heard this part on the afx's manchester video

V/A - Kikommando
Label: PAN / Hakuna Kulala 
Cat.No. PAN 124 / HK029 
Format: DL / Book
Release Date: 6 August 2021
Purchase: pan.lnk.to/Kikommando
Video: https://bit.ly/3i2EgSg

A collective effort from a vital scene in Kampala, KIKOMMANDO takes its name from Ugandan street food of flat bread and beans. As a ‘food of soldiers’ offering maximum energy for minimum funds, the eponymous mixtape, video series and book project is an equally nourishing and ambitious proposition. It all began in the East African summer of 2018, during a two-month residency at the Nyege Nyege label and collective’s villa, in collaboration with their sublabel Hakuna Kulala. Producer and PAN artist Simone Trabucchi (aka STILL) opened the door to his temporary studio in the city and a crucial cross-cultural collaboration was born.

“The intention was to record as much as possible,” Trabucchi says about KIKOMMANDO’s musical showcase of eight Kampala-based artists, coming from the spectrum of musical influences, crossing trap, drill, cut ups, kuduro, electro, smooth jams—the list goes on. In creating a sonic space to support the expression of its featured singers, poets and emcees, the mixtape ties countless styles and flows into a single snapshot of a particular part of the Kampala music scene, at a particular point in time. The invective of rapper and street legend Blaq Bandana’s “Nkwaata” is laid over a spare and brooding ambient. Kampala Unit trumpet player and first-time singer, Florence, rolls a thick melodic texture through the organic clicks, knocks and atmospherics of “Bae Tasanze”. Jahcity’s unique lyricism combines a personal take on traditional music and soulful-reggae with a jerky, wobbly collection of drops and donks.

Meanwhile, Ecko Bazz applies his grimey vocals and rhythmic, introspective words to lead single ‘Ntabala (Rolex Riddim) at a particularly pertinent moment of self-reflection. “I was trying to listen to the voice inside myself and wanted to achieve a higher level of understanding of things, life,” he says about the themes that he felt inspired to explore with Trabucchi at the recording desk. The accompanying video, shot on a rooftop in the Kampala neighborhood of Ggaba, is one of a series of slick and high-definition films complementing each one of the KIKOMMANDO tracks. These also include contributions from Ugandan emcee and key Hakuna Kulala member Biga Yut, don dada of the GabaGaza gang Swordman Kitala (with Omutaba on percussion) and South Sudanese poet and singer Winnie Lado.

Also accompanying a ‘visual mixtape’ of moving images for each song on KIKOMMANDO is a recording diary of sorts, where Trabucchi compiles a vibrant collection of pictures, colours and textures reflecting the its heterogeneous sonic palette into a book. Together this multifaceted, interdisciplinary project showcases, what Lamin Fofana’s liner notes describe as, “amazing originality, complexity”, while “embracing dissonance”.

Trabucchi’s personal take on a kind of ‘digital dancehall’ defined the sound of his ground-breaking rumination on Italy’s colonial history on debut STILL album, I, in 2017. KIKOMMANDO is a different proposition entirely, where he finds new ways to complement the personality and skills of its contributors sprung from a constant stream of visitors arriving at the Nyege Nyege Villa’s makeshift studio. “It was a dialogue,” stresses Trabucchi, who has always preferred collaboration as a means to escape branded and stereotypical identities, while creating something new. “I created the musical platform to make the singers confident, and challenged them at the same time. Working together accelerates ideas and reveals that nothing is your invention alone. That’s why KIKOMMANDO is a mixtape to me, and not an album.”

The mixtape is mastered by Rashad Becker, featuring artwork by NMR. Tracks 1, 2, 3, 4, 7, 9, 11 & 12 mixed by Ville Haimala. Tracks 5, 6 & 8 mixed by Lorenzo Dal Ri.

@hakunakulala

KIKOMMANDO

STILL, ECKO BAZZ - Ntabala (Rolex Riddim) (PAN 124 / HK029)

MODERN COLLAPSE - USUAL CASE SCENARIO
(DAWN014)
100 limited copies
CD
@modern-collapse
Produced by Gabriel De Sercey & Hugo Fabry
Mastered by @lastrackqlf
Photos by Melchior Tersen
Design by Hajj
Dawn 2022

Modern Collapse - Stolen Whispers In The Club

Taken from SBKT049: Osheyack - Intimate Publics
Release date: 8th June 2022

Intimate Publics, Osheyack’s second album, is an homage to Shanghai, the city he has called home since 2012. Over the past ten years the producer has evolved from an avid club-goer to a key member of the vital soundscape that emerged from ALL Club and its predecessor, the now defunct club The Shelter. As hinted by the title, which draws on American social theorist Michael Warner’s work on publics and counterpublics, the album expresses a commitment to mining the utopian potential of club music, forging new worlds and generating future social relations, just as the artist bids farewell to the city at a moment of uncertain transition. While tracks like 'Edging' and 'Thrall' continue to present his signature collage of harder club music, the rest of the record reveals a shift to synthetic approximations of acoustic instruments. 'Still', the central track of the album, is a piece composed almost entirely of samples found on Vocaloid (a vocal synthesizer developed by Yamaha, commonly used to give voice to Japanese virtual idols). While echoing themes explored in previous projects, like the nature of realism and authenticity in a techno-mediated landscape, Intimate Publics is charged with an unexpected emotional candor and vulnerability, unveiling a personal side Osheyack is only beginning to explore.

Words by Alvin Li
Artwork by Xiaofei Qiu
Design by Luke Griffiths
Mastered by Raphael Valensi

Intimate Publics

Osheyack - Thrall

Taken from SBKT050: ABADIR - Mutate
Release date: 22nd July 2022

Marking the 50th release-proper on SVBKVLT, we are excited to present ‘Mutate’, a new album by ABADIR.

‘Mutate’ started when I was trying out Maqsoum loops at high bpm blended with Jungle tracks during one of my DJ sets. I noticed that the Maqsoum rhythm complements the Amen break in a refreshing way. The first time I actually tried integrating both in my productions using “call and response” was when Ice_Eyes asked me to remix one of their tracks. The result was the closest to what I had always imagined to be my own club sound.

I set out to make an album using the same technique with some of my favorite club genres. My aim was to mutate those genres, collecting different types of Arabic rhythms and cooking them with Jungle, Jersey Club, Reggaeton, Footwork, etc. It’s an irreversible equation, like a chemical reaction, where the output is a melted piece which cannot be broken down into its separate inputs. Instead of ‘deconstructing’ or generally looking beyond club music, I made some fatty, straight up dance floor music.’ – ABADIR

------

AِBADIR (Rami Abadir) is a music producer and sound designer born in Cairo, Egypt. His work focuses on experimental, club, glitch and ambient music, and he’s one half of the duo 0N4B. .


Artwork: Luke Griffiths
Photograph: Omar Elkafrawy
Mastering: Raphael Valensi
Special thanks to Amira Elmasry

Mutate

ABADIR - Mutate

DOWNLOAD

SLIKBACK X SWORDMAN - 22GAZA

A dystopian robotic techno cut from Nico's forthcoming EP on NAAFI. 

Based in Mexico City, Nico’s new brilliant contribution to NAAFI’s imprint, ’Si’, is described as his most direct and club-ready output. Marking his second release of the year, the EP follows on from ‘Everyone Sees But Only A Few Know’ which came out in April this year on his Akita Club label. 

‘Si’ by Nico will be released on the 18th November via NAAFI - pre-order here: https://nicodf.bandcamp.com/album/si

@nico_dubs
@naafi

Premiere: Nico - Trampa [NAAFI]

An ode to failure!

Departing from the image of the genius artists, the Hit&Miss compilation wants to show the hidden parts of creation, by embracing missteps and abandonment as a natural part of any artistic journey. 

Open to all members of the Global URL Nation, it proposed a new home for projects that couldn't find a place to exist otherwise, due to artistic (self-)exigency, technical problems, bad timing or any other reason often unknown to the general public. 

With more than 20 artists from a broad range of styles, experience and locations, it gathers unfinished projects such as aborted WIP, forgotten drafts, lost files, unconvincing demos, compulsive emotional bursts or technical experimentations. 

With all its flaws and raw cuts, Hit&Miss asserts the strength of trial and error, and cherishes the impossibility to develop an idea into a finished object as a learning process towards one's growth.


++ TRACKLIST ++

01. Antilita Octovyk - Mother Earth Solitude
02. Basura - Erythritol
03. Bademjan - The Blade Is Over
04. King Demitri - Reinitializing Heaven
05. Lukann - Blossom
06. Antilita Octovyk - Here Comes The Moon
07. Ancestral Vision - Mana Double Cup
08. RougeHotel - Sync 2 (demo before PSM 2020)
09. Bademjan - Ringfields
10. indigoblue - 060421
11. Pénélope - La rosée
12. Bademjan - Steel Lumens 
13. Sxmbra - Gloss
14. grrggg - unnerving rdm demo
15. Heart Shaped DJ - Me or everyone else
16. Fungal Mat - Dead or dormant?
17. jjjacob - Kijana
18. Nagruv - Barp (more percussion needed)
19. Bouzouk - Future Dog (Whatever)
20. grrggg - celestial gates demo
21. Cralias - ?collab
22. DJ Criminal Edit - Libertinages dans la pyramide
23. DJ Rotule - Ponpon
24. crat - too dudey
25. Medejin - Má forma
26. Antilita Octovyk - Fuck Marry Kill
27. LMN3 - CANNAPEASE
28. Antilita Octovyk - Лайка
29. grrggg - rocky rdm instrumental 
30. SNKLS - Problème avec personne (Brandy & Monica VIP)
31. J Sliwa - External Schism
32. Andres Komatsu - Tecmo
33. grrggg - CB2012
34. DJ Rotule - Departure (HxH NxC Edit)
35. crat - Asynchronous voice
36. Bademjan - Bleu Lunaire


++ CREDITS ++ 

Tracks produced by Ancestral Vision, Andres Komatsu, Antilita Octovyk, Bademjan, Basura, Bouzouk, Cralias, crat, DJ Criminal Edit, DJ Rotule, Fungal Mat, grrggg, Heart Shaped DJ, indigoblue, jjjacob, J Sliwa,  King Demitri, LMN3, Lukann, Medejin, Nagruv, Pénélope, RougeHotel, SNKLS, Sxmbra

https://soundcloud.com/ancestralvision
https://soundcloud.com/andreskomatsu
https://soundcloud.com/talitaotovic
https://soundcloud.com/bademjan
https://soundcloud.com/bazura
https://soundcloud.com/bouzouk
https://soundcloud.com/cralias
https://soundcloud.com/becrat
https://soundcloud.com/fungalmat
https://soundcloud.com/grrggg
https://soundcloud.com/indigoblue97
https://soundcloud.com/jjjacob
https://soundcloud.com/jsliwa
https://soundcloud.com/kingdemitri
https://soundcloud.com/lmn3muzik
https://soundcloud.com/lukann4
https://soundcloud.com/medejin
https://soundcloud.com/nagruv
https://soundcloud.com/poirot-penelope
https://soundcloud.com/rougeh0tel
https://soundcloud.com/snakeleserpent
https://soundcloud.com/sxmbra

Cover & visual works by Boris Van de Walle & Robin Lopvet
https://www.instagram.com/magicienboz/
https://www.instagram.com/robinlopvet/

Mastering by Bademjan

Ancestral Vision - Mana Double Cup

Lemon Bell

written by: @rian-treanor
release date:  07/05/18
label: @thedeathofrave
buy: https://boomkat.com/products/ravedit

Rian Treanor - Ravedit 2

Following guest shows on NTS and Radio Bonita, Philadelphia based artist and producer Kat Nzingha joins TT to present their debut EP, Angeltribe.

Mixing and mastering - Kat Nzingha
Artwork - Josh Crumpler
www.katnzingha.com
soundcloud.com/katnzingha

Angeltribe

Kat Nzingha - Antinomianism

Vocals from - 1011 (Digga D x Sav'O x T.Y) - Next Up

LAIKA

Publishing project run by @bergsonist


[Formerly blog/independent music platform 2010-2021]

Rian Treanor - Ravedit 2

BIZAARBAZAAR

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