Travel Dreams - HRS Long

From 'The Fountain' OST featuring Kronos Quartet & Mogwai

Death Is The Road To Awe

The Hit House  - "Basalt" Trailer music Iron Man 3

 https://soundcloud.com/thehithousemusic

The Hit House  - Basalt (Iron Man 3 - Theatrical Trailer Music 2)

Thomas Newman - Road To Chicago

يسرا الهواري - دبدوب

Suite from the stage play  "THE TRIAL OF LIZZIE BORDEN", produced at ZJU Theatre Group, January 7, 2011.
For more info:
http://zombiejoes.homestead.com

The Trial of Lizzie Borden- Suite for prepared piano & strings

This is a recording experiment where I recorded every note of the song on a seperate track, while still trying to make it sound like a natural guitar player. Enjoy!

Piano Duet - Thomas Newman

Roberto José García