...What a deep dive this part ... !-) <3 (-!

ατέλειωτος .. εν ειρήνη ..

Fuzz guitars, synthesizers & psychedelia from the West Africa. Selected with care by Tania, an African music aficionado & selector who runs the remarkable Polyafrica nights at Baobab, Thessaloniki.

Tracklist 

Francis Bebey - African Sanza
Conjunto Papa Upa - Todo Parao, Parte 2 
POLY-RYTHMO de Cotonou\Melome Clement - Gendarme Si We
Ahouangnimon Sébastien Pynasco - Mi Hlin Migan
DANIEL SAGBOHAN - Mi na Gan
Isidore Tamwo - Tchemologne Po Kapien
ANOS BAND - Boro Non Andou Nan
The Scorpios - Saparna (Patience)
Sir Victor Uwaifo And His Titibitis - Sakpaide No.2
Les As du Benin - Babaa Na Ayele
Orchestre Picoby Band (Abomey) - Honton Ve Zoun
King Sunny Ade and his African Beats - Synchro System
Afro National - Push Am Forward
Sory Bamba - Kanaga 78 


Recorded at Kalamaria, May 2021

Tania

Mudd & Pollard - Far Away

i got some messages asking for this edit because it was used by Christian S to open his Radio Comeme set a few months ago. so  .. .here it is.  free download.  

Mike Simonetti -  Benny re-edit

BUY on Bandcamp

YSE Saint Laur'Ant - Psychodelic Woman

📌Just copy and paste this wherever you want to use the song:              
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Glad We've Met - Roy Walt
https://safyr.media/yckvfnb6
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Aslong as you have given credit, you may use this beat for any purpose and earn profit for playlists, livestreams, projects, songs uploaded to Spotify/other streaming services, vlogs, videos, audiovisual works, or anywhere else you want! Completely royalty free, with no risk of DMCA! 

 🟢Listen on Spotify:
https://open.spotify.com/track/0clidYRbGdn4L19sR1T5Pk

🔴Listen on Apple Music:
https://music.apple.com/us/album/glad-weve-met/1745100919?i=1745100920

Please email info@safyr.studio with any questions! 

DOWNLOAD

🎺 No Copyright Jazz ~ Free For Profit ~ Glad We've Met

Slacking Off - The Nassauvians

Our last collaboration with the legendary sax player and its extravaganza remixes.

BABA - BARIS K EXTENDED DUB

Archie Shepp blase

Archie Shepp - blase

Claremont 56’s latest beguiling two-tracker is as picturesque, sun-kissed and humid as they come. It may surprise some, though, to find that the artist behind these intoxicating tracks is not an experienced creator of wide-eyed Balearic fare, but rather a little-known but fast-rising producer from Moscow.

Alterleo is the production alias of Denis Leonovich, a television sound producer who has spent his spare time making music for the best part of ten years. He released a handful of dancefloor-focused EPs (mostly on local label National Techno) at the dawn of the decade, before retreating to the shadows to experiment further in order to develop his own trademark sound. Last year he resurfaced via a track on a two-part vinyl compilation.

It’s this exotic new direction – inspired, Denis says, by his desire to join the dots between psychedelic disco, Balearica and tribal rhythms – that’s showcased on the producer’s Claremont 56 debut, which also marks his first solo vinyl excursion. Both tracks are underpinned by gentle, undulating tribal rhythms, and include sounds and melodies crafted by the producer on kalimba, vargan and some of the small native instruments that form part of his growing collection of such items.

A-side “Sunset Sparks” is a thing of rare beauty: a dreamy, humid and tropical excursion in which fluttering flute melodies and delay-laden African vocals gently rise above slowly-shifting chords, psychedelic electronics and a synth bassline so squeezable that you could use it as a stress ball.

Denis’s love of bold synth basslines is also evident on flipside cut “Boma”, a slightly bolder and more polyrhythmic excursion whose sparkling melodies, fuzzy guitar motifs, Jew’s Harp lines and foreboding aural textures create a quietly trippy mood. Some may note the influence of Jan Schulte’s Wolf Mueller project, but Denis has crafted a mesmerizing signature sound

Boma (Clip)

Buy / Stream the album: https://orcd.co/jjazz2

Following the sell-out success of our landmark compilation, J Jazz: deep modern jazz from Japan 1969-1984, BBE Records is thrilled to present another exploration into the very finest Japanese modern jazz.

J Jazz 2 builds on the solid foundation of the first compilation and sees co-compilers Tony Higgins and Mike Peden once again pick choice sections from their own record collections. They present a deep dive into an intoxicating and beguiling range of styles: from cinematic roaring big-band (Little G by Nobuo Hara) and sparse minimal acoustic funk (Teru Teru Bozo by Teru Sakomoto), to deep spiritual modal epics (Dragon Dance by Makoto Terashita and Harold Land) and funk fusion (Mother of the Future by Electro Keyboard Orchestra). J Jazz 2 delivers more astonishing high quality jazz that will appeal the old school hard-core jazz head as much as those digging the current sounds of the current vibrant jazz explosion in the UK and USA.

The specially chosen tracks on J Jazz volume two span across 25 years of Japanese musical progression and invention. From the elegiac stark beauty of Serenade to a Dimly Lit Street and the modal vortex of Daguri, to the fierce post-bop freedom of Bull Trout and the mid-tempo bossa lilt of Vietnam, there is enough here to satisfy the most curious and demanding jazz fan seeking something extra special. J Jazz 2 is available across all formats.

Archie Shepp - blase

Rom

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