Roger takes us to the dance-floor this week on Release Yourself with new music from Doorly, Richy Ahmed, Eddie Fowlkes, Juliet Sikora and HR & Ski

The Hot Release is from Noir, while the Spotlight shines down on Sabb

The Flashback is from Instant House. 

And we head to Holland for the Guest Mix, as Funkerman takes over for the final forty. 

Enjoy!

Release Yourself #718

Eddie Fowlkes – That’s What I Think About    (Defected) 
HR & SKI – From The Soul (Nervous
Richy Ahmed – Can’t You See 
(Strictly Rhythm)
We Are Nexus – They’ll Never Stop Me (Jose Nunez Remix) (Shotgunn Productions)

The Hot Release
Noir – Do Me (Defected)
Mendoza – Whodini (S Man Remix) 
(Love & Other)
Pica – Ferrovia (Gianni Firmaio Remix) (Ride Music)
Pele & Shawnecy – Better For My Brain

The Spotlight
Sabb & Add2Basket – Drive Is All I Got (Glasgow Underground)
Simone Burrini – Superman (Not For Us)
Roger Sanchez ft Stealth – Remember Me (Hannah Wants Remix) (Stealth)
Doorly & Dajae – It’s All About The Music Man (Cajual)
Part 4 – The Flashback
Instant House – Awade (Jungle Sounds Records)
Christ Count – Analog Darkness ()
Juliet Sikora – Larry’s Garage (Kitball)
Stev Bray – Muve Your Body (Sanny Abram Remix)

The Release Yourself Guest Mix With Funkerman 
Aaron Carl vs Shlomi Aber - House Games (Oliver $ Mashup)
Wehbba - Sweatbox
Stefano Noferini & Leonardo Gonnelli - Daze Shade
Justin Martin & Ardalan ft. Party Patty - Function
Marco Lys & Ivan Pica - In The Morning
Marco Faraone & Arado - Strange Neighbors
Funkerman & The Voices - Higher
Man without a Clue - When I Play This Record
Romanthony - What $ Love (Supernova remix)
Juliet - Avalon (Fman Rework)
Oxia - Domino


Release Yourself Radioshow #718 - Guest Mix from Funkerman

For any DJ and bedroom producer, the ability to “hustle” is often the most underestimated, yet most important factor in determining whether they will fade out or successfully make their mark on the industry. Good hustle is the epitome of both the man and monumental career of international DJ, Roger Sanchez. From humble beginnings in New York City, diggin’ in dusty crates of old vinyl and spinning at house parties in Corona, Queens, to dominating huge dance floors and headlining festival main-stages in every corner of the globe, Roger is truly a self-made man and a house music legend.

The crafting of Roger Sanchez, the DJ, started in the late 80s, where as a young man he was enticed by the explosion of hip-hop that was taking over the city. Embracing the culture as a b-boy and graffiti artist, he would hit parties on the Bronx River and before long, his friends had him trying his hand on the wheels of steel. In a time and place where hip hop, house music, and “turntablism” all collided in a perfect storm of creativity, opportunity, and sick beats, Roger seized his moment and began to build his empire on vinyl and slip mats, starting with a few singles and expanding into a massive collection of over two thousand original productions and remixes.
Releasing music under a multitude of monikers, including the S-Man, Roger S., The Nu- Solution, Underground Solution, DV8, Ego Trip, El Mariachi, The Funkjunkeez, Tribal Infusion, Twilight, and Transatlantic Soul, just to name a few, Roger has been able to maintain the essence of his sound, his flavor, his “sabor”, if you will, while still using each alter ego as a tool to expand on various fresh and experimental sounds. Each one of his multiple music personas have allowed him the opportunity to defy the mainstream and travel out to the far reaches of the musical galaxy, collecting depth, wisdom, and perspective along the way and applying them to his future endeavors in innovative dance music sounds, allowing him to remain fluid and cutting edge across decades.

So many successful endeavors would have never been possible without a rock solid work ethic, something that Roger prides himself on. From the very beginning, he was a dedicated crate digger, searching for obscure samples and break beats in influential NYC record stores like Rock & Soul and Vinylmania. His infallible work ethic, paired with the strong foundation of art and culture that he gained from the Pratt Institute’s School of Architecture took control of the wheel as his passion for music expanded, driving him to start hustling mixtapes on the sidewalks of Broadway in order to finance his earliest gigs. With the encouragement of his father, an engineer, Roger abandoned his plans for a career in architecture and decided to devote all his efforts to his music.
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