Smash on chill - round 2

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Cheeky Bootleg of Underworld's Born Slippy - Uk Garage style

Mark Hill V Underworld - Born Skippy (bootleg)

We’re proud to present you our offical remix for Matt Simons ‘Catch & Release’!

Show some love on Hypem: http://bit.ly/1Ev6wEW

Supported by:
Thomas Jack - Klingande - Kav Verhouzer - Lost Frequencies - Sam Feldt - De Hofnar - Felix Jaehn - Autograf - Vijay & Sofia Zlatko - Dennis Kruissen - Alex Cruz - Nicolas Haelgh - Henri Pfr - Cemode - Zwette - Roul & Doors - Ping Pong - MÖWE - Giel Beelen (3FM) - Gostan - Sebastien - Lou Van - Sonny Alven - Niklas Ibach - Lulleaux

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http://apple.co/1H52hy0

Listen @ Spotify
http://spoti.fi/1CGaMB7

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Bookings@deepend-music.com

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Matt Simons - Catch & Release (Deepend Remix) - [OUT NOW!!]

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Playa Paradiso

Got Me Good

Listen Here!

DL/Stream: https://laylo.com/feddelegrand/liquidmusic

His influence unquestionable across dance music’s landscape; electronic music heavy weight Fedde Le Grand returns to Toolroom, with his rootsy House anthem ‘Liquid Music’. A classic organ hook drives the track, with vocals appreciative of the genre, all wrapped up with Fedde’s unmistakable production.

No stranger to Toolroom, Fedde has been instrumental in the labels 20 year journey – with classic  singles, mix compilations, live performances and of course his seminal remix of Coldplay ‘Paradise’ released on Toolroom in 2011. It’s an honour to welcome him back to the label.

Liquid Music

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La Serenissima

Feel The Beat (feat. Baccus) Extended Mix

Kevin McKay might be best known for his cover versions and remixes. He has taken on some big songs (”Work”, “Gimme Gimme”) and delivered bona fide dancefloor weapons to the hands of thousands of DJs and millions of music fans. Nostalgia is so big these days that these huge songs often overshadow his original work. Over the last couple of years, he has been returning to his roots as an original, deep house artist, bringing the creativity and energy that made his 90s releases as Muzique Tropique, Sixteen Souls, or Studio Blue so beloved back in the day. To celebrate this, we are releasing a collection of his favourites, titled, quite simply, “Some Originals (Volume One)”. To add a unique flavour, he has delivered a brand-new single, “Deep Trouble,” and an update on his collaboration with Mallin and Nyla. Much like his production on Mylo’s classic “Destroy Rock’n’Roll”, we think this provides the perfect combination of dancefloor-ready sounds and poolside listening. Enjoy.

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Kevin McKay - Deep Trouble (Extended Mix)

Mallin follows up his killer collab with Sam Dexter with another one of his classic deep house "lullabies." For this release, he teams up with Kevin McKay (something they have done before, back in 2020). The two of them enlist the vocal talents of Brazilian chanteuse Nyla and deliver a beautiful, original, deep house groove. Luscious Rhodes and a subtle, bumping bass form the backing for NYLA's heart-stopping top line. Add in layers of lilting percussion and some sparkling synth sprinkles, and you have a perfect Ibizan sunset anthem. Gorgeous.

Kevin McKay, Mallin, NYLA - Losing Control (Deep Extended Mix)

Serve Cold, Grigoré and Jaguar Jaguar return to Defected with ‘LOW’, following the success of breakout label debut ‘Dancing’ in June 2025. Frequent collaborators Serve Cold and Grigoré first made music in 2024, inspired by the electronic soundscapes and neo-soul of artists like Jungle and Khruangbin. Together with Belgian band Jaguar Jaguar they debuted their fresh house record ‘Dancing’ on Defected Records in June 2025. The track was a breakout success, earning two million streams and two-thousand radio spins in under two months thanks to early support from the likes of Keinemusik, RÜFÜS DU SOL and Tripolism - the track also topped the Beatport Afro House chart for nearly two weeks after release. Now they build on their dreamlike dance sound with ‘LOW’, an acronym of “Love is the Only Way”. Drawing on their shared inspirations spanning world music and underground electronic, ‘LOW’ proves the staying power of Grigoré, Serve Cold and Jaguar Jaguar as good friends and musical collaborators with bubbling textures and dancefloor euphoria.

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Serve Cold & Grigoré x Jaguar Jaguar - LOW [Preview Clip - Out 29th Aug]

Max Chapman and Mischief deliver the Terrace Mix of their Defected debut ‘Whisper’ with Rag’N’Bone Man. Released in July 2025, ‘Whisper’ quickly hit half a million streams while making a splash in Australia with impressive support on Double J Radio. Now the producers, and good friends, Max Chapman and Mischief deliver a summery dub that spotlights the original’s brassy live instrumentation over a lively and wonky sub bass.

Listen/Stream

Rag'n'Bone Man, Max Chapman, Mischief - Whisper (Max & Mischief's Terrace Mix)

Read more: https://wearesoundspace.com/premiere-peverell-kuuda-so-spiritual-yousef-circus-rework
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Yousef
https://soundcloud.com/yousef

Peverell
https://soundcloud.com/peverell_music

Let There Be House
https://soundcloud.com/lettherebehouserecords

MORE MUSIC

Premiere: Peverell & Kuuda - So Spiritual (Yousef Circus Rework) [Let There Be House]

Free Download

Mark Hill V Reece Whetter - I Don't Need To Know [Free Download]

https://xelon.lnk.to/Happywithoutme
Mark Hill's dramatic influence on the scene is hard to overstate. A founding member of Artful Dodger, who dominated the turn of the millennium with their cross-over garage sound, including a string of hits featuring soon to be superstar Craig David.  
With more flavour than ever, Hill returns at full force with prodigious vocalist Nat Slater. The 18 year old co-wrote the neo-garage motif "Happy Without Me" and has a connection with Hill that stretches back to before she was born. 
 The 2000 album "It's All About The Stragglers" contained a very special single "Outrageous" which featured the vocals of Lynn Eden. By the time of the photo shoot for the CD single Lynn was incidentally carrying the unborn Slater, not knowing her daughter would grow up to collaborate with Mark Hill on a project as special as this. 
 "Happy Without Me" conglomerates a heartfelt modern R&B vocal performance with Hill's dynamic and atmospheric production. It contains a rhythm and distinction that only comes from the UK and a quality that echoes through the generations.

Happy Without Me

Mark Hill X Nat Slater - Happy Without Me

OUT NOW - http://po.st/WhatIMightDo

With what might turn out to be one of the biggest tracks of the year, the massive 'What I Might Do' by Ben Pearce is here. Solomun, Seth Troxler, Jamie Jones and Pete Tong are all already on board with championing this slick combination of soulful urban vocals and irresistible grooving deep house. It has graced danced floors from Berlin to Ibiza and is quickly developing into a runaway train... We're especially pleased to be exploring new genres with one of the biggest tracks of the year so far.

Follow Ben Pearce here: https://www.facebook.com/benpearcedj 
Follow MTA Records here: https://www.facebook.com/MTARecords 
Follow Under The Shade here: https://www.facebook.com/UTShade

Buy on iTunes

Ben Pearce - What I Might Do

CONTACT: rob@robosonic.cc
BOOKING : Ben King | Radius Agency
Tel:  +44 (0) 208 5499735
E:    ben@radiusartists.com
W:   www.radiusartists.com

AUSTRALIA : mike@thickasthieves.com.au

mixed & mastered music welcome here : promo@robosonic.cc

OUTTAKES Records: rob@robosonic.cc

CORD LABUHN [Robosonic | Outtakes | Punchi] 

Cartoon life - At six years old, CORD LABUHN had his first real career aspiration : becoming an ‘inventor’. Or space traveller. At least working in some kind of laboratory. Hence he became a producer of beats, tunes, records, imagery & merch - and toured the whole planet to play music for the most spaced out...
Earlier, when the ghost of Jimi Hendrix jumped out of his parents record collection and passionately promoted the guitar as the weapon of choice for a leftist punk, folk, if not eurodance infected teenager of the 90s, the piano and his sister’s drumset would have to step back for a while. 

A few years later when TV was still the thing and gaming consoles like PS1 were battling N64, Cord the Beatmaker was rather staring at tiny AKAI S2000, MPC and CRT displays, head-nodding, turning the jogwheels, dreaming of a second turntable to complete his DJ setup - the true school, golden age hiphop way. Next mission - still as a school kid - was a self-released vinyl record with international distribution through a self-founded label – learning everything from scratch, only a few years before DJing went 99,9% digital, crazy fast and globalised anyway. 
Arriving in Berlin and founding the mashup label „BROKEN BOOTLEGS“ (with Exploited’s Shir Khan and Andy Szankay) was good sparring for more delinquent ventures in professional sampling culture. Musical diversion had found an anarchic playground, genre-bending seemed to be a welcome concept for a radical open mind.

To date, his longest running project is ROBOSONIC, which was originally formed as a DJ-producer duo together with Sacha Robotti more than 10 years ago. Over the course of time it became Cords solo moniker in the dance music game, since his former partner had emigrated to the US for a fresh personal start. 
A while after the unconventional, free-spirited debut album „Sturm und Drang“ (2007) Robosonic took the world by storm with a string of popular tunes and remixes that went into the crates of tens of thousands of DJs worldwide and made it to top spots in the infamous Beatport charts (“Worst Love”, “The Edge” 2012, “La Fique” 2013, “House Music” 2015, “Rise” 2016). With releases on labels like Defected, Toolroom, Get Physical, Diynamic, Stil vor Talent, Deep Dish’s Yoshitoshi, Nervous, Crew Love, Kittball or Mother Recordings, ROBOSONIC became an authentic figurehead for something dubbed “Golden Era House” (Juice Magazine). Not only because Cord was convincing real rap icons like Masta Ace, Jeru the Damaja and KRS-One to collaborate on house tracks, but also because ROBOSONIC remixed true legends like Todd Terry, Arthur Baker, Kerri Chandler and Eddie Amador.
The house & techno driven sets and records under the R°° flag are internationally recognised and performances in 45+ countries (and counting) reflect the universal appeal of a trademark sound Robosonic unleashed into the world. North & South America, most European countries, South East Asia, China and Russia, Egypt down to South Africa, Dubai to Australia, Lebanon and Israel. Cord Labuhn has seen and pleased hundreds of stages, clubs and crowds over the last years. And with the string of new Robosonic releases through Defected, Kittball, Mother Recordings and more it becomes clear that he won’t stop shedding club sweat and tears.

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