엘가와 함께하는 아름다운 영국 낭만파 클래식 모음 British Romantic Classic Collection With Elga (엘가와 함께하는 아름다운 영국 낭만파 클래식 모음)

Elgar: Enigma Variations Op.36 - Variation I. L'istesso Tempo 'C.A.E.'

Version for piano and cello of 'Void'. It is the first collaboration between the extraordinary cellist Eva Brönner and myself, and I can only thank her for all the emotion that she manages to transmit.
This piece is also available on all streaming platforms.

Follow Eva Brönner here: https://www.instagram.com/broennercello/

Regards!

Void (Cello & Piano) - Eva Brönner & Moisés Daniel

Haydn: Keyboard Sonata In C Major, Hob. Xvi:50

Keyboard Sonata In C Major, Hob. Xvi:50: I. Allegro

This is the first ambient song I do with the exceptional guitarist Maneli Jamal; a project that emerged many months ago and that has been simmering; Maneli has distilled his art with several guitars over my base of strings, pads and pianos in a track that I can't get enough of listening to. Mixed by the musician and sound engineer Pouya Hamidi in Canada, and distributed with Soothe Sounds

At The Outset

I was just thinking

This is an improvised Electric Violin piece that came spontaneously after a recording session with a friend. I was inspired by the deep stories conveyed by her song's lyrics which reminded me that strong forces of life can bring people together but can also drift us apart into different paths before we even realise it.

Hear more music

Continental Drift

The First Ever Original Kirb Album! (kind of)
Topics may be considered a bit heavy but are vague enough that it's probably fine
idk if ill do smth like this ever again
Sorry for the heavy deltarune and sonic inspirations lol

00 - It all comes to this

Francis Goya - Emmanuelle

The “Waldstein Sonata” is one of Beethoven's most famous sonatas, and is an excellent example of one of his more Romantic sonatas. Its first movement is a sonata in somewhat standard sonata form; however, Beethoven modulates to the mediant when moving from theme I to theme II, which is not a typical key relation in a classical sonata. The development involves repeated instances of various themes from the exposition set over myriad modulations throughout various obscure keys.
	The second movement is an extremely slow introduction to the third movement. Its slow speed is not calm, but rather tense. The tension increases slowly throughout the piece, reaching a strong climax and then leading the listener to a suspenseful transition into the third movement. Most of the material of the piece is built on a simple dotted rhythm with a rising interval.
	The final movement of the Waldstein sonata is a long journey from a large variety of emotions, from dark and blisteringly fast, to soft and quiet. This is perhaps the most romantic of the movements of the sonata, with many blurred harmonies due to long pedal markings, dramatic moments, and extreme emotions. It achieves a sort of transcendental feeling found in compositions of the Romantic periods with its long pedal markings, shimmering textures, and its slow harmonic rhythm. These characteristics foreshadow elements of Beethoven's later sonatas where he capitalized on slow harmonic rhythm and muddied textures that seem to lose any melodic content.

This is from my senior recital on December 2, 2012.

Allegro Con Brio, Sonata No.21 in C major Op.53 "Waldstein" - Ludwig van Beethoven

What is a human being? What is a living being? Among other things, a little universe

Keyboard Sonata In C Major, Hob. Xvi:50: I. Allegro

Robin Thule