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On this week's Release Yourself Roger Sanchez plays new music from @lexluca, @nathanbarato, @low-steppa & Mr V, and many more. @detlef is in the Spotlight, @emanuel-satie takes the Hot Release, and @alexanderaurel takes control for the guest mix.

Release Yourself #801

DJOKO & Thago Santana – Black Drums (Harry Ley Remix) ()
Nathan Barato – Stomp Change (Hot Creations)
Low Steppa & Mr V – My House (Simma Black)
Lex Luca – I Feel (Cr2 Trax)

The Hot Release
Emanuel Satie – Future (Moon Harbour)

Prok & Fitch ft Dajae – Minder (Relief)
Lahox – Come With Me (Juicy Music)
MFS Observatory – Close (New Violence Records)

The Spotlight
Detlef – Swagon ft Ossey James (Repopulate Mars)

Waze & Odyssey – Down With Tha (Edible)
Franky Rizardo – Same Man (DFTD)
Alexander Aurel & Danny Serrano – Collapse (Leena)

The Flashback
Bobby Konders Project – Nervous Acid (Nu Groove)

Fancy Fux ft Katie Got Bandz – Stripper (Kill Frenzy Acid Workout) 
Sante Sansone – Lost (Lapsus)
Denney & S-Man – Unite (Jackathon Jams)

The Release Yourself Guest Mix With Alexander Aurel
Serge Devant, Sabb, Forrest - Waiting Ft Forrest (Circus Recordings)
La Rosa - Independent Artist (Samu.I Remix) (Homegrown)
KATJA _ R.A.V.E. (Luca Donzelli Remix) (Avotre)
Alexander Aurel & Danny Serrano  - Collapse (Leena Music)
Adrian Hour - That's It (Deeperfect)
Nick Curly - The Vodoo (8Bit)
Alexander Aurel  - Jupiter (Leena Music)
Josh Gregg - Raw ()

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Release Yourself Radio Show #801 Guestmix - Alexander Aurel

For any DJ and bedroom producer, the ability to “hustle” is often the most underestimated, yet most important factor in determining whether they will fade out or successfully make their mark on the industry. Good hustle is the epitome of both the man and monumental career of international DJ, Roger Sanchez. From humble beginnings in New York City, diggin’ in dusty crates of old vinyl and spinning at house parties in Corona, Queens, to dominating huge dance floors and headlining festival main-stages in every corner of the globe, Roger is truly a self-made man and a house music legend.

The crafting of Roger Sanchez, the DJ, started in the late 80s, where as a young man he was enticed by the explosion of hip-hop that was taking over the city. Embracing the culture as a b-boy and graffiti artist, he would hit parties on the Bronx River and before long, his friends had him trying his hand on the wheels of steel. In a time and place where hip hop, house music, and “turntablism” all collided in a perfect storm of creativity, opportunity, and sick beats, Roger seized his moment and began to build his empire on vinyl and slip mats, starting with a few singles and expanding into a massive collection of over two thousand original productions and remixes.
Releasing music under a multitude of monikers, including the S-Man, Roger S., The Nu- Solution, Underground Solution, DV8, Ego Trip, El Mariachi, The Funkjunkeez, Tribal Infusion, Twilight, and Transatlantic Soul, just to name a few, Roger has been able to maintain the essence of his sound, his flavor, his “sabor”, if you will, while still using each alter ego as a tool to expand on various fresh and experimental sounds. Each one of his multiple music personas have allowed him the opportunity to defy the mainstream and travel out to the far reaches of the musical galaxy, collecting depth, wisdom, and perspective along the way and applying them to his future endeavors in innovative dance music sounds, allowing him to remain fluid and cutting edge across decades.

So many successful endeavors would have never been possible without a rock solid work ethic, something that Roger prides himself on. From the very beginning, he was a dedicated crate digger, searching for obscure samples and break beats in influential NYC record stores like Rock & Soul and Vinylmania. His infallible work ethic, paired with the strong foundation of art and culture that he gained from the Pratt Institute’s School of Architecture took control of the wheel as his passion for music expanded, driving him to start hustling mixtapes on the sidewalks of Broadway in order to finance his earliest gigs. With the encouragement of his father, an engineer, Roger abandoned his plans for a career in architecture and decided to devote all his efforts to his music.
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