Release Yourself Radio time! Brand new music from Electronic Youth, Daniel Knob and Fideles, plus a couple of S-Man edits.

There's a Hot Release from Sean Miller, Spotlight is on Lupe Fuentes and it's back to 2005 for this weeks Flashback with Ame.

And we welcome in 2015 with our Ones To Watch DJ, Germany’s Kevin Over, who takes over for the final forty with his blend of the deeper, darker shades of house music.

Enjoy! 

Release Yourself #689

-Tracklist-
Kevin Over - Touch (Noir)
Shades Of Gray – Tonight Is The Night (Smash Tv Remix) (Beef Records)
Maks Henning – Attack Effect (Viktor Gerk Rework)
Electronic Youth – Be Right There (Club Mix)
Sean Miller – Clublife
Fonetica – My Time Has Come (S-Man Edit)
Sabb – Earth ft Pedro M (Noir)
Damian Lazarus & The Ancient Moons – Lover’s Eys (Mohe Pi Ki Nakariya) (Dixon Re-Edit) (Crosstown Rebels)
Lupe Fuentes – Gotta Keep Holding On (InHouse)
Swack – Got It Back (S-Man Edit)
Mark Vidovik – The Reflection
Daniel Knob – Out Of My Mind (Chazin Cuts)
Ame – Rej (Innervisions)
Laera & Fuiano – Felicidad (Versatil)
Andrea Giudice – Subliminal (Safe Music)
Fideles – Better Thing (New Violence)

The Release Yourself Guest Mix With Kevin Over:

-Tracklist-
Regrib - Yeah (Unreleased) 
Soulphiction - Detox (Musik Krause) 
GummiHz - Rejuvenation [Oskar Offermann Remix] (Claap) 
Kevin Over - Jus A (Noir Music) 
DIF - Ghostrider [Frag Maddin Remix] (Paperjet Records) 
The Organ Grinder feat. Chesus - Steam Roller (4Lux Black) 
Kevin Over - Daze (Noir Music) 
Peter Dildo - Lucky Punch (Trackdown Records) 
Bicep - Poly Pinneaple (Feel My Bicep) 

Release Yourself Radioshow #689 - Guest Mix From Kevin Over

Together we blend conversation and interviews with today’s most inspirational pro skateboarders, pro filmers, entrepreneurs and freelancers. It features stories from skateboarders such as Anthony Shetler and Manny Santiago, Brandon Westgate, Cody McEntire; Cinematographers including Chris Ray, Adrian Hodge, Ricki Bedenbaugh, Kyle Camarillo, Chase Gabor, Chris Thiessen. Business owners and fellow pod caster's such as Chris Cerrone and Brett Bumeter. Social Media expert Andrew Mucci, Skatepark owners/managers like Victor Nelson, artists, musicians, and many other interesting characters.

For any DJ and bedroom producer, the ability to “hustle” is often the most underestimated, yet most important factor in determining whether they will fade out or successfully make their mark on the industry. Good hustle is the epitome of both the man and monumental career of international DJ, Roger Sanchez. From humble beginnings in New York City, diggin’ in dusty crates of old vinyl and spinning at house parties in Corona, Queens, to dominating huge dance floors and headlining festival main-stages in every corner of the globe, Roger is truly a self-made man and a house music legend.

The crafting of Roger Sanchez, the DJ, started in the late 80s, where as a young man he was enticed by the explosion of hip-hop that was taking over the city. Embracing the culture as a b-boy and graffiti artist, he would hit parties on the Bronx River and before long, his friends had him trying his hand on the wheels of steel. In a time and place where hip hop, house music, and “turntablism” all collided in a perfect storm of creativity, opportunity, and sick beats, Roger seized his moment and began to build his empire on vinyl and slip mats, starting with a few singles and expanding into a massive collection of over two thousand original productions and remixes.
Releasing music under a multitude of monikers, including the S-Man, Roger S., The Nu- Solution, Underground Solution, DV8, Ego Trip, El Mariachi, The Funkjunkeez, Tribal Infusion, Twilight, and Transatlantic Soul, just to name a few, Roger has been able to maintain the essence of his sound, his flavor, his “sabor”, if you will, while still using each alter ego as a tool to expand on various fresh and experimental sounds. Each one of his multiple music personas have allowed him the opportunity to defy the mainstream and travel out to the far reaches of the musical galaxy, collecting depth, wisdom, and perspective along the way and applying them to his future endeavors in innovative dance music sounds, allowing him to remain fluid and cutting edge across decades.

So many successful endeavors would have never been possible without a rock solid work ethic, something that Roger prides himself on. From the very beginning, he was a dedicated crate digger, searching for obscure samples and break beats in influential NYC record stores like Rock & Soul and Vinylmania. His infallible work ethic, paired with the strong foundation of art and culture that he gained from the Pratt Institute’s School of Architecture took control of the wheel as his passion for music expanded, driving him to start hustling mixtapes on the sidewalks of Broadway in order to finance his earliest gigs. With the encouragement of his father, an engineer, Roger abandoned his plans for a career in architecture and decided to devote all his efforts to his music.
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