Martina Petric is a Chilean singer, songwriter and producer. She has stood out for his pop / soul style in English. 
Martina won the award for "Best Revelation Artist" for the Indigo Awards and was nominated for "Revelation Artist" for the Pulsar Awards, thanks to her first solo album VELVET.

Booking DK:
Jesper Kemp
Jesper@bulletbooking.dk

Booking rest: 
contact@gurlioctavia.com

I saayng and I write and I am here.
In the stars.

Download my debut album 'I Cry When I Laugh' here: http://smarturl.it/ICryWILaughiTunesX

Vök is a dream-pop/indie-electro band from Iceland.
Vök was formed in January 2013 to enter an annual band contest in Iceland, 'Músíktilraunir' (Music Trials).The problem? They didn't actually have any songs. Yet within a few weeks they were at the contest performing their brand new tracks. In a twist of fate (and talent) won the competition.

Vök’s sound mixes wistful electronics and melodic vocals, distant saxophones and reverberating guitars. Think The xx’s hypnotism, The Knife’s sexual tension and Poliça’s playful overdubbing.

BTA (before than after), Martina Petric (voz y guitarras) y Marcelo Grez (bajo y bases). 


As one of Iceland’s most successful exports, singer-songwriter Ásgeir has always pushed the boundaries of his thoughtful brand of folk-pop. His debut album, ‘Dýrð í dauðaþögn’, became the best-selling debut in Icelandic history, leading to the English-language version ‘In The Silence’ in 2014. He continued to refine his sound with ‘Afterglow’ in 2017, ‘Bury The Moon’ in 2020, and ‘Time On My Hands’ in 2022’, earning praise from press and radio worldwide, including the likes of The Independent, MOJO, NME, The Line Of Best Fit, Clash Magazine, BBC 6 Music and Radio X.
 
In recent years, Ásgeir has embraced solo performances, playing nearly 70 intimate shows across Europe, the Nordics, and Iceland, including a UK tour with Icelandic singer GDRN. He also performed with the Icelandic Symphony Orchestra and recorded a live session for Arte TV in Berlin. His passion for live music has taken him to unique venues, including small churches, deepening his connection with audiences. He wrote a song for a Kafkaesque play that was hosted at The Reykjavik City Theatre called Sýslumaður Dauðans.
 
Ásgeir is now back with his next album, focusing on songwriting with a fresh approach; prioritizing melody and personal storytelling, exploring themes of relationships, aging, hope, and nostalgia. His influences range from Leonard Cohen and Daniel Lanois to contemporary artists like Adrianne Lenker and Dina Ögon.
 
The album’s production was a hands-on process, with Ásgeir playing most of the instruments and collaborating with a select group of musicians, including Nashville cellist Nat Smith. Recorded both solo and with a band, the songs capture an organic, heartfelt energy. With this new chapter, Ásgeir continues to evolve, offering music that is as introspective and accomplished as ever as well as deeply resonant.

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