goawayforeal

We’re happy to welcome Berlin based musician Midori Hirano to the label with her new album Soniscope. The album will be out on September 10th on a heavyweight vinyl edition and digital. Award winning composer Robot Koch provided a rework of the track Patterns under his recently announced new ambient project Foam and Sand.

LISTEN/BUY: https://dauw.bandcamp.com

Artwork by Jelle Martens 
Mastered by Ian Hawgood

DAUWLP019

© & ℗ 2021 all rights reserved

https://dauw.bandcamp.com
https://jellemartens.info
https://midorihirano.com
https://www.robotsdontsleep.com

Midori Hirano - Patterns (Foam And Sand Remix)

Stareside

Inner Citadel

Isik Kural - film festival

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©2021 RVNG Intl. // https://www.igetrvng.com

film festical

Isik Kural - film festival

Música por Glue Trip.

Voz, arranjos e clima viajoso por Lucas Moura e Gouveia Phill
gravada, mixada e masterizada por Glue Trip

Participação especial de Sergio Aires na flauta transversal. 

Ilustração por Daniel Vincent ( http://www.dvincent.com/ )
Letra / Lyrics:

I´ve been calling you but I don´t know
Is it true that we will let it go

I´ve been calling you but I don´t know
Is it true that we will let it go

Remember the time I had to be there
I was so sure. That I didn´t mind

Remember the time I had to be there
I was so sure. That I didn´t mind

Remember the time I had to be there
I was so sure. That I didn´t mind

Remember the time I had to be there
I was so sure. That I didn´t look in your eyes

I wil never gonna give up your soul
Now I can see so straight ahead
baby my hands are full of old blood
I know that it came from her

I wil never gonna give up your soul
Now I can see so straight ahead
baby my hands are full of old blood
I know that it came from her

For long I saw you sleeping soundly
Now it´s time to wake again

Baby my hands are full of old blood.



Old Blood

Akari is the third album from Tokyo duo Illuha. Following 2011’s debut Shizuku (12k1067) and 2013’s Interstices (12k2028), Akari takes the next artistic step for the band. While Shizuku was recorded in the US and completed separately by the artists, Interstices captured the duo creating their exceptionally detailed music together live during a Japaneses tour. Akari, in turn, is the first studio album where Illuha recorded and mixed together, throughout the entire process. The beautiful st-robo studio in Tokyo put a collection of amazing equipment at their fingertips, from vintage mics and outboard gear to a vast collection of instruments, both acoustic and electronic. Their writing sessions were numerous and long with details meticulously obsessed over for nearly a year. The result is the most bewildering music Illuha have created to date. An album swimming with the most delicately tactile sounds and instrumentation that draws the listener in with hushed, motionless attention.

While Illuha’s Corey Fuller and Tomoyoshi Date are often drawn to the most sparse notes of Rhodes and Wurlitzer electric pianos, acoustic grand piano and guitar, the breadth of instrumentation is partially what makes Akari so abosrbing. They have succeeded in creating their own universe of sound, so beautifully recorded, where each element not only has its own space but connects and interacts so fluidly with the other sounds. It is as if they are placed perfectly by nature, the compositions are fluid and organic, a far cry from anything calculated or structured. It is this open space that the music exists in which in turn defines the music itself. There is ample room to breathe within this forest of gentle tines, bubbling analogue synthesizers, clicking percussion and quiet field recordings. This is subtlety at its most refined; hushed without being saccharine, distant without being morose.

Akari is the Japanese word for light. Conceputally the duo used this word as a guide, as if they were searching through the dark, trying to keep the light alive, as if one is cradling a candle doing everything in their power to keep it alight in a storm. It is this almost visceral sense of sheltering, of protection, that gives Akari a very human and personal sound whose intensely deep focus is as impressive as it is arresting.

Akari

Structures Based on the Plasticity of Sphere Surface Tension

SUPPORT THIS ARTIST

Structures Based On The Plasticity Of Sphere Surface Tension

Bing & Ruth - The Towns We Love Is Our Town

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From the album Tomorrow Was the Golden Age

© and Ⓟ 2015 RVNG Intl. / www.igetrvng.com

Buy from RVNG

Bing & Ruth - The Towns We Love Is Our Town

Bing & Ruth - Reflector

Video: https://youtu.be/2xgcnaqKxoI

Purchase from RVNG: http://smarturl.it/bing-twtga-rvng
Purchase from Bandcamp: http://smarturl.it/bing-twtga-bcamp
Purchase from iTunes: http://smarturl.it/bing-twtga-itunes
Purchase from Amazon: http://smarturl.it/bing-twtga-amzn

From the album Tomorrow Was the Golden Age

© and Ⓟ 2015 RVNG Intl. / www.igetrvng.com

Buy from RVNG 

Bing & Ruth - Reflector

A tribute to this visionary. RIP.

Zenmai
Blue Sky And Yellow Sunflower
I Am Flying
Love Bird
Form An Idea
Plateau On Plateau
Yokota - River Side
Painted Room Key
Black Sea
Uchu Tanjyo
Prism - 4°C
Circular
Sea Blue

Susumu Yokota: 1961 - 2015

2025_piano_FsusM7_over_FM7-G7_hard_echo

02 - Susumu Yokota - Tobiume

Strands

steve hauschildt 'strands'

A track from the album 'UV Sea' out 02/13/16 on Constellation Tatsu.

Forest Walker - Desert Lighthouse

"Reiterations" by First Tone from "Reactions" 2xLP/Digital due out October 2019.

"Reiterations" by First Tone

http://www.susumuyokota.org
http://www.myspace.com/yokotasusumu

Origine du Groupe : Japan
Style : Electro Ambiant , Electro Acoustic , Downtempo , Experimental
Sortie : 2005

MORE INFO :
http://bbpiratesradio.over-blog.com/article-35672866.html

02 - Susumu Yokota - Tobiume

rodrigovaz

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