This underated as hell, literally my girls 6'1 😆 Cool as fuck, she got me into rock. 

💘🔥🔥🔥🔥🔥😍 ..........Tall Cool One, Built To Please! You could break springs in a new mattress with that voice! Hey, Hey, even the furniture overheats when your voice is near! I think I saw the varnish dripping! ;)

Hey!  Its Roberto Planta'monte the 3rd. "All that joking about the 1973 live album is uh? been played out. Yes Sir, I thought I was a sexy guy in the 80s because I almost hit those  high notes with my vocals? "25! 25! 25" Push! push!

OK I see? Robert's plants voice, seems to be only unique to Zeppelin music or structures or ideas. Gets lost if it goes anywhere else. yeah that stairway song turned out to be underrated in the long run. same with smoke on the water.

The Jimmy page guitar stuff at end of song is good idea. whoever thought of that, Was on to something

Ramblin' Gamblin' Man (Bob Seger cover)

Sweet City Woman  320

The Very Best Of

Jesus Is Just Alright with Me (2006 Remaster Single Version)

10 from 6

Can't Get Enough (2009 Remaster)

cover by Edward Oldham guitars and vocals.

Breakdown Tom Petty and The Heartbreakers

Carry On

Love the One You're With (2013 Remaster)

Nine Lives

Tall Cool One (2006 Remaster)

Easy Rider

I Can See For Miles

Tattoo You

Waiting On A Friend (Remastered 2009)

Every Picture Tells A Story

Mandolin Wind

The Animals: All-Time Greatest Hits

We Gotta Get Out of This Place

In his nearly 50-year career, former Led Zeppelin vocalist and Rock and Roll Hall of Fame member Plant has indeed gone to far distant lands, not as forlorn lover but as intrepid musical explorer. To write and produce lullaby and… The Ceaseless Roar, though, he returned to his native England, enriched by all he has seen, heard, and investigated. For the last few years, Plant has lived and recorded in America, working with musicians in Nashville, residing for a spell in Austin, and making time to drive along the byways of Mississippi, fueled by the sound of the delta blues that has inspired him since he was teenager (a car journey recollected in the new “Turn It Up”). He had previously traversed North and West Africa, following the trail of the blues back to the desert, where he famously joined nomadic Tuareg musicians and others at the renowned Festival of the Desert in Essakene, Mali. But now his creative wanderings have led him back to his native England and a rediscovery—and a reappraisal—of himself as an artist and songwriter.

While collaborating on record and on stage with bluegrass superstar Alison Krauss or hitting the road with guitarist Buddy Miller and singer songwriter Patty Griffin as part of his more recent Band of Joy, he largely performed other people’s songs: modern and traditional folk, blues, and bluegrass, trying to better understand and assimilate the particularly American sound of this music. His success, especially with Krauss, was extraordinary, and it expanded his fan base far beyond the world of classic rock. Plant’s knowledge and taste, combined with Krauss’s virtuosity, proved formidable, interpreting songs from Gene Clark, Sam Phillips, Tom Waits, and Townes Van Zandt, among others. Looking back, Plant remarks, “I was really happy to learn my trade, to extend my trade, so that I could make my way into the guild of good singers.”

Tall Cool One (2006 Remaster)

Robert Plant

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