Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

WOLS IS SLOW.

Booking Request
日本
wolsbooking@gmail.com

WORLDWIDE
STANDA 
email:anti@uclub.sk 




Enquiries:
whineymusic@gmail.com

UK/ROW:
chrism@clinictalent.com

North America:
rob@respectartistagency.com

Will Hine aka Whiney, one of Hospital Records' youngest ever signings, has been lighting up dancefloors and festivals with his trademark underground sounds for over 7 years. Introduced  to  Drum  &  Bass  at  14  and  classical  instruments  at  7,  Will  focused  his  efforts  on  production  signing  his  first  track  'No  More'  to  Hospital  Records  at  the  age  of  18 - already  turning  heads  at  a  young-age,  Will  signed  exclusively  to  Hospital's  sister-label  Med  School  Music  just  2  years  later.  

It  only  took  a  couple  of  years  and  the  release  of  his  debut  album  'Talisman'  for  Will's  impact  on  the  scene  to  really  get  noticed.  3  nominations  (Best  Album,  Best  Newcomer  and  Best  Track)  at  the  D&BA  awards  and  the  release  of  the  2017  anthem  'Flashlight',  Will  was  proving  to  be  one  of  the  scenes  hottest  prospects,  performing  regularly  across  the  UK  and  Europe  at  clubs  such  as  Fabric,  Studio  338,  Standon  Calling  Festival  and  a  debut  solo-tour  of  Australia.  Originally  picked  up  by  the  Djs  DJ  Randall,  Flashlight  went  on  to  hold  the  D&B  top  spot  on  Beatport  for  2  weeks,  becoming  a  key  track  in  DJs  sets  and  heard  across  stages  at  Let  It  Roll,  Notting  Hill  Carnival  and  Boomtown and the Radio 1 airwaves courtesy of DJ Friction.   

No longer viewed as a newcomer, Whiney’s second album “Waystone” cemented his name as one of the scene’s most well respected artists. There followed remix requests from S.P.Y, Etherwood, London Elektricity, BCee and Ecuador as well as radio and dancefloor support from DJ Target, Friction, Noisia, High Contrast, Rene LaVice, Annie Nightingale and Camo & Krooked, to name but a few. Whiney’s compositions are also included in diverse sync projects with BT Sports and Letterkenny and computer games like FIFA 23, Need For Speed Heat, Forza Horizon 3, 4 & 5, and GRIP.

In recent years, Whiney has become renowned for carving out his own sound alongside a slew of top-tier vocalists, most specifically on his infamous ‘Bubblers’ EP series. Following an iconic long-standing pairing with Inja as well as producing the beats on his most recent ‘Smile & Wave’ album, Whiney has a long list of vocal collaborations under his belt with a string of some of the finest MCs including Subten on his original grime and drum & bass infusion ‘Headlines’, Parly B, Ben Verse, Truthos Mufasa… And now the one and only P Money as the duo works towards a very special project on Hospital Records, already boasting hit singles including ‘Buss The Red’, ‘Sorry I’m Not Sorry’ and ‘Dead In The Eye (feat. Example)’.

When words fail, Music speaks 

(Shakespeare quote) 





hello everybody, one thing as information:
I DON'T ANSWER MAILS HERE!! 
It's too much, sorry, if you have music to share with me please write me:
solomundemo@diynamic.com
solomunpromo@diynamic.com
Thanks
Solomun


North American Bookings: cooper@oyashi.net
Worldwide: alex@miraclemgmt.com

DRUNKEN KONG is the project of D. Singh and DJ Kyoko. In 2010, the two started their project when one day, they
suddenly decided to make a track together. Since then they have released two albums on Christian Smith's label Tronic, The Signs Within (2017) and Where We Start (2020) as well as numerous EPs and singles on labels such as Octopus Recordings, Stil Vor Talent and
Terminal M while they remain active with domestic labels such as Session WOMB. All 7 tracks of their EPs in early 2017 on Tronic and Terminal M have entered Beatport Top 100 Techno chart at the same time, which has made an impact on the Asian and global techno scene. 

Since then, their music has been constantly entering top charts. Their music is gaining a lot of attention/support from
international top artists and DJs such as Carl Cox, Adam Beyer, Christian Smith, Monika Kruse, Pan-Pot, Umek, Hernan Cattaneo and Deadmau5, just to name a few. Their release “Repeat” from Octopus Recordings have entered Beatport Techno Top 10, being supported and played by many artists around the globe.

DRUNKEN KONG has always been active in the Tokyo techno scene, playing regularly at major festivals such as Ultra Japan and in clubs such as WOMB, Ageha, Unit, Vent, Contact and Vision Tokyo. The two are constantly attracting new fans with their unique sound and groove. With their powerful DJ style and charisma, the two are able to constantly amuse the audience while expanding their ideas and skills to the next level.

Jungle and Drum & Bass Premieres and Mixes 

All selected in-house by Data Transmission. If you have any new music for submission please email shelley@datatransmission.co

The Online Dance Music Authority. Dancing without prejudice since 2008.

***THIS INBOX IS NOT MONITORED AS I GET TOO MANY UNSOLICITED, IRRELEVANT MESSAGES***

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