The Devil's Rejects ( Remix )

Music released on:;:

Abstrakt Reflections - 
https://abstraktreflections.bandcamp.com/
+
https://www.abstraktreflections.net/


SDS-Compilation - 
https://archive.org/details/@the_seven_deadly_sins_compilation


Paranoia Records - - NOW DEFUNCT
https://web.archive.org/web/20070221042733/http://paranoia.cl/index2.php/ 


Aliens Production - 
https://aliensproduction.bandcamp.com/ 
+
http://www.label.aliens.sk/

bookings & contact: apykofficial@gmail.com
-------------------------------------------
\\Psy-Trance// 

Psychedelic Trance DJ & Music Producer born in Greece, Athens.
A-Pyk is a Psychedelic music project by Alexandros Pyknis and he fell in love with electronic music at an early age. Although he started producing at the age of 21. As a kid he grew up with Tiesto, Moby and Paul Oakenfold as his mother pushed him mostly to electronic music by listening those 3 artists almost every day. He is inspired by old-school sounds and he is trying to combine them with the modern sound.

[Experimental Dark Psychedelic Artist] 

❏ ❐ ❑ ❒ 音楽が主な実体 ❏ ❐ ❑ ❒      


                     

                     ------ Labels/Crews/Affiliations/Releases----

SPLATTERKORE REC. 
JELLYFISH FREQUENCY REC. 
SAMANA REC. 
BACKFLIP REC.
BADGERS REC. 
SONIK SHAMANIAC REC. 
ANT ROBOT WISDOM REC. 
MENINO DE MUNDO CREW
DREAM CREW REC.
SONIC TANTRA REC. 
PSYZOMBIES REC. 
DARK ULTIMATE REC. 
SAWAS KOLLEKTÍVA
PLASMASPHERE PRODUCTIONS
NERDYPSHOUT CREW 
POPOL VUH REC. 
ANOMALISTIC REC. 
VISIONARY SHAMANIC REC. 
LIQUIDTUNES REC. 
SAMAA REC.
HIPPYFLIP REC. 
POST-MODERN MUSIC 
ULTRATUMBA REC. 
SONORTEA2 REC.
DIGITAL OM PRODUCTIONS
HORSEPOWER PRODUCTION 
HIGHER VOLTAGE REC. 
ARCADE CREW 
MULTIFREQUENCY REC.
DSBP09
DARK ANGELS GATHERING
THE TRIANGLE 
SÁTÁNFÜRDŐ
FRACTALGASM 
MINUTELESS REC.
TRIBODELIC REC.
OVERWHELMING REC.
METACORTEX REC.
PSYKEDREAM MUSIC
TRISULAM TRIBE
HYPNOTICA REC

The Prison Was the American Dream: Youth Revolt and the Origins of the Counterculture. (August 2008) Damon Randolph Bach, B.A., The University of Wisconsin at Madison Chair of Advisory Committee: Dr. Terry H. Anderson This thesis discusses the reasons for the emergence of the American counterculture in the mid-1960s, and makes a significant contribution to the existing literature on the subject with an innovative methodology. Historians have neglected to study the counterculture’s grievances, the issues, and events that birthed it, employing a systematic year-by-year analysis. And few have used the sources most appropriate for drawing conclusions: the underground press, a medium hippies used to communicate with other like-minded individuals. This thesis does both. The most imperative factors that led to the emergence of the counterculture can be firmly placed in the first years of the 1960s. Students and dropouts feared the prospect of worldwide nuclear annihilation, and railed against the Cold War and the Cold War consensus that left little in the way of political alternatives. Old Guard liberals became targets, for they seemed to be complacent with America’s foreign policy, which prolonged and entrenched the Cold War world. American society and the Establishment frustrated and angered the young. It posed a danger to civil liberties and equality for minorities, while restricting freedom. Most grievously, American universities and those who ran them sought to assimilate youths into the military-

𝑻𝑰𝑳𝑳 𝑰 𝑫𝑰𝑬



I spoke to the devil in budapest, he said everything would be fine...


this music is a blend of intricate, experimental beats and dark, atmospheric soundscapes. Drawing inspiration from the chaotic yet harmonious rhythms of nature and the abstract patterns of the mind, the project seeks to create a deep, introspective experience. The fusion of high-energy basslines, distorted synths, and complex percussive elements forms the core, aiming to transcend the traditional confines of psy trance and delve into uncharted sonic territories.

        ❤️‍🔥DarkpsyCore❤️‍🔥
💀INFernalFAMilyCrew💀

The Devil's Rejects ( Remix )

𝐙𝐞𝐥𝐥𝐢𝐱𝐢𝐬 𝐐𝐮𝐫𝐚𝐞𝐫 𝐋𝐈𝐕𝐄