Hyperballad (Revisited)

Closing set at the lovely Rainbow Disco Festival in Japan. It was raining all the time so had to keep the drive going. Grass turned into mud. We had fun!
recording from 1-05-22

RAINBOW DISCO CLUB 2022 - ANTAL closing set

Kadinsky Theme

John Talabot Mix N°60

Further information and tracklist: https://bleep.com/features/bleep-mix-255--red-axes

Bleep Mix #255 is a storming selection from eclectic Tel Aviv duo @redaxes built around a seamless club focused approach. Peppered by breakbeat vamps throughout and highlighted with various angles of electro from the year zero 2000s clash of Chicks On Speed to ROTCIV's recent worship of classic 80s claps and culminating in the one and only DMX Krew always keeping it frrressssh with their eternal take on the 808s - "Flipping and bleeping into this little trip inside a club."

Bleep Mix #255 - Red Axes

Recording of John Talabot b2b Oberman at Draaimolen Festival 2022.

John Talabot B2b Oberman at Draaimolen Festival 2022

Further information and tracklist: https://bleep.com/bleep-mix-257--matt-anniss

"When Bleep.com asked me to contribute a mix to their series in honour of the publication of the new edition of my book Join The Future: Bleep Techno and the Brith of British Bass Music, I quickly decided that I wanted to showcase my love of bleep & bass old and new, but also throw in sub-heavy cuts made at different points since the ‘90s – after all, one of the key arguments in the book is that bleep had a profound impact on the future direction of British dance music. The new afterword chapter, written last autumn, also references the recent wave of revivalist bleep productions, so I wanted to give a flavour of those too.

So, there are important innovators (Unique 3, Nightmares on Wax, LFO, and Sweet Exorcist), overlooked or under-celebrated acts (Rhythmatic, Tomas), a nod to the short-lived NYC bleep and breakbeat hardcore scene (How & Little), a couple of sub-heavy 1990 workouts from London (Moody Boys, the Leftfield produced ‘Difference’ by Djum Djum), a dash of bleep & breaks (Bass Culture, an early Rennie Pilgrem project), recent revivalist bleep cuts (DAWL, iNFO, Dan Piu, Tom Carruthers), some mid-90s Brummie dub house (Rockers HiFi), sub-heavy 21st century workouts (SuPaFiX, Toddla T remixing Working Men’s Club, Bakey), tons of my own re-edits (over the years I’ve amassed a sizable library of ‘Join The Future edits’ as I call them) and even a completely unreleased (though re-edited) Tuff Little Unit track, ‘Blow Up The System’. Oh, and the crazy dancefloor dub that is Alfanso’s Rob Gordon-produced ‘Dub Feels Nice (Version 4)’, which is exclusively available on the Join The Future:UK Bleep & Bass 88-91 compilation on JD Twitch’s Cease & Desist label (which is, of course, available via bleep.com).

In order to accommodate both original records and digital tracks (particularly the edits), it was mixed on two turntables connected to a DVS box." - Matt Anniss

Bleep Mix #257 - Matt Anniss

Recording of Blawan b2b JASSS at Draaimolen Festival 2022.

TASCAM SD-20M

Blawan b2b JASSS at Draaimolen Festival 2022

Om Unit’s persistent presence in an ever changing world has solidified his place as an electronic music pioneer. Check out his releases directly through his Bandcamp including his Acid Dub Studies series as well as his more dance floor focused uptempo work including a dope album as Philip D Kick on Astrophonica. Available on SoundCloud & Apple Podcasts. Enjoy!

ITPS090 OM UNIT

► They don't come more influential than TANGERINE DREAM – the synth demigods live from our Dekmantel festival 2018 opening concert.
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Tangerine Dream | Boiler Room x Dekmantel Festival 2018

With the release of her new album, Room for the Moon, due on RVNG Intl in less than a month, Moscow based artist Kate NV mines her collection of obscure Russian and Japanese pop and disco for an uplifting dose of brightness this Sunday. Find out more → https://crackm.ag/3675vEF

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Kadinsky Theme

Roger T

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