How do you do that ? Find your music its wonderful ❤️

If a song felt like a movie in itself... I am in awe ❤️ How has this not been picked up for a blockbuster soundtrack yet?

FRAGMENTS - Nouvel EP "Landscapes"
Sortie le 7 avril 2014

Fragments : Sylvain Texier / Tom Beaudouin / Benjamin Le Baron

Titres enregistrés et mixés par JB Deucher au Studio Microbes (Villetaneuse)
Guitares additionnelles sur "Echoes" et "Paperclouds" enregistrées par Amaury Sauvé au studio La Senelle (Laval)
Prises additionnelles par Fragments
Mastering par Damien Tillaut

Echoes

"Craco", from Hauschka's latest studio album, 'Abandoned City'. Get it today at www.smarturl.it/abandonedcity

Hauschka - "Craco" (Live from 89.9 KCRW — 4/22/14)

Instrumental tango, created for Rami Shaya's residency at European Dance Heritage, Madrid (May 2014).

Written, performed, recorded & produced by John Lemke 
in Berlin & Glasgow

Tutaj Tango

A glitch remix of the piece 'Berlin By Overnight' by Max Richter. 

Released on Vinyl and download by Deusche Grammophon

http://www.deutschegrammophon.com/gb/cat/4793988

Max Richter  - Berlin By Overnight  (Tom Adams Remix)

STARDANCER

Buy Infinity Pools EP: http://smarturl.it/buyipools

What does the future of peace and quiet look like? Is it possible for someone to find serenity in a world where population mushrooms and buildings continuously jockey for the best possible view? With Kael Smith’s (Mombi, Khale) Mute Forest this dichotomy is at the epicenter of his 'Infinity Pools EP' due April 7th via Lost Tribe Sound. 

To coincide with visuals courtesy of Gregory Euclide (Bon Iver, Erased Tapes), Smith’s debut EP fuses acoustic sounds, mangled electronics and provocative lyrics across four meditative yet mesmerizing tracks. 

Serving as a companion piece to his expansive and sonorous LP, 'Deforestation', due later this year, Smith’s 'Infinity Pools EP' was actually written as a reaction to that material but will be released first.“ 'Deforestation' will in a sense be a prequel to the EP,” explains Smith. “And for listeners who follow along, should provide an interesting reverse narrative,” he concludes. 

“Crypt,” the EP’s opener, contains oscillating vinyl-sampled rhythms, chiming electric guitar and gently struck nylon guitar. Following that is the sparce and haunting “Volcanoes Flowing,” which traces a melancholy beat and slow, lovely piano crescendos to its heartbreaking conclusion. 

Darker in tone, title track "Infinity Pools" has a commanding presence using ominous electronics and damaged samples of Le Creuset pots being struck. Heavily processed and featuring vocals from Smith’s longtime girlfriend Kelly O’Brien, the track unfurls into a hypnotic groove over the chilling words “You’ll feel like an ember trilling/out in space.” 

Washing over the listener to conclude the EP, “Eat the Skin” originally started as an A Winged Victory for the Sullen remix of a song off of their recent LP, 'Atomos'. As the track progressed though, all of the layers performed by AWVFTS were eventually stripped leaving only acoustic guitar and Smith’s voice. “I like to pretend we wrote that song together, hopefully someday they will hear it” desires Smith. He uses the big, cavernous sound of acoustic guitar as base for unhurried, dulcet vocals and airy electronics. “I’ve always loved the big, acoustic sound of Seafood’s “Desert Stretched Before the Sun”“ explains Smith. “I really tried to emulate that deep resonate tone where the acoustic sounds like a tidal wave.”

All songs written, performed, recorded and mixed by Kael Smith (http://kaelsmithmusic.com) 
Kelly O'Brien backing vocals on "Infinity Pools."  
Mastering by Taylor Deupree at 12k Mastering 
Production assistance on "Crypt" & "Volcanoes Flowing" by Matthew Herron 

Original artwork by Gregory Euclide (http://gregoryeuclide.com) 
Copyright 2015 Lost Tribe Sound (http://losttribesound.com) 
Published by Settled Scores 2015 (ASCAP)

Infinity Pools EP

Volcanoes Flowing

Buy EP

Mute Forest - Volcanoes Flowing (from Infinity Pools EP)

Dmitry Evgrafov & Vika Bogorodskaya — Ride

2. track of my upcoming debut "Window Gazer" to be released 18th of september via Hellbig Music



Afloat

"Metamorphosis 3 (John Beltran's “Tangerine Sunset Mix”)" by Bruce Brubaker and @john-beltran has been released on October 9th through @infine-music. 

Win tickets for Brubaker's upcoming concerts here: 
bit.ly/BruBel

Info

Bruce Brubaker - Metamorphosis 3 (John Beltran's “Tangerine Sunset Mix”)

Taken from his forthcoming album 'Spells' out June 10 on Erased Tapes.

Pre-order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP085
iTunes: http://snip.ftpromo.net/spells
Spotify: http://snip.ftpromo.net/goldentimes
Bandcamp: http://snip.ftpromo.net/spellsbc
or any other good record store worldwide

"It's just incredible" – Mary Anne Hobbs, BBC 6 Music
“Strangely upbeat nocturnes" – The Wire

‘Spells’ merges programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation. In some ways it continues where his underground debut ‘Gravity’ left off, though a lot of weight is lifted, making room for a lighter and more energetic listen. Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered both albums. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks – this is a real piano”. 

His intricate, humanised programming – enhanced by drummer Achim Färber, cellist Anton Peisakhov and harpist Lara Somogyi, and a considerate selection of echoes, delays and compressors – has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, ‘Spells’ can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths. 

Linking the two albums are the four movements of ‘Nocturne’, an ever-developing conversation that on occasion flirts with the grandeur of compressed rock drums. The first single, ‘Golden Times 1’, received a world premiere by BBC 6 Music’s Mary Anne Hobbs, proclaiming it as "incredible." An alternative version of ‘Sleepers Beat Theme’ – composed for the soundtrack to a short film about the Trans-Siberian Express – opened Jon Hopkins’ Late Night Tales album from 2015, who noted “I thought it was such a calming and sensitive piece that sounded to me like the beginning of something...the warmth and depth of the sound entrances me every time”. 

Though ‘Spells’ and ‘Gravity’ are his first albums recorded under his own name, as acclaimed electronic producer HECQ he’s released nine albums since 2003, exploring everything from ambient to breakcore. He has simultaneously established himself as a trusted composer and sound designer, working for a wide array of clients including Amnesty International and Marvel Comics; composing for feature films, games, art installations and convention opening titles.

After embracing this demanding line of work, in 2010 Ben felt the need to explore his roots and early education, which inspired these albums under his own name. Born in 1981 as the third child of opera singer Deirdre Boysen and actor Claus Boysen, his classical music training on piano and guitar began when he was seven years old; the works of Bruckner, Wagner and Bach laid an important foundation. Rediscovering this music shared with his parents – united with the sounds of Autechre, Cristian Vogel and Jiri.Ceiver to Pink Floyd and Godspeed You! Black Emperor – brought back an understanding of why he wanted to write music in the first place.

“Finding my views understood, reflected and welcomed by Erased Tapes was an encouraging experience, crowned by the offer to release ‘Spells’ and re-issue ‘Gravity’ with them. Through many caring conversations with Robert I felt that there’s no better home for the existing ideas and no better cradle for new ones.”  – Ben Lukas Boysen 

TRACK LISTING:  	

01. The Veil  02. Nocturne 3  03. Sleepers Beat Theme  04. Golden Times 1
05. Nocturne 4  06. Keep Watch  07. Golden Times 2  08. Selene

Spells

Golden Times 1

Buy LP/CD/DL

Ben Lukas Boysen – Golden Times 1

single taken from the Robot Koch Album Sphere.
Out October 5th
Movement III written by Robot Koch and Julien Marchal

Movement III

contact@treesandcyborgs.com

Robot Koch is an award-winning artist and composer from Berlin, now located in Los Angeles.

With a discography that spans numerous albums and over 100 Million streams on Spotify alone, Robot Koch has established himself as a sonic explorer in the realm of electronic, ambient, and modern classical music. His compositions have been featured in several movies, TV shows, and his own immersive AV experiences that sell out venues worldwide.

Koch won several international awards for his work, collaborated with Grammy-nominated Estonian conductor Kristjan Järvi and his Orchestra, remixed artists like Max Richter, Christian Loeffler, and Anoushka Shankar, and is in an ongoing collaboration with The Monroe Institute around the sonic exploration of human consciousness.
In his ambient Project Foam and Sand, Robot Koch expands his fascination with the intersection
between science and spirituality.
The result is truly transformative music, reminiscent of legendary ambient composer Harold
Budd’s own reveries and the quiet ecstasy of early Sigur Ros.

Movement III

Robot Koch

Recent comments

Alireza Shams

Ben Lavalley

perfectly reasonable deviations is a terrible name

Juan Marciano

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