1990, or was it 1991?  The first hour of this is probably more akin to what was played at the Warehouse in Leeds in those years, but the mix could have just as easily been called Ricky's or the Gallery or named after any other club in the North of England for that matter.  The Warehouse was the first club I went to though and its a tribute to how blown away I was as soon as I'd blagged my way in saying I'd lost my mates, even though I looked about 12.  Those nights, and Boy Wonder especially were very special indeed.

LEEDSWAREHOUSEMIX

Jeremy Healy  Miss Moneypennys 1993

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Buy on Discogs

079 - Ministry Of Sound Classics mixed By Judge Jules - Disc 1 (1997)

Bouncing around between House / Tech House and all that's inbetween. 1 hour of tracks by Mark Knight, Deeper Purpose, Latmun, Eden Prince, Max Muller, Grant Nelson, Piero Pirupa, Prok & Fitch, Altern-8, K-KLass, Matroda and Kolsch

A Feeling Inside - House Mix NOV 23

A live recording of David's set from last weekend where he joined STREETrave for their 25th anniversary party at The Arches in Glasgow. Enjoy!!

LIVE :  David Morales @ STREETrave (Glasgow - October 2014)

With David Morales returning to play for FAC51 The Haçienda for the first time in seven years, headlining The Warehouse Project on Boxing Day, David has kindly supplied an exclusive one hour mix of classic Haçienda tunes, which he considers his salute to the music and spirit of the original Haçienda.

The stylish set puts together many of The Hac's and David's finest records from the late Eighties and early Nineties period, mixing disco, Italian house, and soulful garage styles in a seamlessly mixed testament to the strength and depth of music then.

Kicking off with the elegant strings of a laid back take on FPI Project's "Rich In Paradise", the original extended 12 inch version of Frankie Knuckles and Robert Owen's "Tears" follows before some nimble production tricks bring in the classic stabs and orders to groove of Inner City's "Big Fun". 

A light tempo runs throughout the set, with most tracks played in full with extended mixes as Black Box's "Ride On Time" and its Lolleatta Holloway vocal takes charge in all its glory before David's own seminal classic, the original Def Mix version of Robert Owen's "I'll Be Your Friend" is unleashed with its ever contemporary atmosphere of lustful, deep, tribal US clubs.

X-Press 2's "Muzik Xpress", the original 12 inch version of Alison Limerick's "Where Love Lives" and the stepped back soul of Benny Benassi's version of Black Box's "Everybody Everybody" all appear in the second half hour of the set while the delicate pianos of Soft House Company's "What You Need" brings the mix to the close in what proves a round up of many of the biggest track that shaped dance music some two decades ago during The Hacienda's original heyday.

David new single "Lovin" is set to be released in mid January 2015 and has just been premiered by Mixmag.net . Check it out here - http://www.mixmag.net/music/exclusive-music/prem-david-morales

Thanks to David himself, Judy Weinstein and Maria Rotella at Def Mix Productions for their help in arranging the mix.

David Morales | Haçienda Classic Mix 2014

Roger Sanchez | Haçienda Returns 2023

Farley Jackmaster Funk @ Clockwork Orange London March 2015

Here is a taste of what I'll be serving up at Avalon for my House Classics Night dish! 

EVENT DETAILS: https://www.facebook.com/events/384693931736070/
TICKETS: wl.flavorus.com/AvalonHollywood

Rewind Yourself House Classics at Avalon (27 June 2015)

50 minutes of Todd Terry’s show-stopping set at Glitterbox, Ministry Of Sound on December 9th, 2017.

See you on the dancefloor, very soon.

@todd-terry-inhouserecords

Todd terry @ Defected Croatia 2018: defected.com/croatia.

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Todd Terry, Live @ Ministry Of Sound (09.12.17)

Originally this was going to be 3 hours of live vinyl action to celebrate Pete's lockdown 50th birthday playing the 80s club trax from his formative teenage years from Electro, Chicago, Acid & Jacking House, Boogie, Soul, Hip Hop & Synth Pop. Pete loves an encore and this time it was another 3 hours !!

Pete Says:
"I originally planned to do something similar in a club as an invite only event but this gives me a chance to invite you all ! This music is very important to me and is a big part of my record collection that I play to myself all the time but rarely play out"

Pete Bromley - The 80's Club Classics Edition - 6 Hours Live On Vinyl

For any DJ and bedroom producer, the ability to “hustle” is often the most underestimated, yet most important factor in determining whether they will fade out or successfully make their mark on the industry. Good hustle is the epitome of both the man and monumental career of international DJ, Roger Sanchez. From humble beginnings in New York City, diggin’ in dusty crates of old vinyl and spinning at house parties in Corona, Queens, to dominating huge dance floors and headlining festival main-stages in every corner of the globe, Roger is truly a self-made man and a house music legend.

The crafting of Roger Sanchez, the DJ, started in the late 80s, where as a young man he was enticed by the explosion of hip-hop that was taking over the city. Embracing the culture as a b-boy and graffiti artist, he would hit parties on the Bronx River and before long, his friends had him trying his hand on the wheels of steel. In a time and place where hip hop, house music, and “turntablism” all collided in a perfect storm of creativity, opportunity, and sick beats, Roger seized his moment and began to build his empire on vinyl and slip mats, starting with a few singles and expanding into a massive collection of over two thousand original productions and remixes.
Releasing music under a multitude of monikers, including the S-Man, Roger S., The Nu- Solution, Underground Solution, DV8, Ego Trip, El Mariachi, The Funkjunkeez, Tribal Infusion, Twilight, and Transatlantic Soul, just to name a few, Roger has been able to maintain the essence of his sound, his flavor, his “sabor”, if you will, while still using each alter ego as a tool to expand on various fresh and experimental sounds. Each one of his multiple music personas have allowed him the opportunity to defy the mainstream and travel out to the far reaches of the musical galaxy, collecting depth, wisdom, and perspective along the way and applying them to his future endeavors in innovative dance music sounds, allowing him to remain fluid and cutting edge across decades.

So many successful endeavors would have never been possible without a rock solid work ethic, something that Roger prides himself on. From the very beginning, he was a dedicated crate digger, searching for obscure samples and break beats in influential NYC record stores like Rock & Soul and Vinylmania. His infallible work ethic, paired with the strong foundation of art and culture that he gained from the Pratt Institute’s School of Architecture took control of the wheel as his passion for music expanded, driving him to start hustling mixtapes on the sidewalks of Broadway in order to finance his earliest gigs. With the encouragement of his father, an engineer, Roger abandoned his plans for a career in architecture and decided to devote all his efforts to his music.
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