Born and raised on a grain farm in Saskatchewan, Djstubble’s connection to music runs deep, starting with his Jamaican roots. His mother’s side of the family from Jamaica introduced him to the vibrant sounds of dancehall as a child, with late-night walks through the streets of Kingston immersing him in the rhythms that would later influence his own sound. His father, a vinyl enthusiast, further fueled his passion by taking him to record shops in Kingston, where they would hunt for rare records—laying the foundation for a lifelong love of music.

From an early age, Djstubble showed a natural affinity for rhythm, starting percussion at just eight years old. His love for music evolved over the years, and he eventually found himself drawn to the underground electronic scene. The UK sound—particularly bass house, afro house, Italo house, jungle, and underground hip hop—became his musical home. His influences include pioneering figures like Chris Sheppard, whose work on the Electric Circus show deeply resonated with him. The energy and innovation of the UK scene and independent labels, especially Defected Records, shaped his creative vision and sound.

Djstubble's journey as a DJ began online, streaming on Twitch and quickly building a dedicated fanbase with his eclectic sets. His style is a blend of the underground, with a heavy focus on groove and energy, whether it’s the punchy basslines of house or the frenetic pace of jungle. He has worked extensively in the Edmonton area, providing the soundtrack for weddings and corporate events, but his true passion lies in music production. Whether behind the decks or in the studio, Djstubble is all about creating tracks that not only move the body but connect with the soul.

Now, Djstubble continues to hone his craft, pushing the boundaries of sound while staying true to the roots of the UK underground scene. As he takes his productions and performances to new heights, his goal is clear: to create immersive experiences that leave lasting impressions on every listener.

2nd channel of @tatesedar_music
⚙️ REMIXES, EDITS & MASH-UPS all here!

𝖕𝖔𝖘𝖙-𝖊𝖉𝖒 at the beat of house 🤳 20k on TikTok
🌁 SF ↔ LA 🇺🇸🇬🇧

TATE SEDAR is a San Francisco-born producer/DJ that made his mainstream debut on the EDC Virtual Rave-a-Thon (2020) and is cutting the noise in dance music with his articulate style of electro, tech & bass house. Now listed on the Insomniac Artists roster, he has mixed with Don Diablo, Dada Life, Cash Cash, Borgeous, Breathe Carolina, Wolfgang Gartner, DallasK & Henry Fong. He has also been featured on radio and credible publications such as Dancing Astronaut, EDM.com, WeRaveYou, YourEDM and others. He currently resides in Los Angeles - with a constant lifelong search to find the best hoodie.

Producer/DJ from the USA specializing in House, Lofi and Pop.

New songs ever 1 to 2 weeks. Deep Dance rhythms and smooth lyrics designed to make you FEEL...



Nicky Gold is Ukrainian DJ and music Producer. Started his career in his hometown in age of 19, as party organazer and a DJ. Later on got an offer to have his first residency in Asia. Since then has been working as a resident DJ in multipule major night clubs with huge production scene, guest DJ for a lots of music festivals and Top100 clubs in a World. House Music producer.

#darkprogressive #darkfam
“We are all one with music, the Language of Silent Expression.”

Previously known as "SANBRØS"

Good grief savage cosmos—there he goes again. Some kind of strange audio beast crawling through the digital underbrush with a head full of acid and a suitcase full of vinyl. Fifteen years this sonic deviant has been terrorizing dance floors from Ibiza to the alkali flats of Black Rock City with his peculiar brand of audio hallucination they call "techno."

I first encountered this rhythm junkie in the back room of Amnesia, where Sven Väth was conducting some kind of Germanic tribal ceremony for 2,000 Spanish teenagers and a handful of British tourists who looked like they'd been awake since the fall of the Berlin Wall. Our subject was there, of course—eyes like silver dollars, hands moving across the equipment like a man defusing a bomb while simultaneously conducting an invisible orchestra.

The man is EVERYWHERE. Like some kind of rogue cultural anthropologist with a pathological addiction to bass frequencies. One weekend he's serving dark, hypnotic soundscapes to the leather-clad deviants at Panorama Bar alongside Gerry Reed, the next he's in Brazil, standing next to Sasha and Renato Ratier at Warung Beach while 500 beautiful mutants writhe in the sand like creatures from some Jacques Cousteau nightmare about the future of human evolution.

And then there's Burning Man—SWEET SAVAGE INFINITY—where he's become a fixture at the Mayan Warrior, that rolling monument to technological excess and questionable decision-making. There he stands, this audio desperado, conducting a symphony of synthetic noises for dust-covered freaks whose perception of reality has been chemically adjusted to the point where they believe they're receiving transmissions from another dimension. AND MAYBE THEY ARE.

His production style is the audio equivalent of a Hieronymus Bosch painting—intricate, terrifying, and somehow beautiful in its depraved complexity. Underground to the bone. The kind of sounds that make record executives break out in hives and reach for their heart medication. But to the night people—those strange nocturnal creatures who live for the moment when the kick drum aligns with their heartbeat—it's a siren call they cannot resist.

This is not a man playing records. This is a shaman conducting mass exorcisms through frequency manipulation. A sonic psychiatrist treating collective trauma with carefully calibrated vibrations. A renegade physicist exploring the relationship between sound waves and human consciousness.

He continues his relentless global crusade, expanding his discography with the fervor of a man who knows that somewhere, in some sweaty basement club or desert festival or abandoned warehouse, there are people waiting to have their neural pathways permanently rewired by his particular brand of audio alchemy.

"When the going gets weird, the weird turn pro," I once wrote in a moment of clarity between bourbon shots. Well, this professional weird-turner has made a career of navigating the strange edges of club culture, transforming darkened rooms into temporary autonomous zones where time dissolves and only the rhythm remains.

By all cosmic forces. He shows no signs of stopping.​​​​​​​​​​​​​​​​

“ Hunter S Thompson AI on KidIsLive “

Antoria Records started as a non-profit record company in 1996 to give musicians a chance to explore their musical creativity. Today we are working creating our own independent music to fit our needs. 

Copyright (©) by Lars Christer Karlsson

ebonyenforcerdjm@gmail.com
With such challenging times my current inspiration for creating tracks has been to educate my Son Dominik on the benefits of music creation.   Even more so with it’s Mental Health Benefits.     Musically creativity is a proven healer of the mind.     I have partnered with https://youngminds.org.uk to donate a percentage of my track sales, Stay safe.

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