This one is intresting in structure for sure :D

try to dance to this

See here for more info: bit.ly/3D5P5fw

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KLAHRK & Zoë Mc Pherson, 'E-merge Stgy' (2021). Courtesy SFX, Berlin.

Zoë Mc Pherson - Ussy

Produced, arranged and mixed by Atrice
Mastering by Beau Thomas - Ten Eight Seven Mastering
Released by Les Points
Part of Speedparade Compilation Vol​.​2

Speedparade Compilation Vol​.​2

SQL_whytho

Bandcamp

atosigado - espina

Isaac Soto - Sobrio
 NF065 2023

Arte: Tyler Matthew Oyer – Sigil 2023 
Master: Imaabs

Duda

Max Dahlhaus and Kronom team up for Unizone on “Trauma Tendrils” with remixes from Domizako and Ice_Eyes. “Trauma Tendrils” lands with all the diplomacy of blunt force trauma. Both veteran producers trawl the deepest and darkest recesses of their personal brands of dystopia, settling on a chaotic course of textured experimentalism and distorted broken rhythms. It’s industrial techno that has dissected and reorganized its molecular structure. Tracks that simulate the experience of emerging from the primordial cyber cocoon. Caked in dirt, drenched in acid, mouth full of gristle. All that’s left to do is tear the feeding tubes out of your stomach, punch a hole through the membrane of your prison, and rush the sentinels. What’s the worst that could happen?

tracks & mix @maxdahlhaus @kronombass
remixes @domizako @ice_eyes
mastering @ancestralvision
visuals IG @_nismo95
words @carnelecarne

Pre-order

KRONOM & MAX DAHLHAUS - LOSING GRIP

@jjjacob @hlodowigekdahl
The 42nd release of katharsis is the collaborative album “Soft Space” by label founder jjjacob and various other artists from around the world, coming out on May 31st. The album works as a sequel to his previous full-length release "Brutal Nature" from 2022, both in terms of the collaborational dogma in production but also in the thematic connection and contrast between the brutality of nature and the softness of space. All tracks emerged as infantile jjjacob sketches, then taking more form and gaining inspirational matter from the collaborating artists' conduct and care, before finally being concluded by the final touches of jjjacob again.

The result is as the title suggests smooth and gentle at most times, but it does though have more wicked and harsh moments and aspects throughout the album. The emotional journey of the album keeps pendulating between the pleasant floating sensations of celestial emptiness and the brute mysticality of the unknown. At times it feels aerodynamic or dissolving, at others it tastes crispy and anthemic, but the overall output is definitely ethereal and cosmic.

releases May 31, 2024
artwork & mastering by jjjacob

Soft Space

Late Laments (feat. Hlodowig Ekdahl)

jjjacob & Hlodowig Ekdahl - Late Laments

Entrañas - Caverna
Label: Infinite Machine
CAT#: IM114
Format: Digital
Release Date: September 27th, 2024

Tracklist:
1. Indignado
2. Ajicito
3. Diclofenaco
4. Cruces
5. Cascada
6. Coscacho
7. Tigrillo (ft. Buena Tarde)
8. Nauseas
9. Toque De Queda (ft. Ene Ese)
10. Chivo
11. Muerto a Puntapiés (ft. Carlos Pabón)
12. Caverna

Ecuadorian producer Daniel Gachet “Entrañas” presents his debut full album Caverna on Infinite Machine. The project explores an amalgam of polyrhythms found in traditional Ecuadorian music such as bomba and albazo, blending them with jagged atmospheres of uk bass and grime. Through deliberate sound design, Entrañas seeks to place the listener within the unpredictable ecosystem of the city of Quito and its surroundings.

In this record Entrañas searches for a sound that conveys both the infrastructural chaos he experiences currently in his home city, while also reflecting the hauntingly beautiful and seemingly perpetual terrain just outside of Quito. Not far from the frequent and unpredictable power outages and city wide lockdowns which are now commonplace due to the ongoing narco wars, there is an Andean stratovolcano visible from many parts of Quito, including Entrañas own bedroom window. Ruco Pichincha stands nearly 5000m in height, attracting awe and curiosity of many who happen upon it, perhaps by way of its beauty as well as its innate potential for mass destruction. A particular location of interest for the artist, the mountain emits a kind of objectivity that is distinct from the urbanscape of human activity; it asserts itself, unobservant of the adjacent violence, trials and tribulations. Its very name–“Ruco” translated in English to "old" from the indigenous Quechua language–seems to reflect both its acquired reverence from native inhabitants of the region, as well as the relative incomprehensibility of such natural monuments.

On Caverna, references to Quito and its encompassing geography are apparent in ways that are direct at times, nuanced at others. “Toque de Queda” (trans. “lockdown”) was produced in real time during a city wide lockdown in which Entrañas and his collaborator Ene Ese were unable to leave an apartment for hours on end. The sheer apprehension of such a situation can perhaps be gleaned from the seething claps and non-melodic droning atmospheres that build, producing a tone of frustration and unease. Tracks like “Coscacho”, “Muerto A Puntapiés” and “Cruces” seem to take on a similarly minimal approach, focused on brooding heavy bass lines and relentless polyrhythms that become increasingly menacing as the tracks build. A listener might imagine these compositions to conjure the rumbling subterranean activity of Ruco Pichincha. As their names might imply, “Caverna” and “Cascada” take a different approach, building up shimmering soundscapes reminiscent of 90s new age. These ephemeral sequences seem to summon meditation on natural landscapes in a way that feels lighter and more optimistic, unveiling a softer vision.

In light of his prolific catalog, Entraña’s twelve-track work reaches into territory that feels both more personal and experimental–though these compositions are undoubtedly dance-floor ready. Caverna brings together anthems of leftfield club music with chambers of ambient reflection–both of which read as significant and distinct to the artist’s background and day-to-day experience in Quito. As the majestic and humbling mountainous surface of Ruco Pichincha might resemble, Caverna’s title track ends the record with a reminder; a gentle nod to the significance of such sacred wonders as places of refuge in our human experience; whether we can grasp them, or see them from our bedroom window.

Artwork by Benfika
Mastered by Fausto Mercier
Words by Sueuga

Entrañas - Cascada

Nerve - Ming Fung 鳴鳳

Breakling Friday's: Sofía PC invites DAYOUNG - 28/12/2024

SentimentReceived.m4a

El Irreal Veintiuno - Colapso

From album "SF02 States of Fugue" by @zoemcpherson
Preorders >> https://sfx-space.bandcamp.com/album/states-of-fugue-sf02
Performed, produced & engineered by Zoë Mc Pherson
Final mixdowns by Matt Karmil
Mastering and lacquer cut by Mike Grinser @ Dubplates & Mastering, Berlin
Artwork by Szilvia Bolla & Jonathan Castro

[Sf02] States Of Fugue

Tenace (dogs road)

TENACE (dogs road)

produced by: @zoemcpherson
label: @s-f-x-0101
release date: february 20th, 2020
artwork: Szilvia Bolla & Jonathan Castro

[Sf02] States Of Fugue 2444 Mstr Digital

Zoë Mc Pherson - Kada (Poly-Everything)

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Madonna x Happa - Frozen & Clipped (Avtomat Bootleg)

NYC Publishing imprint by @bergsonist
Ex-Music Blog  2010-2021

Zoë Mc Pherson - Kada (Poly-Everything)

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