This is quite a work!  I love the idea and the execution!  Good luck with the premier!

eyy this brings me back to the jerry times bro

Very good sounds like a really good Mozart

When you’ve lost your place
Spinning around in space
And all stands still
And you’ve searched the past
Did it slip away too fast
The time to kill
Is it all just fake
How much can you take
What’s this all for
Hard to face today
Has to be a better way
Is there something more

Always where you want to be (when it comes creeping in)
It means everything it’s everything tonight
Show me what you need to feel
You mean everything you’re everything tonight

If you see past the charms
You’ll find open arms
To lead you here
Find another way
Cast above the gray
Relieve your fears
Don’t look back again
Stand out in the rain
To cleanse your soul
Nights to long to roam
I’ll light your way back home
Reclaim control 

And when it all comes down
You’ll never stand alone

Everything

Like A Phoenix

Like A Phoenix - John Goldrust

Catching Flies

Enigma

Not all things fade by nature. Some are made to disappear.

Evanescent Frequency mirrors a world where decay is no longer organic but imposed, where lifespans—of objects, ideas, and even sound—are carefully engineered to be short-lived. In nature, resonance lingers, and silence comes gradually. But in an age of programmed obsolescence, disappearance is manufactured, ensuring that what was once essential is discarded before its time.

The music unfolds in this same manufactured cycle. It begins with fragments—small pulses of energy, scattered textures that gradually coalesce, gaining complexity and momentum. Harmonies expand, orchestration thickens, and layers accumulate, reflecting the illusion of permanence and progress.

At its peak, the structure begins to dissolve. But this is not destruction—it is an unraveling, an enforced stillness that overtakes what was once vibrant. The density of sound fades into weightlessness, harmonies drift apart, and resonance becomes ghostly, as if the music itself is slipping away into the unreachable. The frequencies do not end abruptly but instead dissolve into an ethereal quiet, mirroring the way things vanish from use yet never fully disappear.

Evanescent Frequency is a meditation on impermanence, on the forces that decide what is allowed to endure and what is designed to be forgotten. It asks us to listen—to what fades, to what remains, and to the silence left behind.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

Homemade record without edit. - ( WAV48/24 STEREO HIFI )

Composer : J. K. Mertz (1806-56)
Interpreter : I. M. Regazzo

Si consiglia l'utilizzo di cuffie o una buona amplificazione.
Per un ascolto ottimale si raccomanda l'utilizzo del pc e una buona amplificazione stereo.
Per un migliore ascolto dal cellulare su Soundcloud si consiglia di scaricare l'app.

The use of headphones or good amplification is recommended.
For optimal listening, the use of a pc and a stereo amplification is recommended.
For better listening from your mobile phone on Soundcloud we recommend downloading the app.

Andantino dal Notturno N° 2 Op. 4 J. K. Mertz - I. M. Regazzo (2024) HD

Running Down a Dream

"Death Only Sparkles" by The Dark Messiahs takes dark jazz to the edges of an atmospheric abyss. Sticks Thompson’s drums create an ominous pulse, while Wilt Flowers' bass rumbles like distant thunder. Guy Stansfield’s clarinet and Blue Six’s trumpet weave ghostly, plaintive melodies through the shadows. Sonny Rhodes' piano and keyboards balance the jazz core with eerie dark synth textures and unsettling sound effects, conjuring a soundscape where beauty flickers like light on broken glass. This is jazz reimagined for the noir future.

Death Only Sparkles [Dark Jazz | Doom Jazz]

Lyrics.
Dark revelations, kaleidoscope lies
No going back now
Falling from tightropes we’ve walked all our lives
Just to find, you & I, we were never all that high.

Blood from a stone
Drawn like a sword
That cuts into the heart of me
But now I see the light

Chorus.
Follow me through the dark
Time to see who we are
Yeah we’re down, won’t let you drown in holy water
No surrender, don’t you ever let it take away your light
Love will find us where our sun burns the brightest
Breaking free, take control, breathe it in, let it go
You and I just gotta find a new horizon
No surrender, what we weathers gonna fade away in time
Love will find us and our past won’t define us.

Breaking the surface the worst isn’t done
Storms getting wilder
Tossing and turning the waves block the sun
Holding tight, will and might, but can we survive the night?

Beached like a whale, shells of ourselves
Helps to know we’re not alone
We’ll leave it all behind.

Chorus
Bridge 
No more drawing blood from a stone
We’ll find where we belong.

Written & produced by Leo Bull 21.2.25 No Ai used in this song.

Blood From A Stone

I'm Only Human (prod. by Jacob Lincoln and Steve Crabtree)

Poseiden's Trident

Simon Alami is a Canadian composer with a passion for blending different musical styles and traditions. He draws inspiration from master composers. Simon's compositional style is characterized by a fusion of diverse elements and a willingness to experiment with new forms of expression. He currently lives in Montreal, Canada and is a proud member of the Canadian League of Composers (CLC), Canadian Music Center CMC and SOCAN.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

Simon Alami Composer

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