What kind of sorcery is this? Perfection.

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Photo Credit:
Christian Lamb

Lee Burridge - Robot Heart - Burning Man 2022

Matthew Dekay "Für Die Liebe" Mix March 2014

Burning Man 2013 Disco Knights

It's Tuesday night, we enter Burning Man a day late due to the rain. It's my first burn, and Sarah my girlfriend, it's her third. With little time to settle at our camp, we can't set up our newly purchased bikes. So we venture out in search of Robot Heart by foot. Arriving onto the playa for the first time at night is incredibly intense, the place is so vast. The lights, sounds and atmosphere is other worldly. It's distracting, let alone the fact we need to somehow find Robot Heart by foot in amongst all of this brilliant and mesmerising noise. We start walking in any direction, Sarah being an experienced burner knew full well the bus could be out deep in the desert far away. We ask people if they have seen it. Mixed answers get us nowhere. Scanning the horizon for anything that resembles a heart. So many things look similar. Somehow my eyesight pays off and the saving grace was the giant Robot held up high. Finally arriving and panic over we run straight into Phillipp from M.A.N.D.Y. With some time to spare before I play he asks us if we want to go for a quick cruise around to explore. With the obvious lack of our bikes he purposefully and very quickly introduces us to Benjamin and the crew from Robot Heart, who throw us both on the bus immediately. To our surprise the bus suddenly starts driving away. Everyone follows. An amazing experience as we watch thousands of bikes, lights and art cars slowly following the bus. It was like the bus was leaking - spewing out these bikes, lights and art cars all over the desert floor, leaving this incredible trail behind itself.
A good 30 minutes pass, the bus and gathered crowd is settled and in its final place for the night. I begin to play - my first gig at Burning Man, my first time on Robot Heart, all on my first night at BM in this crazy desert. All brilliantly overwhelming. Even after everything though, I am completely relaxed. It's a setting and experience I'll never forget. Playing and looking out over everything down below. You could take a picture of what you see in front of you and look at all of the different things for hours. But this was real life and in motion, always changing, so much to take in. By far one of the most enjoyable moments of my life. Which was topped only by mine and Sarah's fun wedding ceremony we had later that week in front of the Temple. The picture is our first kiss as newly weds!

Thank you Robot Heart and Burning Man! I definitely hope I can return to the Bus and the playa every year now!

https://soundcloud.com/timgreen
www.facebook.com/TimGreenMusic

Photo: Haz Al-Shaater

Track list:

1) Moon Stroller (Emanuel Satie Remix) - Dream Awaken - Electronique
2) Straight Ahead - Andre Butano, Miguel Lobo - Brise
3) Little Flies (Buttrich Unreleased Remix) - Tim Green - cdr
4) Tilt - Loic Tambay - cdr
5) The Last Day (David Meyer Remix) - Moby, Skylar Grey - Little Idiot
6) November Rain (Mario Basanov Remix) - Watergate
7) Fangtango - Matthew Dekay - Maeve
8) Scar - Tim Green - Disc Over Music
9) Pictures (Himan’s Frame Work remix) - Florian Mindl, Jukka Reverberi - Flash
10) Les Gobelins - Villanova - Cocoon
11) Nuevo Romance - Mathias Schaffhauser - Noice!
12) White Flowers - Nikola Gala, GummiHz - Claap
13) Clouds (Boso Reversion) - Few Nolder - Boso
14) Just People - Tim Green - Disc Over Music
15) Lead Balloon - Richard Seeley - Zombie Soundsystem

Tim Green - Robot Heart - Burning Man 2014

Hello Hot Dogs! I've waited for this day for over 14 years: mix #100 is live. When I released my first mix in 2010, I titled it [001] instead of [01]. Using three digits was aspirational, a quiet promise to myself that I might one day reach triple digits.

These mixes trace the narrative of my adult life. They've been the thread connecting me with so many of you—some I'll never meet, others who've become close friends (and even roommates—hi Dan, hi James).

Back when I released my first mix in 2010, we were still buying mix CDs for our cars. Soundcloud was just emerging, and I committed to monthly releases to this new platform. I may be overreaching here, but I can’t remember any other DJs presenting conceptual mixes, monthly, as packaged works of art: a conceptual title, description, and artwork. That consistency and novelty helped build a following outside of my local scene, and when my 2012 Robot Heart recording came out, things really took off internationally.

By 2015, the momentum led me to leave my software engineering job for full-time DJing—largely thanks to these Soundcloud mixes. I was purely a DJ then with a nascent Manjumasi label formed with Mark Slee, not releasing my first original track “Peculiar Colors” until 2017.

The landscape in 2024 looks different. As Soundcloud rotted to hell and Spotify rose, the value of mixes has sharply declined. With thousands released daily, they've become ubiquitous. The career path for electronic artists now revolves around original productions and social media presence.

This industry evolution pushed me toward producing my own music, opening up new creative paths I'm grateful for. The social media aspect has felt natural, as it's been an integral part of my project from the start. These last few years, the touring schedule, studio time, and home life as a husband and father slowed me down from my monthly cadence, but each mix still feels like a deep-rooted part of my message to the world, (mostly) through other people's music. 

Mix [100] was recorded September 7, 2024, at Public Works in San Francisco, the city that "raised me" as a club kid, where I first learned to DJ. This 5-hour set marked my last show in North America before taking an indefinite mental health break from touring. Playing this set was emotional, to the point of tears in the DJ booth, with support pouring in from both new listeners and those who've been there since the beginning. I couldn’t think of a better way to reach 100.

I've also created http://www.atish100.com to house all my mixes and their 1,400+ tracklists in one place, which I'll keep updating as new mixes go up on Soundcloud and YouTube.

This mix marks a meaningful milestone for me. Thank you for making this journey possible. You, and the 1400+ artists and labels I referenced helped create a life I never imagined.

Tracklist

atish - [100] - Atish All Night (Live in SF, 5 hours)

Variety of EMD-esque songs, many with middle-eastern vibes and instruments

House of the Orient

My essential mix was created with a sunrise set on the robot heart bus in mind out at Burning man, 2015. I played the actual set at BM pretty much the same time this mix was broadcast on Radio one. I don't usually plan mixes out but for this one special occasion I purposely created a similar flow and some of the mixes featured here. Enjoy!

LEE BURRIDGE - RADIO ONE ESSENTIAL MIX

♫ Download ♫:
http://www.deephouseamsterdam.com/dha-mix-267-yokoo

Catch YokoO in St. Martin at SXM festival 2017, March 15-19

https://soundcloud.com/yokoo
https://soundcloud.com/sxmfestival

♫ DOWNLOAD ♫

YokoO - DHA Mix #267

I like to imagine sometimes where the music will travel to. Who it will be given to or shared with. Whether it will be played at an after party in London or listened to on a set of headphones while watching the sun rise from behind a mountain in Tibet. I wonder which tracks you'll fall in love with instantly and which will grow on you as time passes. 

I know this is a really long mix and the journey into it and out the other side takes some commitment but, on the plus side, it saves you having to look for anything else to play for ages and ages.

 I hope you love the tracks as much as I do and thanks for listening.

As always, this is for Christina. For all those long nights working in the cloud

With love, Lee

Lee Burridge - Requiem For A Daydream

I’m happy to release my recording from Sandbox Festival in Hurghada Egypt. I always love playing the Middle East. The sights, sounds, tastes, and smells are very different than my home, all of which represent one of my favorite aspects of DJing: getting enjoy the world’s diversity. Beyond that, I’ve found that the people of the region are an incredibly friendly and passionate bunch, so playing a festival that attracts the heads from many across the region was special for me.

The Sandbox mainstage was a big one - these stages are sometimes tricky for me as I feel pressured to go for the jugular and bang out a medley of big drops for those hands in the air moments, but I resisted the pressure and went instead for undulation between the deep moments building to the big ones while maintaining a steady groove through. Hope that idea came through, hope you enjoy the set, and can’t wait to make my way back to the Middle East!
Thanks @moagalleryph (IG) for the photo.

Tracklist: http://bit.ly/atish-mix-sandbox-festival

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atish - [079] - live at sandbox festival, egypt

Hoj's 2012 post-sunrise set atop the Robot Heart at Burning Man has become one of his most popular. What many people don't know is Lee Burridge joined him after his set for an epic back-to-back session that went on into the afternoon. Hoj and Lee found the recording on an old hard drive, and wanted to share.

Live on the Robot Heart 2012

Hoj b2b Lee Burridge - Burning Man 2012

Robot Heart is a collective of doers and dreamers, artists and entrepreneurs. Our home is in the desert dust of Burning Man, and the streets of New York City, Detroit, Bay Area and Hong Kong. Home is wherever the Heart is.

Robot Heart is a community and a family, and our events are an extension and celebration of that community, bound together by shared values of inclusion, giving, environmental responsibility and mutual respect.

Music is our first language, and our mission is to bring love and beats to the world. We work with and support artists, technologists and visionaries of all types in order to create incredible experiences and connected moments. To create love and beats, for you.

Tim Green - Robot Heart - Burning Man 2014

Robot Heart

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