Corey Fuller: Piano, Electronics
Richard Skelton: Accordion, Strings, Electronics

THESIS 20 - Richard Skelton & Corey Fuller - Iland

Tibetan Plateau

Taken from PERILS - S/T (Pathway010)
PERILS is Benoît Pioulard and Kyle Bobby Dunn.

Mutual admirers of each other’s work, Thomas Meluch (Benoît Pioulard) and Kyle Dunn (Kyle Bobby Dunn) endeavored to put together a collaborative recording that ruminates on painful realities, disappointments, and transitioning to new homes, in the hopes of finding a coping mechanism to bring them through to the other side.
PERILS began auspiciously in 2012 at transitional points in these artists’ lives. Kyle was living in a small town called
Belleville, Ontario trying to complete Kyle Bobby Dunn and The Infinite Sadness (Students of Decay) and coming to grips
with the fact that this great endeavor was at its end. Given the enormity of the record and the emotionally and physically
exhausting process of recording the album, Kyle found himself drained with unforeseen questions and confusions. Working only at night, Kyle immersed himself into this newfound nocturnal work, finding a path in the midst of wondering. Thomas, meanwhile, was in a state of literal transition: uprooting from the UK and relocating to Seattle during the recording process of PERILS. In a state of flux, nearly drowning under the anxieties of living on uncertain ground, Thomas channeled these emotions into musical escapades. Thomas recorded in his spare moments, sending sonic puzzle pieces one by one to Kyle, who would in turn explore the musical sentiments Thomas had shared, adding his own billowing sounds to the seething mix.
The ten pieces created for this release are culled from a poutine- and whisky-fueled trudge through the dark corridors of an as-yet undiscovered or possibly imaginary mystic temple. Commencing with the shimmering guitar and tape loops of “Colours Hide My Face,” the album crawls out of the grooves with a slow-churning turmoil, coaxing the listener to embark along its path. The dirge-like guitar clang and vocals of “(Dead in the) Creekbed Blues” could be an 18th century blues standard emitted from a buried radio. On PERILS, Thomas Meluch and Kyle Bobby Dunn lock arms and together chart the upheaval in their lives to bridge the liminal gulf between the once-was and the soon-to-be.

PERILS - Leveled

Roel Funcken_Mercury Retrorgrade 

Mercury_Retrograde_Eedl_rmx
https://soundcloud.com/miguel-eedl
Mesmer_Evac_rmx
https://soundcloud.com/evac
Textures_Plaid_rmx
https://soundcloud.com/plaid
Mesmer_Kettel_&_Secede_rmx
https://soundcloud.com/kettelmusic

Legiac_The Faex has Decimated 

The_Faex_Has_Decimated_Cyance_rmx
https://soundcloud.com/cyancemusic
Bizoid_Stroke_(Ghost)_rmx
http://n5md.com/artist/(ghost)
Keplerian_Orbit_Ocoeur_rmx
https://soundcloud.com/ocoeur
Conazol_Ketamind_Arovane_rmx
https://soundcloud.com/arovane-1
Sevastopol's_Nexus_Flint_Kids_rmx
https://soundcloud.com/flint-kids-1

pre order 

Legiac_Keplerian Orbit_Ocoeur Rmx

'Isolation' taken from Merrin Karras' album, 'Apex' available on limited edition colored vinyl + digital.

More info and links to buy: www.astrangelyisolatedplace.com/asipv005-merrin-karras-apex

Apex

Merrin Karras - Isolation (ASIPV005)

Track taken from the upcoming 2 x CD release on Fluid Audio...

Music: Norihito Suda
Mastering: James Plotkin
Label: Fluid Audio

Mailing List:

www.fluidaudio.bigcartel.com/mailing-list

Norihito Suda - Light Snowfall

taken from upcoming DR-49 : Sven Laux - Paper Streets
out on November 3rd, 2017
Pre-order : dronarivm.bandcamp.com

Sven Laux’s “Paper Streets” is a deeply intimate and vulnerable affair. Released on the Russian label Dronarivm, Sven paints minimal landscapes with watercolors in shades of violin, cello & piano; stripped bare & soaked in memory. 

The artist’s works bares a sense of detachment & reflection that usually occurs with the passing of time. Forlorn irony shows itself as it reminds you what feels like to fall in love for the first time, while conjuring ghosts from the last time you shared a gaze. 

A departure from the Sven’s earlier work, “Paper Streets” is an organic, neo-classical journey heard through a cinematic lens. Orchestral notes surge like tides and resonate like heartache. Nostalgia echoes and dissolves with a disarming vulnerability. 

Mastered byTobias Lorsbach

Pre-order CD

TRACK PREMIERE : SVEN LAUX - A Glimpse Of Memory

This is my contribution to the Rusted Tone Recordings: Sampler Vol. 1 various artists compilation.  Recorded using dual reel to reel tape decks and a single tape loop that continuously records over itself, slowly degrading over time.  Thanks for listening, and I hope you enjoy!!

https://rustedtonerecordings.bandcamp.com/album/rusted-tone-recordings-sampler-vol-1

A Thousand Tiny Heartbreaks

PRE ORDER AVAILABLE - 
https://thesisproject.bandcamp.com/album/thesis-16-ben-lukas-boysen-martyn-heyne

Ben Lukas Boysen - editing, zen garden.
Martyn Heyne - guitar, organ.

Composed, mixed, and mastered by Martyn Heyne + Ben Lukas Boysen at Lichte Studio Berlin.
Additional engineering by Matthias H. Franz Hahn. Vinyl cut by Mike Grinser.

Thank You!
Gregory Euclide, Matthias H. Franz Hahn, everyone at Manners McDade, Erased Tapes Records & Publishing, Claudia Gödke, and Karolina Zenobia Heyne.

Dedicated to Frieda and Frau Bellmann.

THESIS 16 - Ben Lukas Boysen & Martyn Heyne - 03 Crest And Trough

Taken from the upcoming album 'Until We Fall' released through Fluid Audio...

www.fluidaudio.bigcartel.com/mailing-list

Until We Fall

Sven Laux & Harry Towell - Until We Fall

"Emmeck" is taken from "In Sight", F.S.Blumm´s first solo album for Sonic Pieces. Handmade LP and CD editions available from August 28th.

In sight

In Sight

F.S.Blumm - Emmeck

Roel Funcken officially popped up on the scene in 2010, with his solo debut, titled Vade, out on Ad Noiseam. But fans of electronic music, and IDM in general, have been tracking this Dutch musician for over a decade prior, when, along with his brother, Don, the duo has released some of the genre defining music on labels such as Djak-Up-Bitch, Schematic, Sublight Records, Neo Ouija, n5MD , Arcola (Warp) as the one and only Funckarma. In 2009 the Funcken brothers kicked off their very own, digital-only, Funcken Industry imprint, which hosted a few of their other projects and offshoots, such as Shadow Huntaz, Scone, Quench, Automotive, and the latest from Roel's solo works. Roel continues to influence the evolution of music through numerous releases (Sapper Morton on Analogical Force, Semtinal Convex on Methlab and Prester Hynn on his own imprint to name a few) and active engagement in the community, with music festival curation, mixes on mixlr and soundcloud and weekly playlists on Soundcloud and spotify. Roel's music is advanced in sound design, often incorporating unique experimentation in electronic sound, with cut-up, twisted, atmospheric sonic soundscapes, leaving the cranium always begging for more. His ambient textures maintain a cinematic quality throughout, while his percussive arrangements retain a constantly mutating framework, always reconstructing its rhythm and structure, contradicting complex configurations and minimal design. It's always a pleasure to taste the latest treat from this aural engineer, and find the latest gem in his never-ending arsenal of sound. Definitely check out his music Funck’d subscription on bandcamp to check out his latest tracks and get some exclusive material).

Legiac_Keplerian Orbit_Ocoeur Rmx

Roel Funcken

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