Songs for a deserted island-01

Songwriters

Jazz Fusión (from Málaga (Spain)) -> RECOMMEND USING HEADPHONES

- Carlos Fuentes Castillo: Guitar, Keyboards, Composition, Programming, Mixing and Mastering.

En verdad

En Verdad

Jazz Fusión (from Málaga (Spain)) -> RECOMMEND USING HEADPHONES.

- Christopher Baker Dawson: Bass (Collaboration)
- Carlos Fuentes Castillo: Guitars, Piano, Keyboards, Composition, Programming, Mixing and Mastering

Vamos a llevarnos bien

Vamos A Llevarnos Bien

Based around an acoustic riff, the song is about how a wave can be the start, or the end of something, and maybe a chance to start again. Produced by Shael Wrinch at Stone Hill studios on Bowen Island, B.C. Chris Herbsen on vocals, Shael doing harmonies and more of that great slide guitar. 
Lyrics:
She waved to say hello, she waves to say goodbye
She left a scent of faint perfume, and clouds in a sunny sky.
Coffee stains and magazines, and a space where she used to lie.
We're livin' here on shifting sands and we're left to wonder why.

I could have stared for hours and hours
at footprints in the sand
It took a wave beyond my powers
to help me understand 
that life come in waves.

Children's laughter fills the room. I hear her laugh and sing.
Faces stored in a picture frame can't beat the real thing.
What's been lost and what's been found, and what we hope to gain
is all that matters in the end, not teardrops in the rain.

I could have stared...

The Tequila Monday Project

Life Comes in Waves

A hauntingly melodic protest song wrapped in analog warmth. Tribal pulls no punches as it explores political division, fragile love, and the psychology of ideological drift. Jazzy seventh chords and vintage guitars underscore the story of two souls caught in a cultural crossfire—still close, but barely holding on.

💙❤️ Drop into the tension. Stay for the groove. 
Written by TJG July 2021
Recorded at Princeton Sound

Mix 1: Aug 7, 2021
D flat Major. Every chord includes a 7th and uses a drop 2 voicing. 
Thank you to Jeff Roberts for providing feedback on the first mix ;-)


Technical Details
Recorded at Princeton Sound
Guitars
Rhythm 1: Gibson ES335
Lead1: Gibson ES335
Bass: Fender Squire

Percussion: 
Pearl Cajon Mach 2 – with hands
Pearl Hi Hat with Zildjian symbols - with brushes – it’s too bad I couldn’t come up with a better rhythm section. 
Vocals: TG

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Verse 1
He’s so BLUE
She’s so RED
They’re in luv
But they can’t be friends
They can’t be friends

Verse 2
She luvs Q 
and Jesus too
He’s in luv
But they can’t be friends
They can’t be friends

Refrain
We get so tribal
In our heads
We get so tribal
We get so tribal (in our heads)

Verse 3
He’s so BLUE
She’s so RED
They’re in luv
But they can’t be friends
They can’t be friends


Refrain

We go so tribal
We get so tribal
We get so tribal 
In our heads


outro
We get so tribal 
We get so tribal 
In our heads…….

Tribal

Spaceman's Love Song

Jazz Fusión (from Málaga (Spain)) -> RECOMMEND USING HEADPHONES.
- Carlos Fuentes Castillo: Guitar, Keyboards, Composition, Programming, Mixing and Mastering.

-> Fotografía tomada por Angel Bretón en Tijuana (México).

Cuando me haya ido

Words and Music by Roger Whittlesey. John Mason on guitar.
Click here to watch the music video: https://www.youtube.com/watch?v=ln_RUXibwPw&t=43s

Under Siege

Jazz Fusión (from Málaga (Spain)) -> RECOMMEND USING HEADPHONES.

- Carlos Fuentes Castillo: Guitar, Keyboards, Composition, Programming, Mixing and Mastering.

Muerde vieo

Muerde Vieo

Emmy smith Nigeria popular artist Jara by Emmy Smith ft Savedon

Emmy smith Inc 

Emmy smith_Jara

The song "Far Away" is written, performed and produced by Kyle Egret. Lyrics by Kyle Egret. 

The music video:  https://www.youtube.com/watch?v=Xm0rdt5Nsww

Check out my album 'Consecutive Correlation' available digitally worldwide via Tokyo's fantastic label @breadandcakerecords ! Buy/stream it here: fanlink.to/KyleEgret-CC

www.kyleegret.de

Far Away

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Roger Whittlesey is a multi-instrumentalist, singer-songwriter from the Boston area. He often composes and records pop music with intricate harmonies and deceptively sophisticated chord changes. Many songs spring from his 60s, 70s and 80s influences, but his music is original and unique. Whittlesey often collaborates with instrumentalists and singers from the world of jazz, folk, and pop to create a hybrid form.

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