Very good sounds like a really good Mozart

Spooky horror movie type sounds in there cool stuff 🔥

beautiful, really love the use of woodwinds here!

The colours and atmosphere are very nice!

Not all things fade by nature. Some are made to disappear.

Evanescent Frequency mirrors a world where decay is no longer organic but imposed, where lifespans—of objects, ideas, and even sound—are carefully engineered to be short-lived. In nature, resonance lingers, and silence comes gradually. But in an age of programmed obsolescence, disappearance is manufactured, ensuring that what was once essential is discarded before its time.

The music unfolds in this same manufactured cycle. It begins with fragments—small pulses of energy, scattered textures that gradually coalesce, gaining complexity and momentum. Harmonies expand, orchestration thickens, and layers accumulate, reflecting the illusion of permanence and progress.

At its peak, the structure begins to dissolve. But this is not destruction—it is an unraveling, an enforced stillness that overtakes what was once vibrant. The density of sound fades into weightlessness, harmonies drift apart, and resonance becomes ghostly, as if the music itself is slipping away into the unreachable. The frequencies do not end abruptly but instead dissolve into an ethereal quiet, mirroring the way things vanish from use yet never fully disappear.

Evanescent Frequency is a meditation on impermanence, on the forces that decide what is allowed to endure and what is designed to be forgotten. It asks us to listen—to what fades, to what remains, and to the silence left behind.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

Hard Roc Steady

Deeper Darkness

The power of twenty five

So Good

A heartfelt song of heartbreak and lost love. Performed live at The Oxford Poetry Circle on 30.10.24, the song explores what happens when two people in love grow apart and change as individuals - sometimes irreversibly

Forever And A Day (Live) - John Goldrust

Went through a rough patch a few months back. this song embodies that struggle and serves as a reminder to keep moving forward. Thankyou for coming on this journey with me!  (:

Don't look back

"Anomie" is now available on all major streaming platforms!

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AI art by Gazelli
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Thank you so much for all your support!

Anomie

Rehearsals

This is the fourth and final piece of a set of marches for orchestra.

March No. 4 in C Minor for Orchestra

Je suis conscient dans mes reves, mais personnes me crois
j aimerais parcourir la terre, mais que avec toi
il ma fallu beaucoup de peine ouai oui, pour connaitre la joie
je t ai decouvert ma reine, soudain je suis roi

tout va trop vite sa m entraine wow, faut que je freine yeah
j aimerais franchir les frontieres ouai,mais il faut que tu m aime
laisse moi toucher tes levres avant que le jour se leve
j aimerais t offrir l univers mais je sais que tu saigne encore..

On a connu des moments de haines
Mais ca! ce netais pas moi
On recolte que ce que lon semes
et javais perdu la foi
Si je pouvais changer mes genes ouai ouai
Je l'aurais fait pour toi
Je t'ai toujours dans mes veines
Mais ca! tu ne le vois pas 

Tout va trop vite sa mentraine wow
Il faut que je freine ouai
Jaimerais franchir les frontieres 
Mais il faut que tu m'aime ouai
J'aimerais toucher tes levres avant que
Le jour ce leve
J'aimerais t'offrir l'univers mais je 
X3 Je sais que tu saigne encore yeahhh

Trop Vite

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Aure Lion - Trop Vite

Simon Alami is a Canadian composer with a passion for blending different musical styles and traditions. He draws inspiration from master composers. Simon's compositional style is characterized by a fusion of diverse elements and a willingness to experiment with new forms of expression. He currently lives in Montreal, Canada and is a proud member of the Canadian League of Composers (CLC), Canadian Music Center CMC and SOCAN.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

Simon Alami Composer

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