Migratory 

Robot Koch and BlankFor.ms team up for a new single release on Koch´s imprint Trees and Cyborgs.
"Migratory" is their 2nd collaboration track, following their successful first single "Subtle Ones".

Making use of BlankFor.ms signature degraded tape and synth sounds and Koch`s atmospheric and low-end heavy production, this pulsing hypnotic track combines detailed sound design with a contemplative mood and an uplifting feel that works equally well on the dancefloor as it does for headphone listening.

Both Robot Koch and BlankFor.ms have been busy this year so already, with upcoming artist projects, film and video game scores, and high-profile remixes for other artists.

Bio Robot Koch

Robot Koch is an award-winning artist/composer from Berlin, living in Los Angeles.
He has been steadily crafting an original sound that expertly combines a deep and cinematic atmosphere, emotional reflection, and forward-thinking production.
He remixed the likes of Max Richter, Rammstein, and Christian Löffler, collaborated with conductor Kristjan Järvi and the Nordic Pulse Orchestra, and played high-profile live shows at Coachella, Mutek, Sonar Festival, and Boiler Room.
Koch`s visual music lends itself to pictures and has been used on numerous TV Shows, Movie Trailers, Feature Films, and Ad campaigns over the last few years.
When he’s not pursuing his own artistic projects, Koch can be found working as a producer and writer for both indie and major artists worldwide, gaining gold and
Platinum records for his productions. 
He won several awards for his immersive Full Dome Live Show "Sphere" which sold out in Planetariums and Festivals worldwide and also won the German Music Composers Award in the category
'Best Composer Electronic Music’.
He has amassed over 75 million streams and garnered over half a million monthly listeners on Spotify alone. Koch is currently working on a movie- and videogame score as well as on new artist projects


Bio BlankFor.ms

BlankFor.ms uses degraded tapes and analog synthesizers to create sounds meant more for the body than the mind. He has become a notable figure in the world of experimental/ambient music, garnering accolades, high-profile remixes, and 95k followers across social media. 

His performance videos on Instagram were pivotal in inspiring an entire genre of top-down musical documentation on social platforms. 

His samples have been used by thousands of artists, including a cameo in the recent Ethan Gruska/Bon Iver single "So Unimportant". 

Over the next year he has a massive "Artist Series" instrument coming out with one of the world's most popular VST makers, a feature video in Ableton's "One Thing" series, and a video game score with an award winning software publisher. 

His contributions can be heard on records by Micah Jasper, Kiefer (Stones Throw), Robot Koch (Trees and Cyborgs), and many others. He has provided remixes for The Cinematic Orchestra, Arthur Moon, and Para One. Tyler grew up in rural Wyoming.

Robot Koch and Blankfor.ms- Migratory

big shoutout to @onlythenext for the work on this one 🫶🏻

FREE DOWNLOAD 🔗
https://hypeddit.com/svdko/protectme
https://svdko.bandcamp.com/track/protect-me

FREE DOWNLOAD

PROTECT ME

Free download! 🖤

Please check out my playlist:
https://soundcloud.com/gone-west/sets/gonewest

Mastered by plussixmastering.com

https://facebook.com/GoneWest

GoneWest - Cicatrix

⥛⥛⥛ Megiddo music⥛⥛⥛
✴︎✴︎✴︎🎧music in 432Hz🎧✴︎✴︎✴︎
✴︎ 𝕊𝕡𝕠𝕥𝕚𝕗𝕪: https://spoti.fi/3vUP3Vt
✴︎ 𝕓𝕒𝕟𝕕𝕔𝕒𝕞𝕡: https://megiddo1.bandcamp.com/
✴︎ 𝕤𝕠𝕦𝕟𝕕𝕔𝕝𝕠𝕦𝕕: https://soundcloud.com/user-686040840
✴︎ 𝕐𝕠𝕦𝕋𝕦𝕓𝕖: https://bit.ly/2UXXoc9
✴︎ 𝕥𝕨𝕚𝕥𝕥𝕖𝕣: https://twitter.com/Megiddo01904569
✴︎ 𝔸𝕌𝔻𝕀𝕌𝕊: https://audius.co/megiddo01904569

⥛⥛⥛Image Author
lalesh aldarwish
https://www.pexels.com/@lanophotography/

angel

stream

christina vantzou 'shadow sun'

I am the lord of these ruins

Track 5 from the beatless album 'This is soon too late' (2016).
Out now. Mastered by A.P.

FDL#05
www.federleicht.be

Herbstlaub - For When You Need Me

Listen / Purchase: https://lnk.to/mscars

Meander scars are geological features formed by the remnants of winding or meandering water channels. They are caused by the varying velocities of current within the river channel.

Lost Tribe Sound's second installment in its 8 album subscription series, 'We Stayed The Path That Fell To Shadow' comes courtesy of friend, musician and talented music writer, Gavin Miller. While his name may not be instantly recognizable to some, Gavin has been creating music for nearly a decade as one half of the sublime electronic ambient duo, Worriedaboutsatan, and has quite a few solo releases under his belt. In addition, Gavin has been a invaluable force in bringing many overlooked musical acts to the forefront through his brilliant writings for the UK publication, Drowned in Sound. 

'Meander Scars', Gavin's new double album is very much a departure from his previous output. While the use of acoustics has always resided in the backdrop on many of his solo and group efforts, it's plain to hear that with 'Meander Scars' these natural elements have risen to the top. Lost Tribe Sound is the ideal home for a Gavin Miller this delicate and organic. 

The aerial visuals formed by meander scarring and the origins of their creation, fit both the artwork and the vibe of music incredibly well. The long-form compositions were constructed from a series of slow churning rhythmic guitar loops, warm noise, soft synths and distant choirs which build over time into colliding patterns of pastoral bliss. Patient and mindful listening is key for these innocuous sounds to begin to carve their saturated pathways through the mind. Much like a river meandering over thousands of years, slowly dragging away the sediment and scaring the surrounding land, these pieces begin to take form, eroding away the malleable earth, letting gravity take hold to travel the course of least resistance.  

Being the ever curious and meddling types here at LTS, we engaged multi-instrumentalist and label mate Aaron Martin (From the Mouth of the Sun) to utilize his gorgeous cello sounds and other odd bits in his musical arsenal to fill out moments in the songs. Graciously, Aaron joined in, adding trembling washes of strings, chimes and other indiscernible noise to Gavin's compositions. Gavin than revisited his original material, carefully layering and balancing in the new instrumentation from Aaron. 

Excited by the results, Gavin shared them with us, and it was undeniable that Aaron's arrangements had created deep new conduits for the ears to follow. Yet, it wasn't until this moment that we fully appreciated the beauty of the original works. Torn by which versions to present as the final album, we realized why not present them both.  

Each version had a seemingly different affect on our conscious. The 'Upper Course' with Aaron Martin's additions, flows very much like a young river, faster, more active and commands the listener to be more attentive. Whereas, the original source material of 'Lower Course' mimics the behavior of an older river, slow flowing, in moments coming to a crawl. It's no longer the force able to move large boulders from its path. Yet in its stripped down form, it allows the listener to more easily traverse its tame currents, becoming the perfect cyclical backdrop needed for writing, drawing, and a multitude of other tasks requiring increased mental faculties.

Meander Scars

Upper Course I

Buy Album

Gavin Miller - Upper Course I (feat. Aaron Martin)(from Meander Scars)

Track taken from the upcoming album 'Hearts full of sorrow, souls full of hope, we look to the west...'

www.fluidaudio.bigcartel.com

Hearts full of sorrow, souls full of hope, we look to the west

infinite blanket

e & i - infinite blanket

When Frieder Nagel got the invite to use a part of the city park Nuremberg for an installation, he teamed up with light artist Stephan Scheiderer "to make music livable again“: When park goers passed by an old, majestic plane tree, it automatically sprung to life (thanks to some complicated motion sensors installed and hidden by the two) - and the first soft notes of „Calm Territory“ beckoned people to stop and spend some time by this historic tree.

All tracks written, produced & mixed by Frieder Nagel.
mastered by @a_b_d_a_b_d Adam Badí Donoval (Bratislava, Slovakia)
A&R by Alexandre Cazac
Photo by Yvonne Michailuk
A&D by Motoplastic 

Calm Territory is part of Sonido Blanco, an audiovisual work of art by Frieder Nagel (music) & Stephan Scheiderer (lighting designer). This installation was presented during Lost & Found, an art circuit in Nuremberg, Germany in 2020. Played on a combination of prepared pianos including Klavins Una Corda.

released January 22, 2021 via @infine-music
iF3099 - ℗ & © InFiné - 2021

The Arrival

Calm Territory

loess - blaen

Robot Koch
contact@treesandcyborgs.com

Award-winning artist and composer Robot Koch is a visionary sonic explorer whose work lies at the intersection of sound, art, and immersive experiences. 
With a profound fascination for the convergence of science and spirituality, he creates music that transcends traditional boundaries, crafting auditory landscapes that invite listeners on a deep inward journey.
With a discography that spans numerous albums and well over 100 Million streams, Robot Koch has established himself as a sonic explorer in the realm of electronic, ambient, and modern classical music. His compositions have been featured in several movies, and TV shows, and his own immersive AV experiences sell out venues worldwide.

Koch won several international awards for his work, including  "Best Immersive Experience" at the DTLA Film Festival, collaborated with Grammy-nominated Estonian conductor Kristjan Järvi and his Orchestra, remixed artists like Max Richter, Christian Loeffler, and Anoushka Shankar.

His innovative approach and dedication to exploring new sonic territories have established him as a leading figure in the world of electronic music and beyond.