There is a siren’s call and a thumping from the woods of New England.  
Black Eskimo pulls you into their world with seductive, thought-provoking lyrics and hypnotic electronic soul in an intoxicating brew some would call modern trip-hop and gothic soul.

Poet/songwriter/visual artist Ingrid Chavez’s storied career includes collaborations with diverse musical icons including Prince, David Sylvian, Lenny Kravitz, Lorenzo Scopelliti, dating back to 1991 and the release of “May 19, 1992” on Paisley Park/Warner Bros.  An in-demand lyricist, she’s always worked with the best of the best, and along the way she blazed a path distinctly her own while also crafting some of the most memorable songs of a generation, like “Justify My Love,” recorded by Madonna.

After a hiatus from music to raise children with now ex-husband Sylvian, Chavez came back in to the spotlight in 2010 with Marco Valentin in Black Eskimo.  But it was a long and winding road to the eventual formation of the group. Chavez first encountered Valentin’s tracks via a mutual friend in 2006 and was moved to record vocals on a few of them.  Though Valentin was awestruck by the beauty of Chavez’s words for his music, at first nothing further came of the pairing. But Chavez was renewed and inspired and set about recording her first full length recording since her Paisley Park debut, “A Flutter and Some Words” with Scopelliti.  After hearing it, Valentin reached out to Chavez for new collaboration and in short order Black Eskimo was born.  

Valentin’s unique and hard hitting sound counterbalances Chavez’s mysterious and delicate vocals, bringing out an attitude and quirkiness in her delivery hitherto unheard. By May 2011, songs were flowing out of them with a string of singles and EPs – “Escapology” and “Breakaway” in 2011, followed by “The Decemberists” and “Frosty” in 2012. In 2013, they released two EPs “Deep” and “Heady,” and then the LP, “Deep & Heady,” each adorned with Ingrid’s own gorgeous photography. The mysterious and brooding landscapes on the covers matched the emotional territory covered by the recordings and left listeners with the gift of poetic songs that they could unravel and interpret as their own stories over time. 

Black Eskimo are now working on their sophmore L.P. while continuing to promote “Deep & Heady,” which earned international acclaim including recognition for best spoken word song in the 14th Annual Independent Music Awards for “My Sky,” which has been gorgeously remixed in 2015 by some of dance music’s hottest producers including Ganga, Deep Dive Corp. & Mashti, Brendon Moeller of Beat Pharmacy, and E39 (Peter Tanico) with mastering by world-renowned Chuck Zwicky.  Chavez recently collaborated on a track, “Non Toxic,” for Ganga’s forthcoming new album, “Reptile Routine” which was also released as a single with a special remix EP in the summer of 2015.  

Black Eskimo emphasize that it’s difficult to predict how their next LP will sound as each new experience and collaboration imprints on their flows. However, it’s certain they will continue to explore the dark and the light, the deep and the heady. 




“Understanding the order of time is important to anyone hoping to manifest a dream,” says Valerie June. “There is a time to push, and a time to gently tend the garden.”

Since the release of her 2013 breakout Pushin’ Against A Stone, June has been patiently at work in the garden of song, nurturing seedlings with love and care into the lush bloom that is her stunning new album, The Order Of Time. Some songs grew from seeds planted more than a decade ago, others blossomed overnight when she least expected them to, but every track bears the influence of time. See, time has been on June’s mind a lot lately. It’s the only constant in life, even though it’s constantly changing. It’s the healer of all wounds, the killer of all men. It’s at once infinite and finite, ever flowing with twists and turns and brutal, churning rapids that give way to serene stretches of placid tranquility. Fight against the current and it will knock you flat on your ass. Learn to read it, to speak its language, and it will carry you exactly where you’re meant to be.

Official SoundCloud account for Blue Note Records
www.bluenote.com

OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

Management:
American International Artists, Inc.
Cynthia B. Herbst, President
+1 (518) 686-0972
Cynthia@aiArtists.com

Much like songbird Edith Piaf, Madeleine Peyroux spent her teenage years busking the busy streets of Paris. Just like the ‘little sparrow’, Madeleine befriended the city’s street musicians and made its Latin quarter her first performing stage. Years later, Peyroux would cite iconic Piaf as an influence on her music and record a rendition of the classic La Vie En Rose, soulfully capturing the tune’s romanticism and melancholy.
 
Born in Athens, Georgia in 1974, Madeleine “grew up in a house filled with music” and from an early age “instinctively realised music’s soothing power” but it was her teenage years in the French capital that turned the childhood notion into an all-consuming vocation for life.

Young Madeleine moved to Paris with her mother in 1987 following her parents divorce. “To soothe me during the upheaval”, she recalls, “I was given a guitar and took to playing in the streets almost immediately.”

Thirty years after her formative busking days Peyroux is the proud curator of nine beguiling albums and an accomplished performer with sell out worldwide tours under her belt. Her atmospheric version of Serge Gainsborough’s La Javanaise was used in the soundtrack of Oscar Winner The Shape of Water and her countless accolades
include the coveted BBC International Artist Of The Year honour.
 
Madeleine’s thirst for creative exploration is unfading and her willingness to face creative challenges remains as solid now as it was three decades ago.

With endearing passion and great curiosity the unstoppable genre-defying virtuoso continues her search for the good and examines life with the treasured William Congreve belief that Music has charms to soothe the savage beast.
 
Madeleine might attribute her success to “mostly luck” but to the industry and loyal fans alike, it is the immense talent and utter dedication to her craft that shines through.
“Peyroux is a tremendous talent and almost a total intuitive” reflects Larry Klein, “she has the capacity to get the magic. When she sings and plays her guitar, great things happen.”

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