My ultimate favorite sexiest song from you, & that tantalizing voice, Robert!! So fully ripe & +bursting with flavor!! Hello Gorgeous!!!! I'm always in the mood for this!! 😁😎😎💄💋🎩🌶🏆😍

I'm 54...old enough to remember how I felt when I 1st heard this in the 80s... Like "Radio station dj, can you play that one again!" 🎶 🔥 

you and i
have this thing going on
you like to talk
i like to stare out of the window
but that's just how things are

you move side to side
like a space invader
always on the move
so they'll hit you later 
but that’s just how things are

slow it down
it's way too fast
i'll meet you at the aftermath

sometimes
everything's going wrong
you like to talk
and i like to stare out of the window
but that’s just how things are

do you ever wonder why
i can't look into.. 
your coffee's getting cold
as i see right through you 

is this how things are?

slow it down
it's way too fast
i'll meet you at the aftermath

you and i
we will be just fine

aftermath

Stephen Stills

Love the One You're With (Single)

Daylight Again

Southern Cross (2005 Remaster)

cover by Edward Oldham guitars and vocals.

Breakdown Tom Petty and The Heartbreakers

Gloria

Nine Lives

In the Mood (2006 Remaster)

Tattoo You

Waiting On A Friend (Remastered 2009)

Let It Bleed

You Can't Always Get What You Want

Every Picture Tells A Story

Mandolin Wind

At Fillmore East

One Way Out (Live At The Final Fillmore East Concert, 1971)

Hobo's Lullaby (Remastered 2004)

The City of New Orleans

In his nearly 50-year career, former Led Zeppelin vocalist and Rock and Roll Hall of Fame member Plant has indeed gone to far distant lands, not as forlorn lover but as intrepid musical explorer. To write and produce lullaby and… The Ceaseless Roar, though, he returned to his native England, enriched by all he has seen, heard, and investigated. For the last few years, Plant has lived and recorded in America, working with musicians in Nashville, residing for a spell in Austin, and making time to drive along the byways of Mississippi, fueled by the sound of the delta blues that has inspired him since he was teenager (a car journey recollected in the new “Turn It Up”). He had previously traversed North and West Africa, following the trail of the blues back to the desert, where he famously joined nomadic Tuareg musicians and others at the renowned Festival of the Desert in Essakene, Mali. But now his creative wanderings have led him back to his native England and a rediscovery—and a reappraisal—of himself as an artist and songwriter.

While collaborating on record and on stage with bluegrass superstar Alison Krauss or hitting the road with guitarist Buddy Miller and singer songwriter Patty Griffin as part of his more recent Band of Joy, he largely performed other people’s songs: modern and traditional folk, blues, and bluegrass, trying to better understand and assimilate the particularly American sound of this music. His success, especially with Krauss, was extraordinary, and it expanded his fan base far beyond the world of classic rock. Plant’s knowledge and taste, combined with Krauss’s virtuosity, proved formidable, interpreting songs from Gene Clark, Sam Phillips, Tom Waits, and Townes Van Zandt, among others. Looking back, Plant remarks, “I was really happy to learn my trade, to extend my trade, so that I could make my way into the guild of good singers.”

In the Mood (2006 Remaster)

Robert Plant

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