"Yo, mis heridas, me las curo con limón”.

VIDEO OFICIAL: https://youtu.be/9-bxtKw9g-E

LIMÓN

Recargo mi hombro y observo de lado,
todo se crecía, extremos el cielo, mi espalda, el espacio.
Mi izquierda, su todo que se iba y volvía,
aprieta y libera justo en el momento
que viene y se aleja de un golpe tan brusco
que mueve la tierra cuando me volteo,
lo siento, lo siento limón.

CREDITOS:
Sojue Stradac - Símbolos, signos y presentimientos.
Paulino Robles: Fotografía, portada CD, dirección y producción de video. #FotoBazarTulancingo 
Grabado en Enero 2019 y producido en 100 Hertz Home Studio por Sojue Stradac Abril 2021.

¡Gracias amigos, es que su poder impulsa!

SEMILLAS

Limón

Colorado - 
In memory of the Columbine High School Massacre in 1999 & The Aurora Movie Theater Shooting in July 2012.  Sadly now we must add Boulder 2021 to the list.

COLORADO

ES LA MONTAÑA O ERES TÚ.

https://youtu.be/1r-4gE0n8Zs?si=3bQLoXRKABnFpuC1

Mis tímpanos se ahogan,
allá el sol se escondió,
es la montaña o eres tú,
aire que pasa y se va,
raya el cielo azul,
sin desbordar la luz tenue que se marcha.

Un gramo de piedra,
pretexto de café,
es la montaña o eres tú,
o es tu mirada que se va,
viene y se va,
a renacer la luz tenue que se marcha.

Y sobre el mineral,
el calor se extinguió,
es la montaña o eres tú,
río que viaja y se va,
escapa y se va,
brota de la luz tenue que se marcha.

CRÉDITOS:
Orlando Anaya Rosales: Batería.
José Alfredo Alvarado Márquez: Guitarras.
Carlos Lino Donato: Teclados y piano.
Paulino Robles Monroy: Voz.
Akane: Portada.
Sojue Stradac: Composición, mezcla, master, letras, bajo, guitarras, teclados, voz.

SILENCIOS

Es la montaña o eres tú

Memoirs of a Garage

The End

Momento

Not all things fade by nature. Some are made to disappear.

Evanescent Frequency mirrors a world where decay is no longer organic but imposed, where lifespans—of objects, ideas, and even sound—are carefully engineered to be short-lived. In nature, resonance lingers, and silence comes gradually. But in an age of programmed obsolescence, disappearance is manufactured, ensuring that what was once essential is discarded before its time.

The music unfolds in this same manufactured cycle. It begins with fragments—small pulses of energy, scattered textures that gradually coalesce, gaining complexity and momentum. Harmonies expand, orchestration thickens, and layers accumulate, reflecting the illusion of permanence and progress.

At its peak, the structure begins to dissolve. But this is not destruction—it is an unraveling, an enforced stillness that overtakes what was once vibrant. The density of sound fades into weightlessness, harmonies drift apart, and resonance becomes ghostly, as if the music itself is slipping away into the unreachable. The frequencies do not end abruptly but instead dissolve into an ethereal quiet, mirroring the way things vanish from use yet never fully disappear.

Evanescent Frequency is a meditation on impermanence, on the forces that decide what is allowed to endure and what is designed to be forgotten. It asks us to listen—to what fades, to what remains, and to the silence left behind.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

Shades Of Grace - Robert Grigg & Combstead

Radio Silence

Ce titre, avec ‘AU PUB DES REGRETS’ et ‘INFIDÈLE’  fait partie de la trilogie ‘des amours tumultueux’ du micro-album PHONOGRAPHE de MCDC. Le couple ne va pas bien et en est presque à se séparer mais il existe encore une part d’espoir dans la tête d’un des amoureux en  crise. Il ne veut pas se retrouver seul où il fait noir.

This title, with ‘IN THE PUB OF REGRETS’ and ‘UNFAITHFUL’, is part of the trilogy 'of tumultuous loves” of the EP PHONOGRAPHE. The couple is not doing well and is almost separating, but there is still some hope in the head of one of the lovers in crisis. He doesn’t want to be alone where it’s dark.


Musiciennes et musiciens :
Marie-Christine Tremblay : vocal
Denis Caouette : paroles et musique, guitares, back vocals et programmation.
Michel Otis : piano
Frank Corneau : Basse
David Simard : Batterie
Martin Larose (Studio Septentrio) : Réalisation



PHONOGRAPHE

J'veux surtout pas

Another song about the state of this sad world.

We’re Looking for a Place

Just a rainy day. Going out to support our patriots on No Kings Day

Unearthed

"Music is an art form that transcends time and space as it connects hearts and souls across physical boundaries." With this personal quote Ronald Rip, a charismatic Venezuelan-native born in Caracas, identifies how connecting with his music feels like to him.
Ronald's undoubtedly artistic vision began at an early age when he was just 14-years-old. This is the time when he immersed himself in the world of drumming–––what ultimately gave him a solid foundation for a career in the world of music entertainment.
In 2010, a new chapter in Ronald's professional career began as he transitioned into focusing on composing in his native language, Spanish–––successful step backed up and supported by fans seeking for more songs in Spanish. Songs such as "Vendo El Amor,” with its dynamic, upbeat sound, placed the artist on the map amongst other important, successful emerging artists.
Over the years Ronald's music and his quest for a defining sound evolved into pop and electronic music through continuous exploration using compiled record singles that he had released over the years. A creative mind willing to explore new horizons can bring limitless sound.
Ronald Rip's "Te Vas Conmigo" and "Pega' La Pared" are new singles written with a dynamic, upbeat that defines who he is today.

Momento

Ronald Rip

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