Looking to build on anything worth building on.

LIVE Bookings Datolar@t-online.de
THANK YOU for over 2200 Followers 
See LINKS for RELEASES !!!!
https://dsphsounds.bandcamp.com/releases
https://crazylanguage.bandcamp.com/album/cl-050-cl-x-crazy-10-years-a-v-compilation
http://www.abstraktreflections.net/releases/datolar-auftakt/
https://section27.bandcamp.com/album/hallucino-attics-dissolved-re-constructed-2001-2006
https://section27.bandcamp.com/album/sectioned-v70
https://section27.bandcamp.com/album/s27-x-i
https://section27.bandcamp.com/album/v80
https://section27.bandcamp.com/album/human-is-humans-master-vol-2


Many thanks goes to:
Tam Farrans (Section27 Netlabel)
Pablo (Abstrakt Reflections)
Saso (DSPH Sounds)
Silvio (Crazy Language)
my musical friend Daniel Pommer (Detune, Genetic Waste) 
and the GREAT Lars Kraner

Originally from NFLK, VA, now residing in Eastern NC. Raised during the golden age. Come get these beats.

Grand Rêve Music, LLC is a boutique production and publishing company focused on Pop, Dance, Rock, HipHop and R&B music. Based in the NYC metro area, we have built relationships with artist management and labels worldwide. Grand Rêve Music, LLC operates as a division of Water Music Publishing, LLC/EMI, home to Autumn Rowe (Leona Lewis, Cheryl Cole, Alexis Jordan) and Taj Jackson "Grammy nominated singer/songwriter" (Mario, Musiq Soulchild, Monica). We also publish the talents of Lena Leon,ChasinADream, The InVaderZ, Tabitha and Fluu. Our catalog includes many artists like Alexis Jordan,Trey Songz,etc 

**Demos: We are always looking for the next talented writer. Please send 1 mp3 via the Dropbox. The best only will receive replies.

IG: @Calvin_coolen @Grindgodempire
TWITTER: @CalvinCoolen 
FACEBOOK: Calvin Coolen 
Grindgodempire@Gmail.Com
Bookcoolennow@Gmail.Com 
👁LOOKING FOR PRODUCERS 👁

Meshell has changed. So has her music. It’s more peaceful, freer. Her new album, Weather, cloaks itself in the colours of autumn, full of in-between shades and hues and with a certain mildness to it. The singer has let her feelings carry her along. Meshell has never been scared of sharing her most intimate thoughts in explicit or colourful terms that always come from the heart. As ever, she is true to herself. But Weather’s folk sensibility and pregnant acoustic melodies make this a supremely accessible album.

“For a long time I was at war with everyone else. I dug my heels in, I fought hard. That’s all over now. I have my opinions, but they’re no longer a source of conflict with the rest of the world.” On Weather Meshell’s usually deep vocals slip into a register more like a whisper, sharing secrets about subjects that are straightforward, almost light-hearted. She has pared down her style to something like pop. “I started to write this album on the guitar and you can hear it. The final atmosphere’s gentler.”

And then the singer agreed without fuss to put her fate in the hands of a producer. Joe Henry (Ani DiFranco, Bettye Lavette, Allen Toussaint, etc.) helped her reveal a different side to herself. And Meshell went along with this. “I’ve known him since the Bitter album; Craig Street introduced us. I hadn’t called on someone from outside for several albums. But contrary to what everyone thinks, I love getting other opinions, hearing a different point of view and allowing myself to be led by someone with strong ideas. It’s a dialogue. This kind of experience really motivates me.” One might well have imagined her bent protectively over her compositions, her own personal, contradictory and profound world. But she says that she wants to continue this experience in future projects with other musicians. She mentions Brian Eno and Lee Scratch Perry.

She worked the way she likes to with Joe Henry - just two or three takes to capture the spontaneity and freshness of the moment. She is accompanied by Chris Bruce (guitar), Deantoni Parks (drums), Keefus Ciancia (keyboards), Gabe Noel (cello) and guests Jay Bellerose (drums) and Benji Hughes (backing vocals). Meshell recently did some producing herself – for jazz singer Laïka Fatien and rising star Selah Sue. Despite the pop-folk sound of Weather, jazz remains a major source of inspiration. “I love jazz musicians. They’re free; they have no fear. I’ve done pop and there are lots of barriers, lots of holding back. You have to stick to the conventions. Jazz musicians embrace uncertainty and adventure, even in their private lives. They’re more open and often more skilled, both in the studio and on stage.”

On Weather, Meshell sings of the ups and downs of love, one of her favourite subjects. Her heroines are marked by the void left by the loved one (“Object”) or else, like a game of mirrors, pour out their heart about the hurt they have caused others. She does a cover of Leonard Cohen’s “Chelsea Hotel”, dedicated to Janis Joplin, an extremely sad and somewhat sexist song, as well as “Don’t Take My Kindness for Weakness” by Soul Children, a sixties soul band, whose message she has made her own. Her own lyrics are always concise, precise or allusive, full of images and poetry (“I want to be your answer”). “They’re like mantras, some phrases cast to the wind, images that pop into my mind. Then I add the music.” She also talks about the wider world on a few tracks. ‘Oysters’ is about “the change that everyone talks about but never comes”. Meshell explains that “Consumerism is gaining ground all the time. We all live to get a new car or a new computer, but what’s the point?” So, join the great world party? “Not for me,” she replies in Dirty World. “I live two hours from New York. I ran away from all the dirt. There’s a farm where I live, and healthy food. I love cooking – it’s not all that different from making music. You need ingredients, and the greatest pleasure is when you share it share it with others.”

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