L4BELS

Bader Motor - Khomeiny Twist + Hier Ein Biespiel - Grautag Records & la Villa Arson

A long distance collaboration between the UK based tape manipulator and the french turntable ripper for a dynamic re-lecture of recordings made with gestures

A mutual release by Attila Tralala, Bimbo Tower Records, Burp Publications, Les Potagers Natures, ROMVOS


Clarence Manuello plays Arnaud Rivière side A

Edits of the Matom Album. 

Out now on Vinyl Only on Planet E Communications 

Juno: http://www.juno.co.uk/products/matom-love-mistakes-stereo/541042-01/

Phonica: http://www.phonicarecords.com/product/matom-love-mistakes-planet-e/123784

Germany: http://www.deejay.de/Matom-Love_Mistakes__152243

Some records are birthed through countless months or even years of studio hard yaka; drafts, followed by re-drafts, an eternal process of searching for that money shot musical moment.  Then there are albums that simply pour out of the collective minds of its creators – more of a stream of consciousness and musical expressions that strategic beat creation. 

For best friends and long time collaborators Matt Edwards (aka Radio Slave) and Thomas Gandey (aka Cagedbaby and producer). Matom began as a one off project to create an hour of music to celebrate the iconic Hansa recording studios in Berlin, a space that’s seen everyone from David Bowie and Iggy Pop to Tangerine Dream and Brian Eno.  

Says Edwards “The initial music was loosely based around the recording of David Bowie’s ‘Low’ and the works of Iggy Pop and I wanted to create these soundscapes that would allow Thomas to improvise and we managed to come up with seven songs in two days.”

From this auspicious beginning the project continued to pick up pace and the pair soon performed in Warsaw alongside revered Kosmiche figurehead Manuel Gottsching and a few months later at the Name festival in Lille, France. 

Splitting time between Gandey’s home and studio outside Bordeaux and Edward’s studio in Kreuzberg, Berlin, the pair continued to create. The duo adopted a free-flow approach to production, with Gandey talking warmly about creating sounds for the Matom Project.  They’d cook together, eat fine food, and then sit down to work on the music together. 

Gandey describes Edwards as the “master of minimal”, building up the soundscapes and beats before Thomas filled out the compositions with various keyboards form his collection including a Fender Rhodes, Moog Voyager, Clavia Nords, Roland Drum Machines and live percussion and finally another collaborator Paul Sandrone would improvise on guitar at the final stages of production. 

The entire essence of Matom’s sounds is based around live takes and recorded snippets of conversations and ambiences from their tours, with no MIDI or samples so when they joined the line up for the Pyramids of Mars label showcase at Berghain’s Kantine it was a seamless transition from studio to stage.  Their last gig was once again for the Red Bull Music Academy in Miami WMC 2014 to perform the finished album for the people who first inspired and supported the project. 

And so Matom’s ‘Love Mistakes’ is signed sealed and delivered, a work Gandey describes as “a culmination of our combined skills and reflecting its contrasting environments, a dualism between the cosmic serenity of the vineyards in his south of France retreat and the gritty urban cityscapes of Berlin’s bohemia.” 

A brief track by Track breakdown by Matom’s Thomas Gandey

1.	Crossroads – The album opens with Crossroads, which sets the scene, a beatless dystopian ambient soundscape featuring Rhodes.

2.	Experiment 1 Variation 3 – As the name suggest we had a lot of tracks to choose from, this one based around one of the original improvised Piano sessions we recorded in Bordeaux.  Cuban Piano backs a driving drum, and one of the most fun to play live.
  
3.	Hansa – Named after the primary inspiration for the project. This is a paradise travelogue, written on Rhodes, a percussive playground.

4.	Warsaw – Named and written for our 2nd live performance, very much inspired by Berlin and cruising along the rivers. 

5.	Zazu – Another meditative ambient work, inspired by early Concrete musique and tribal percussion and mostly reversed, modular synthesis and sequencers back the Rhodes.

6.	Piano 2 Variation 4 – Piece for Solo Piano using live looping, building and diminishing, an ideal club tool 

7.	Experiment 7 Variation 2 – Middle Eastern Piano heavily delayed with string swells.

8.	Love Mistakes – The title track of the album, electronic pads, Rhodes and broken groove. 




Matom - Piano 2 Variation 4 - Soundcloud Preview

from the album Charles Cohen - "Brother I Prove You Wrong" out on Morphine Records 2015 - doser026LP

Composer, improviser, and Buchla Music Easel master Charles Cohen returns to Morphine with a suite of new material. In keeping with the timbre spectrum of his semi-modular system, Brother I Prove You Wrong is built around pointillist analog tones—Cohen's cosmic "beeps and boops"—that swarm and scatter in mesmeric patterns across four sides. Moving through surrealistic textural overlays and industrial miasma, the album's nine tracks reveal a more introspective and personal side of the artist, following from a retrospective LP trilogy released via Morphine in 2013. Those assembled works, dating back to the late '70s, quickly became essential listening and brought Cohen—at the time largely unknown outside Philadelphia's experimental circuit—to critical renown. 

Brother I Prove You Wrong was recorded in Berlin in September 2014 using the Buchla Music Easel, with production help and support from Rabih Beaini. Mastered by Neel and curated and designed by TankBoys; cover art by Nathalie du Pasquier.

Charles Cohen - The Boy and the Snake Dance

Out Now
R&S Records: bit.ly/1LrSH8s
Bandcamp: bit.ly/1FW59Bv

Moiré - STFN

'A NATURAL STRUCTURE OV SYSTEMATIC ARRANGED VIBRATIONS THAT TRAVELS THROUGH THE AIR OR OTHER MEDIA'

Deeeep & sweet mix by our secret lover from Saarbruecken. From cold wave to defunct Chicago house and beyond, his magic wand is ready yet again. Some records in there... not even sure whether they really exist...

More info on Roger 23:

https://soundcloud.com/roger23
https://www.facebook.com/roger23music?fref=ts
bookings: rogertwentythree[AT]yahoo.com


Roger 23 - A Natural Structure Ov Systematic Arranged Vibrations

Album "Grün ist Grau" / label Grautag / January 2013 / GTR 005
All music performed and composed by Ravi Shardja
Guest : Frederic Rebotier/ Gender & Saron
Recorded, edited, and mixed by Xavier Roux at Papua Barat Studio, between 2011 and 2012.
Front; back, inside sleeve design by Nicolas Moulin
Mastering by Norscq

Attaque sournoise du Kopassus à Wamena

Album "Grün ist Grau" / label Grautag / January 2013 / GTR 005

All music performed and composed by Ravi Shardja
Guest : Jean-Marcel Busson / Electric sitar

Recorded, edited, and mixed by Xavier Roux at Papua Barat Studio, between 2011 and 2012.
Front; back, inside sleeve design by Nicolas Moulin
Mastering by Norscq

Curry negli occhi, un' acromatopsia momentanea

Album "Grün ist Grau" / label Grautag / January 2013 / GTR 005

All music performed and composed by Ravi Shardja

Recorded, edited, and mixed by Xavier Roux at Papua Barat Studio, between 2011 and 2012.
Front; back, inside sleeve design by Nicolas Moulin
Mastering by Norscq

Gartenfest Fessenheim abgesagt

Retro was the by far most overworked musical term in all areas house and techno. And well, we have to admit it it: So is this release by our new player MATT JOHN and his debut for Cocoon Recordings. However, this time "retro" works a bit different. It's Sheffield, Warp, the early Hacienda- and LFO-days that are shining through here. No massive Kink-like-909-programming, no Chicago- and no New-York-house revival and finally not just another London- and Berlin-hipster-soundtrack. We are talking northern sound inspired techno here, dark but hedonistic, analogue synths and for those who remember: A Certain Ratio feeling all over the place! Of course this is what we hear here and what we feel and we have no idea if Matt John did all this on purpose but to be honest: We don't care! This is great, this is good, this is techno as we like it and most important: This is hard to find these days. So let the show begin, ladies & gentlemen here comes MATT JOHN!

Clarence Manuello plays Arnaud Rivière side A

romvos