Jason Chance & Alias Rhythm feat Gift – Waiting for the Day

Roger Sanchez Presents Release Yourself '13

Featuring tracks and remixes from Roger Sanchez, Dusky, DJ Sneak & Riva Starr, Wehbba and exclusives from Rene Amesz, Santos, Jason Chance, Jerome Robins, Chris Count, Rio Dela Duna and more.

"Release Yourself is my annual mix compilation of the hottest tracks that have been working for me on my dance floors! The theme for me this year is going back to my underground house roots. For the last year the evolution of my own sound has taken me further back into the underground: to deep house, tech house and tribal, all the places that I started from. I feel that this year's Release Yourself is probably the closest one to my heart.

The Pre-Party is even deeper than some of my other ones have been, I just see an incredible array of new burgeoning talent in the deep house scene that has really come to the floor. The Party side is definitely peak time house but now the emphasis is more on the jackin' grooves or dirtier basslines that have always been a signature of my sound and style. My heart truly resides firmly in the underground - and that’s where Release Yourself '13 will take you." - ROGER SANCHEZ

Buy on Beatport: btprt.dj/145sUCY
Buy the compilation on iTunes: smarturl.it/Release13

Stream the continuous mixes:
Pre-Party Mix - btprt.dj/18PDYqS
Party Mix - btprt.dj/14gmq5A

Connect with Roger Sanchez:

Website: www.rogersanchez.com 
Facebook: www.facebook.com/rogersanchezfanpage 
Twitter: www.twitter.com/djrogersanchez 
Youtube: www.youtube.com/user/RogerSanchezMusic

Jason Chance & Alias Rhythm feat Gift – Waiting for the Day

For any DJ and bedroom producer, the ability to “hustle” is often the most underestimated, yet most important factor in determining whether they will fade out or successfully make their mark on the industry. Good hustle is the epitome of both the man and monumental career of international DJ, Roger Sanchez. From humble beginnings in New York City, diggin’ in dusty crates of old vinyl and spinning at house parties in Corona, Queens, to dominating huge dance floors and headlining festival main-stages in every corner of the globe, Roger is truly a self-made man and a house music legend.

The crafting of Roger Sanchez, the DJ, started in the late 80s, where as a young man he was enticed by the explosion of hip-hop that was taking over the city. Embracing the culture as a b-boy and graffiti artist, he would hit parties on the Bronx River and before long, his friends had him trying his hand on the wheels of steel. In a time and place where hip hop, house music, and “turntablism” all collided in a perfect storm of creativity, opportunity, and sick beats, Roger seized his moment and began to build his empire on vinyl and slip mats, starting with a few singles and expanding into a massive collection of over two thousand original productions and remixes.
Releasing music under a multitude of monikers, including the S-Man, Roger S., The Nu- Solution, Underground Solution, DV8, Ego Trip, El Mariachi, The Funkjunkeez, Tribal Infusion, Twilight, and Transatlantic Soul, just to name a few, Roger has been able to maintain the essence of his sound, his flavor, his “sabor”, if you will, while still using each alter ego as a tool to expand on various fresh and experimental sounds. Each one of his multiple music personas have allowed him the opportunity to defy the mainstream and travel out to the far reaches of the musical galaxy, collecting depth, wisdom, and perspective along the way and applying them to his future endeavors in innovative dance music sounds, allowing him to remain fluid and cutting edge across decades.

So many successful endeavors would have never been possible without a rock solid work ethic, something that Roger prides himself on. From the very beginning, he was a dedicated crate digger, searching for obscure samples and break beats in influential NYC record stores like Rock & Soul and Vinylmania. His infallible work ethic, paired with the strong foundation of art and culture that he gained from the Pratt Institute’s School of Architecture took control of the wheel as his passion for music expanded, driving him to start hustling mixtapes on the sidewalks of Broadway in order to finance his earliest gigs. With the encouragement of his father, an engineer, Roger abandoned his plans for a career in architecture and decided to devote all his efforts to his music.
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