Os Circunvagantes (2021), pantomima cantada em seis cenas para três tenores e orquestra, sobre libreto de Luiz Eduardo Frin, livremente inspirada em O Grande Mentecapto, de Fernando Sabino. Encomenda da Fundação Clóvis Salgado para o Ateliê de Criação da Temporada de Ópera 2021 do Palácio das Artes de Belo Horizonte. Gravação ao vivo em 21 de Dezembro de 2021.
Solistas: 
- Pancada: Giovanni Tristacci (instagram.com/giovannitristacci)
- Lelé: Flávio Leite (instagram.com/fleitec) 
- Aluado: Ramon Mundin (instagram.com/ramonmundin); 

Direção cênica de Rita Clemente (instagram.com/ritaclemente.arte)

Orquestra Sinfônica de Minas Gerais (instagram.com/amososmg), sob a regência de Gabriel Rhein Schirato (instagram.com/gabrheinschirato).

Cena 1: 00:00
Cena 2: 04:11
Cena 3: 07:28
Cena 4: 09:38
Cena 5: 13:10
Cena 6: 15:00

A comission from the Fundação Clóvis Salgado, The Circumwanderers (a sung pantomime in six scenes) was written to a libretto by Luiz Eduardo Frin freely inspired by Fernando Sabino's novel O Grande Mentecapto. It was premiered by tenors Giovanni Tristacci, Flavio Leite and Ramon Mundin and by the Minas Gerais Symphony Orchestra conducted by Gabriel Schirato, with stage director Rita Clemente, recorded live at the Palácio das Artes (Belo Horizonte, Brazil) in November 21st, 2021.

Vídeo: https://www.youtube.com/watch?v=nq_l_3P8YdM

Partitura: https://www.babelscores.com/catalogs/music-and-scene/7357-os-circunvagantes-the-circumwanderers

Os Circunvagantes, pantomima para três tenores e orquestra (2021)

Antonio Carlos Gomes - Fosca - Quale Orribile Peccato (1873)
Libretto - Antonio Ghislanzoni
Fosca - Silviane Bellato
Conductor - Luiz Fernando Malheiro
Orquestra Theatro São Pedro
Opening of the 14th Brazilian Singing Contest Maria Callas
Live recording - Theatro São Pedro - São Paulo - Brazil - April 24 2016
Illustration - Francisco Hayez

Antonio Carlos Gomes - Qualle Orribile Peccato, from Fosca - Bellato - Malheiro - São Paulo - 2016

Henri Dutilleux - Métaboles - (1964)
I  Incantatoire - Incantatory
II Linéaire - Linear
III Obsessionnel - Obsessive
IV Torpide - Torpid 
V Flamboyant
Conductor - Heinz Holliger
Orquestra Sinfônica do Estado de São Paulo
Live recording - Sala São Paulo - São Paulo - Brazil, May 26 2016
Illustration - Victor Vasarely

Henri Dutilleux - Métaboles -

https://www.stefanogervasoni.net/index.asp?page=catalogue&id=128&cat=vocal

for: mixed choir and live electronics
detailed instrumentation: S.S. A.A. T.T. B.B. (24-32 singers)
duration: 50'
commission: Ministère de la Culture (France) - IRCAM
first performance: 11.6.22, Milan, San Marco church, Milano Musica 2022, SWR Vokalensemble Suttgart, Yuval Weinberg (conductor), Thomas Goepfer, Benoît Meudic (IRCAM sound designers)
publisher: Ricordi
catalogue number: 142110

DeTinieblas - SWR Vokalensemble, IRCAM, Yuval Weinberg  - live, Paris 18.06.2022

Krzysztof Penderecki - Krzysztof Penderecki - Symphony No. 4: Adagio(1989)
Conductor - Krzysztof Penderecki
Orquestra Sinfônica do Estado de São Paulo
Live recording - Sala São Paulo - São Paulo - Brazil - September 14 2017
Illustration - Magdalena Abakanowicz

Krzysztof Penderecki - Symphony No. 4: Adagio - Penderecki - São Paulo - 2017

"Todo balbuceo es la explosión de una voluntad de decir
y, por eso, está abierto a una posibilidad expresiva
inagotable."
Gadamer. Verdad y Método II

"Devenir no es alcanzar una forma (identificación,
imitación, Mimesis), sino encontrar la zona de vecindad,
de indiscernibilidad o de indiferenciación tal que ya no
quepa distinguirse de una mujer, de un animal o de una
molécula: no imprecisos ni generales, sino imprevistos,
no preexistentes, tanto menos determinados en una forma
cuanto que se singularizan en una población.“
Deleuze. Crítica y Clínica

Violín: Juanmanuel Flores
Grabación: Eduardo Mariné
Mezcla y Masterización: Juan Cáceres

La Voz De Alicia - Para Violín Y Electrónica (2020)

World Premiere of "SOL A PINO" for Orchestra (2019)

'O solstício dos trópicos que nos expõe a altas temperaturas, o pino do meio-dia onde já não há mais sombra sobre o homem...'

🔸 The tropical solstice exposes us to high temperatures, the zenith of high noon where no shadow is left below a man. "SOL A PINO" ("zenith sun") is a sort of spiral of affects, where the restlessness therein reflects itself on its nature of perpetual change.

Score available Universal Edition:
https://www.universaledition.com/en/Works/SOL-A-PINO/P0209222

Official Composer Website
www.rodrigolimacomposer.com/

©2019 Rodrigo Lima
Claudio Cruz - Conductor
OJESP - Orquestra Jovem do Estado de São Paulo

Sala São Paulo 11.8.2019

#músicaContemporâneaBrasileira #orquestrajovem40anos #emesptomjobim30anos #santamarcelinacultura

SOL A PINO  for Orchestra (2019)

for solo cello
performance: Michele Marco Rossi
Premiered at the ''Biennale di Venezia''

la lègende ''St Martin'' (2017)

Sopro de câmara (2009) – 7’53’’
Rodrigo Lima (Brasil, 1976 - )
flauta, sax alto e clarone 
Sopro de câmara tece suas linhas construindo e desconstruindo movimento e sonoridade, quase como um ato de inspirar e expirar. Uma sucessão de momentos onde a escritura ora prioriza um tecido polifônico mais estático, ora explora uma música de simultaneidade e vitalidade rítmica. Se no primeiro há uma busca pela síntese timbrística entre os instrumentos, misturando-os como quem pinta um quadro em diferentes gradações de cores, no segundo, a prioridade é uma escritura pulsante que permeia os limites do virtuosismo instrumental do grupo. Sopro de câmara foi composta especialmente para o ABSTRAI ensemble e por ele estreada em novembro de 2009, no concerto comemorativo dos 50 anos da Maison du Brésil na Cité Internationale Universitaire de Paris.

3-Sopro_de_camara-2009-Rodrigo_Lima

Ensemble Échappé performs Elliott Carter's  "Asko Concerto"
Échappé Unleashed | Symphony Space
February 25, 2016
Jeffrey Milarsky conducting Ensemble Échappé

Asko Concerto - Elliott Carter

Lindembergue Cardoso - Procissão Das Carpideiras - Procession of Mourners (1969)
Ambientação - A Procissão - A Primeira Prece - A Dança da Alucinação, A Segunda Prece - Dança da Bonança - Sem Solução
Live Recording - Sala São Paulo - April 15, 2000
Silvia Tessuto (ms)- Soloist
Orquestra Sinfônica do Estado de São Paulo
Conductor - Michel Tabachnick
Illustration - Candido Portinari

Lindembergue Cardoso - Procissão Das Carpideiras - Procession of Mourners - Live  São Paulo - 2000

Brazilian composer, Rodrigo Lima is one of the most active composers of his generation, his music has been performed at festivals and concert halls in Latin America, Europe and the USA. His production includes orchestral music, chamber music, solo instruments, vocal music and works for choir.

In 2008, he was resident composer of the 5th International Forum of Young Composers in Paris with Ensemble Aleph. In 2015, his work Antiphonas for saxophone and ensemble premiered at the 17th World Saxophone Congress & Festival  in Strasbourg (France). In 2016, he received the order from the Festival International des Arts de Bordeaux (France) to compose the work Txury-ò: ‘caminho por onde vai o sol’ inspired by the cosmology of the Karajá Indians and dedicated to the french ensemble Proxima Centauri.

He has obtained some prizes in National and International Competitions:

·   Prize International Iberoamericano Rodolfo Halffter of Composition 2008 in Mexico.

·   Prize ‘Francisco Guerreiro Martín’ at the ‘XVII Premio Jóvenes Compositores 2006 Fundación Autor-CDMC’ in Madrid, Spain.

·   Prize for Classical Composition of the National Arts Foundation (FUNARTE) 2010 in Brazil.

·   1ºst Prize of the National Competition Camargo Guarnieri of Composition 2005 in Brazil.

·   1ºst Prize Camargo Guarnieri of Composition, Campos do Jordão International Winter Music Festival 2009 in Brazil, and others.

Lima’s Music has been performed by the Ensemble Aleph (France), Ensemble Linea (France), Proxima Centauri (France), Abstrai Ensemble (Brazil), Camerata de las Amércicas (Mexico), Sonor Ensemble (Spain), Orchestutropica (Lisboa-Portugal), Abstrai Ensemble (Brazil), Camerata Aberta (Brazil), University of São Paulo Symphony (Brazil), Claudio Santoro National Theater Symphony Orchestra (Brazil) and conductors Claudio Cruz (Brazil), Guillaume Bourgogne (France), Luis Aguirre (Spain), Cesário Costa (Portugal), Kirk Trevor (England) and Claudia Feres (Brazil). 

His main composition teachers were Estércio Marquez Cunha, Sergio Nogueira, Conrado Silva and Silvio Ferraz. Bachelor in Musical Composition Degree at the Department of Music University of Brasília and Masters in "Creative Processes" at the University of Campinas State in São Paulo. He also took courses with composers Stefano Gervasoni (Italy), Claude Ledoux (Belgium) and Emmanuel Nunes (Portugal). 

             Rodrigo Lima is teacher of composition at the 'EMESP’- School of Music of São Paulo State. Lima is a member of the General Society of Authors and Editors ‘Sociedade General de Autores y Editores (SGAE)’ in Spain.

SOL A PINO for Orchestra (2019)

Rodrigo LIMA

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