Meditative ambient music to unwind.  
Aphex Twin + Brian Eno inspired.

Room 501

#chill #synth #synthpop #indie #ambient #idunno 

Get It Right

Gloria In Excelsis

Sunshine Riptide

Axtron X James Somnym - Sunshine Riptide

Synchronicity is my last collaboration with Daniela Spadini, a musician with whom I have a particular musical feeling,

"Sometimes it happens that two parallel events that move independently cross each other, canceling the space that separates them, thus drawing a single event.

This concept reflects on the uniqueness of life, from the smallest events to the biggest ones! Coincidences that have always fascinated and questioned me!

I have always wondered, but are these accidental circumstances causal or voluntary?"

We hope you liked it
Thanks for watching!

Watch the video on Youtube: www.youtube.com/watch?v=Jj9fsBUkYjQ

Synchronicity-(Original)

Disappear (prod.Rizi)

the day you were born
birds forgot to fly
wounds forgot to hurt
words forgot to lie
 
the day you turned ten
old men began to dance
shadows left their posts
and enemies made friends

they said it must be a sign
that we got to toe the line
and they said it must be true
that there's more 
'cause now there's you

you're too beautiful
you're so hard to say no to
a no is a yes 
as a matter of course
it's not your fault
you walk like we all do
but storms when they see you
dissipate with remorse

and the river 'bout to cross you
retreated to its source
and the nettles 'bout to scratch you
they parted like doors
you're too beautiful
much too beautiful

the day we met
the North Star pointed south
the Sun forgot to set
my breath forgot to out

the day we wed
you said don't be afraid
Air will keep us fed 
Ground will elevate

I thought it must be by design
only seek what you're meant to find
and I thought it must be true
there is more
'cause now there's you

you're too beautiful
you're impossible to turn down
I try to turn you down
but it's just for the sport
it's not your fault
you trip like we all do
but when the mountain saw you trip
it rushed to lend support

and the fire that burns us
only slakes your thirst
in the water that churns us
I'm the one who rusts
you're too beautiful
way too beautiful

um-pam-paira
um-pam-paraira-ra
um-pam-paira-ram
pam-param

Support Gom

Too Beautiful

Autumn Songs (for Mezzo-Soprano and Chamber Ensemble)
Duration: ca. 18'

MOVEMENTS
I. Ascension: Autumn Dusk in Central Park (Evelyn Scott)
II. Under the Harvest Moon (Carl Sandburg)
III. All Hallows’ Eve (Dorothea Tanning)
IV. November for Beginners (Rita Dove)
V. Leaves Before The Wind (May Sarton)

Performers: American Modern Ensemble, Blythe Gaissert, Mezzo-Soprano
For more information: https://robertpaterson.com/autumn-songs
Publisher: Bill Holab Music: http://billholabmusic.com/store/index...
Purchase Sheet Music: http://billholabmusic.com/store/index.php?keyword=autumn&main_page=advanced_search_result&search_in_description=1
View Perusal Score: https://issuu.com/robertpaterson/docs...
Also available as a version for mezzo-soprano and piano: https://robertpaterson.com/autumn-songs-version-for-mezzo-soprano-and-piano

PROGRAM NOTE
Autumn Songs for mezzo-soprano is my final song cycle celebrating the seasons. As with my previous three seasonal cycles for different voice types, this cycle contains settings of poems by various American poets.

Like Spring Songs, Autumn Songs begins with New York: a setting of Evelyn Scott’s Ascension: Autumn Dusk in Central Park, an early 20th century Imagist poem in which people seem to merge at dusk. The second movement is a setting of Under the Harvest Moon by Carl Sandburg. In this poem, Sandburg uses autumn and summer as a metaphor for people in two different periods of life, revealing beauty in both stages. Memory is the primary concern for someone who is older, and possibly for someone who is younger. The third movement is a setting of All Hallows’ Eve by Dorothea Tanning, who was not only a poet, but also a well-known visual artist whose early work was inspired by Surrealism. This is perhaps the most playful setting, and I used Tanning’s evocative, Surrealistic imagery as inspiration for colorful sounds and angular dissonances in the ensemble. November for Beginners by Rita Dove is the text for the fourth movement. In this setting, Dove beautifully encapsulates the feeling of waiting for winter in November, and the sense of anticipation one feels during the fall months. At the end of her poem, she uses the sound of zithers as a metaphor for the sounds of wind and rain when spring comes. The final movement, a setting of Leaves Before The Wind by May Sarton, is inspired by Irish jigs, and mimics leaves blowing in the wind. The penultimate section is anthemic, and the end of the movement is more calm and similar to the beginning.

Autumn Songs was made possible, in part, by generous support from the Gerson Family Foundation.

ARTISTS
American Modern Ensemble: http://www.americanmodernensemble.org
Blythe Gaissert, mezzo-soprano: http://www.blythegaissert.com/
Sato Moughalian, flute
Pascal Archer, clarinet
Matt Ward, percussion
Esther Noh, violin
Dave Eggar, cello
Geoffrey Burleson, piano
Robert Paterson, conductor

The Four Seasons

Autumn Songs - I. Ascension - Autumn Dusk In Central Park (Text by Evelyn Scott)

Springs Songs (for Tenor and Chamber Ensemble)
Duration: ca. 20'

MOVEMENTS:
I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II. April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

Performers: American Modern Ensemble; Alok Kumar, Tenor
For More Information: https://robertpaterson.com/spring-songs
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
Purchase Sheet Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
Also available as a version for tenor and piano: https://robertpaterson.com/spring-songs


PROGRAM NOTE
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller for the American Modern Ensemble.

AME ARTISTS
Robert Paterson, Conductor
Alok Kumar, tenor
Grace Law, flute
Nuno Antunes, clarinet
Samuel Z. Solomon, percussion
Geoffrey Burleson, piano
Victoria Paterson, violin
Peter Sachon, cello

Spring Songs - III. Done With (Text by Ann Stanford)

There is always a Warrior Princess in your life; some goes away following their path and others stays and share with you their magic.

SONIC ARCHITECTURE

CD11  Warrior Princess of Mars

Original composition... Alejandro Gonzalez M.

Let Go

Hi there, my name is Roberto

I'm a graduated professional musician and I have more than 20 years of experience in playing guitar and Producing Music.

I also do Piano tracks optimization, mixing and mastering work.

Synchronicity-(Original)

Roberto Riccò