How do you do that ? Find your music its wonderful ❤️

If a song felt like a movie in itself... I am in awe ❤️ How has this not been picked up for a blockbuster soundtrack yet?

This is Robot Koch

"Procellous" (Arms & Sleepers Remix) off of Caspian's upcoming EP Hymn For The Greatest Generation out 11/11/13 on Triple Crown Records

Buy on iTunes - https://itunes.apple.com/us/album/hymn-for-greatest-generation/id726656004

Official Site - http://caspianmusic.net/
Facebook - http://www.facebook.com/CaspianTheBand
Twitter - https://twitter.com/Caspian_


Caspian - "Procellous" (Arms & Sleepers Remix)

A WINGED VICTORY FOR THE SULLEN - 'ATOMOS VII'
12"/digital out now.

ORDER: www.erasedtapes.com/store/index/ERATP056

A Winged Victory for the Sullen – 'Atomos' out on October 6, 2014.

ORDER the album now on CD/2xLP/DL and Ltd. 500 edition clear vinyl via our store: www.erasedtapes.com/store/index/ERATP061
Or via iTunes: snip.ftpromo.net/atomositms

TOUR DATES: 
www.facebook.com/awvfts/app_123966167614127

After releasing a first glimpse in the form of the ‘Atomos VII’ EP earlier this year, A Winged Victory For The Sullen finally reveal their second full-length album entitled ‘Atomos’, which besides familiar piano, string and drone sounds also sees the duo introduce flurries of electronics, harp and modular synthesisers.

Wayne McGregor, founder of Random Dance Company and resident choreographer at the Royal Ballet, chose to play the album repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam and Dustin to see if they could write the score for his new oeuvre. The duo were given complete artistic freedom and they treated the score with the same care and attention as their debut album. They recorded more than sixty minutes of music over a four-month period during the summer of 2013 across studios in Brussels, Berlin and Reykjavik, with the help of their long time collaborative sound engineer Francesco Donadello. During the recording process they realised, that this would become their official second studio album. McGregor provided them with the inspiration to expand their sound palette into more electronic territory, whilst keeping their signature chamber sound, resulting in a very unique record.

“As a wise man once said, one who procrastinates their own choosing will inevitably have their choice served to them by circumstance. We had virtually no time for second guessing ourselves. That being said, we tried to balance the discordance between being creative, and fulfilling our duties for a commissioned soundtrack with a very strict deadline, and all the while staying true to our collective melancholy.‘’ – Adam Bryanbaum Wiltzie

“We never imagined 2013 would be such an explosively creative year. The first record took us two years from start to finish, but in the micro span of time over last summer we were able to change the formula for the way we write, record, and let go. It was incredibly liberating.” – Dustin O’Halloran

OFFICIAL WEBSITES: awvfts.com · erasedtapes.com

Atomos VII

A Winged Victory For The Sullen – Atomos VII

Original track "You where there, somewhere..." from @grkmhn

Hope you'll love it ;)

Görkem Han Jr. - Ywtsw (mindthings rework)

Sundown

Purple Moss

from 'Nomad Frequencies' [CD|2xLP|DIGITAL]
Denovali Records · den237
available in September on all formats at [http://denovali.com/johnlemke]

An ardent moulder of sound, John Lemke began carving out a very unique music blend on his debut album 'People Do' (2013) and its follow up EP 'Walizka' (2014). Informed by his work as a sound designer & composer for documentary films and his natural inclination towards fusing rhythm with rich textures and emotive melodies, he set out on a musical path that had been long in the making and is ever evolving.

The quest for unusual, inspiring sound sources has always been at the heart of John's process, however the genesis of his second album 'Nomad Frequencies' was rooted in much more inadvertent circumstances. In the summer of 2014, forced to indefinitely evacuate his Glasgow flat and studio due to structural damage from one hour to the next, with nothing more than a laptop and a bag of clothes, John embarked on a six month odyssey of soul searching, couch surfing and spending an extended period of time in his old hometown of Berlin for the first time in years - it was to be an odyssey that would help ferment and distill the ideas of his second album on which work had just begun. 

A year of particular global turmoil and upheaval, combined with John's personal, albeit very minor, 'displacement', caused a lot of questioning, frustration and anger, which somehow found its way onto the new material: a more confrontational, at times aggressive sound, paired on the other hand with a yearning for harmony, balance and space. Other influences came less from the world of music, but rather in visual form, through the densely textural art of Anselm Kiefer and the political, yet poetic musings of film maker Adam Curtis.

Intent on refining his sound toward a more minimal, bolder style, John set out to limit his sonic palate to a handful of carefully chosen elements. At the centre of this new direction remains the muted piano already introduced on his debut, but in a much more purified and raw form. This organic base is adorned by the warm fuzzing and wavering of analogue synthesisers, tape echoes, meditative tuning forks, field recordings from John's 'exile' period and percussion based on his rigid approach to sampling, which started developing on 'Walizka'. The guiding principle of his orthodox style of recording and sampling is to only use home-made sounds by utilising his own field recordings, applying contact microphones or hydrophones to objects and instruments, running them through different kinds of speakers and re-recording the sounds to arrive at a 'lived in' quality, often misunderstood as plainly 'lo-fi'. Touches of viola and woodwinds parts (Kim Moore of WOLF and Andrew Baker respectively) provide melody fragments and subtle details throughout the journey.

With John's healthy disregard for genre boundaries, the array of influences on 'Nomad Frequencies' is vast, but never over-powering. From the meditative tuning fork that starts proceedings on 'Of Elsewhere', the dub echoes to the hints of minimalism, free jazz explosions to the Lynchian atmospherics, all elements serve nothing more than the album's narrative journey between friction and harmony, best appreciated in its entirety. A rhythmic backbone collides with rich ambience and melody, often infectious and jarring at the same time, forging a soulful whole which most likely only reveals its true self after multiple spins.

Nomad Frequencies

John Lemke - The Unwinding

‘Loon’ will be released on Erased Tapes as a 12” vinyl as well as digitally on October 2nd. 
Pre-order it here: www.erasedtapes.com/store/index/ERATP072
or via iTunes: http://snip.ftpromo.net/loon

Containing five synthesiser-led pieces, ‘Loon’ was recorded in autumn 2014 across five days at Nils’s Durton Studio in Berlin, and continues on from the ambient sounds of ‘Stare’ but with the addition of more percussive elements and dub influences. For this new EP the duo wired an Oberheim 4 Voice and a Korg PS3100 to the mixing desk and performed live takes on both instruments. With all four hands on its pots, all mixes were recorded straight onto 2-track ½-inch tape.

Like on ‘Stare’, their first collaborative affair in 2012, they simply followed what was laying in front of them, and this time they were driven by some new synths, a kick drum and tape effects. Indulging in dub, the tracks where all performed rather than engineered, with Ólafur riding a few elements on faders and Nils bringing effects in and out. After running several mixes, they went for the five strongest moments from this session. The release was announced on a joint website www.arnaldsfrahm.com together with the launch of an intimate 45-minute studio film titled ‘Trance Frendz’, featuring another seven improvisations.

“Nils got some new synths and we thought we’d try them out. We loved them so much that we didn’t actually end up using anything else to make these songs.” – Ólafur Arnalds

“When I was young I was smuggled to Goa parties by my brother. The music played there in the late nineties had a somewhat deep effect on me. ‘Loon’ is almost a blurry memory of these times. In other words, it is what I’d like to remember that music sounded like back then. In fact it sounded probably really cheesy.” – Nils Frahm

Loon

Four

Buy 12"/DL

Ólafur Arnalds & Nils Frahm – Four

Unofficial and entirely unnecessary. Listen to the original instead: http://bit.ly/1IYjDeu.

Photography by Spencer Murphy: http://spencermurphy.co.uk. 

FREE DOWNLOAD: Jon Hopkins - Abandon Window (Hiatus Remix)

Here is a cover i did of  the masterpiece "Echoes" by Fragments.

Follow them here : -https://www.facebook.com/frgmntsmusic/
                                 -https://soundcloud.com/frgmnts


FRAGMENTS - Echoes (Echo 6 cover)

"Ulenflucht" from Niklas Paschburg's debut EP "Tuur mang Welten".

"Tuur mang Welten" is available as 12" vinyl and digital download here:
bit.ly/2fJS97G

LP|DL

Niklas Paschburg - Ulenflucht

The Other Side

Nitesky (feat. John LaMonica)

Listen / order: https://7K.lnk.to/Oceanic

Follow 7K!:
https://www.facebook.com/7Klassik/
https://twitter.com/7K_Music
https://www.instagram.com/7k_music/
http://7k.k7.com/

Niklas Paschburg - Spark

This is the first single from the new upcoming robot koch album "sphere".

https://robotkoch.lnk.to/Sphere

Robot Koch returns with Sphere, his first solo album since 2015`s Hypermoment on Moderat´s Monkeytown Label.
Sphere will be released on his own imprint, Trees and Cyborgs, in October 2018.
The sonic world Koch creates on Sphere is cinematic, dark, visceral and melodic, taking the listener on a trip deep
into inner/outer space.
In contrast to his previous albums, Koch did not collaborate with vocalists, deciding instead to create a mainly
instrumental record, with the exception of Numb and All In Your Mind which both feature Robot Koch`s own voice.
The album was written and recorded in Koch`s Echo Park Studio in LA over the course of a year, making use of his
analog synths, guitarpedals, and a regular fix of matcha tea.
Sphere is also the soundtrack to Robot Koch`s ambitious new live show, which he has been developing in cooperation
with the Zeiss Planetarium in Berlin. Together with visual artist Mickael Le Goff, he created a show for an immersive
full dome experience with surround sound.
The live show will contain custom made dome projection visuals and music written and produced for a
3D / AV environment.
Almost a year in the making, the visuals and music will take the audience on an excursion into the universe, visiting
places that could be both the veins of an organism or the inside of a spaceship.
Like the album, the live show oscillates between the dark synth driven science-fiction moments of song like Lyra One
and the beautifully melodic and haunted soundscapes which Koch crafted on songs like Movement III.
„It was a new experience for me to mix the album not only for 2D speakers this time, but to create a 3rd order ambisonic
surround mix for the show as well, so i had to mix the album twice“ Koch says.
The visuals, created in 8K resolution were equally challenging, with a single minute of visual content rendering for
more than a week.
The result is an immersive experience that will premiere at the Zeiss Planetarium in Berlin for the Red Bull Music
Academy Festival in October 2018, kicking off a tour in 2019 performing the show in planetariums worldwide as well
as at music festivals capable of full dome shows.
The theme for the live show and the album is the exploration of inner and outer space, the balance between nature
and technology, and the quest for the unknown which is ultimately a search for oneself.

get it here

Numb

single taken from the Robot Koch Album Sphere.
Out October 5th
Movement III written by Robot Koch and Julien Marchal

Movement III

From the Album Sphere
Support the artist and buy it directly here:
https://therealrobotkoch.bandcamp.com/album/sphere

Crystal Grid

written by Robot Koch and Julien Marchal
it´s the first single from the upcoming "SPHERE OUT TAKES AND REMIXES EP"
out april 26th on Trees and Cyborgs

Sphere Out Takes

Movement I

Robot Koch
www.robotsdontsleep.com
contact@treesandcyborgs.com

Robot Koch is an award-winning composer, producer, and sonic innovator whose work exists at the intersection of sound, art, and immersive technology. With a deep curiosity about the connection between music, science, and consciousness, he creates cinematic soundscapes that transcend traditional genres, blending electronic, ambient, and modern classical elements into deeply evocative experiences.

With a discography spanning multiple albums and over 100 million streams, Koch's music has been featured in films, TV series, and immersive audiovisual experiences that captivate audiences worldwide. His live performances, known for their multi-sensory depth, have sold out venues across the globe.

A recipient of multiple international awards, including "Best Immersive Experience" at the DTLA Film Festival, Koch has collaborated with renowned artists such as Grammy-nominated conductor Kristjan Järvi, as well as Max Richter, Christian Löffler, and Anoushka Shankar.

Constantly exploring the transformative power of sound, Koch’s work pushes the boundaries of music as a tool for healing, connection, and expanded awareness—bridging art, technology, and human emotion in profound and unexpected ways.

Movement III

Robot Koch

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