beautiful! how were they composed I wonder?

Plans made, unfulfilled
For a life not lived
We dared to believe it was real
But it wasn’t to be for us
What we grasped for a moment turned to dust
Fleeting perfection, swiftly crushed
Now I survive, because I must

What do I do with the pain
To live life again
To remember is hard
To forget is even harder
We’re together alone
I cry but you won’t
I’m weak and you’re strong 
But who will fall the hardest?

Do you remember before
The darkness came to call
And took away the dream
Now I yearn for those days
To not know, not feel this way
To be ignorant, to be free
To unsee what I have seen

What do I do with the pain
To live life again
To remember is hard
To forget is even harder
We’re together alone
I cry but you won’t
I’m weak and you’re strong 
But who will fall the hardest?

Please listen to me
I’m here and I need you 
We’re different I know
Let me in and I’ll show you
Love can exist with pain
And weakness is a strength
Together we’ll find
I’ll ease your hurt and you’ll ease mine

What do I do with the pain
To live life again
To remember is hard
To forget is even harder
We’re together alone
I cry but you won’t
I’m weak and you’re strong 
But who will fall the hardest?

Who Will Fall?

Music & Lyrics: Jan Schonander

Not being a drummer or having access to a collaborating drummer very often I have been moving away from using the Logic Pro virtual drummer and playing the drum grooves on my keyboard. I have to admit it has given me added respect for the art as it is not easy (at least for me) to keep a consistent beat even for a few bars. For this I used the Vintage Breaks+ drum kit, but to get the deep sound applied the Space D reverb, which I then also used to give the same overall sound to all the stems. The bass is a Logic Baby Bass treated with a Full Stack guitar amplifier. For the vocal in the chorus I used a reverse Space D reverb to achieve the ghostly effect. Lyrically I think this song speaks for itself.

TWO SPEED

There’s vintage and new
All kinds and looks
On this brand new two speed highway
I can see you clearly
You’re holding on and dearly

There’s a clear road ahead
Slipping into 2nd, 3rd, 4th and 5th
There’s a lane you can choose instead
Letting go, letting go 

I’ll pass you by
Why don’t you even try
I want to love you 
I want to hold you

I can’t wait for you
Makes me wanna cry
Stay away from you
I’m afraid of you

Unless you help yourself
Take good care of yourself
And love yourself
Unless you help yourself
Take good care of yourself
And love yourself

So much more than you and me
Can’t slip into he said, she said, we said, they said
A shiny city on a hill  
I wanna get there, you wanna get there
 
Free flowing air
Full speed ahead, but
To be close to you
Spend time with you

I’m breaking free
I wish that you could see
I can’t love you
I can’t trust you

Unless you help yourself
Take good care of yourself
And love yourself
Help yourself
Good care of yourself
And love yourself

Two Speed

Guadalupe

The Assignment: Listen for a mirage of your music within white noise.

Aotearoa Noiseland - disquiet0531

Productive Phase

Disquiet Junto Project 0585: F9

The Assignment: Fast forward an old track to make a new one.

Step 1: Many media playback apps for laptops (among other devices) include the option to fast forward through a track manually. Some apps have settings that allow you to adjust the length of the gap that will be jumped. Find a tool that can do this. VLC (videolan.org/vlc 2) is recommended. In VLC you can jump forward in set lengths of time by repeatedly pressing (not holding, but repeatedly pressing) the right arrow on your keyboard.

Step 2: Try this process with a few of your own recordings: hitting the right arrow at a steady pace (as quickly as every split second, as slowly as every two or three seconds).

Step 3: Locate a track of your own where doing what is described in Step 2 yields a result you find pleasing.

Step 4: Record what the result of Step 3 sounds like for one of your pre-existing tracks. (This may be old hat, if you have used Loopback or similar software. You could also just record the output from your laptop’s speaker.)

Step 5: Use the result of Step 4 as the foundation for a new piece of music. You can add as little or as much as you would like to it.

Notes: (1) You may find you can simulate this effect. (2) You can loop the result of Step 4 if what it yields is too short.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0585” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0585” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0585-f9/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. Just because it’s fast forwarded doesn’t mean it needs to be short.

Deadline: This project’s deadline is the end of the day Monday, March 20, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, March 16, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 585th weekly Disquiet Junto project, Generations (The Assignment: Fast forward an old track to make a new one), at: https://disquiet.com/0585/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0585-f9/

Summer forms - disquiet0585 Video here - https://youtu.be/cEbYttvD58g

Dive into 'Le Noir Mechanism: Overtone Odyssey,' a piano improvisation amplifying the often overlooked beauty of mechanical noises, resonances, and overtones. Embrace the unique symphony of Le Noir's piano

Le Noir Mechanism: Overtone Odyssey

A solo piano composition.

1. Non
2. sen
3. se
4. pie
5. ces

Nonsense Pieces

Can't Think

Sonatas Op. 2 No. 12

I started writing this piece on 'Boxing Day' 2023, which in the UK (and other parts of the world too) is the day after Christmas.  Hope you enjoy and thank you for listening.

Boxing Day

Composer, sound artist. ,guitarist. bass player, graphic designer, photographer

Nonsense Pieces

Roger Harmar

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