I, I don't need a sign
To protest what you're doing
To protest what you're doing
Is that alright? I'm not your kind
Cause' I, I don't follow blind
The faith in what you're leading
The faith in what you're leading
It has died, crucified, oh...
-------------------------------------------------------
Enter nothingness, throw it all away
Face of emptiness, need some regime change
So complacent with all the thoughts you keep
In too deep with this self indulging way
-------------------------------------------------------
Hide from all your lies
It's bullshit what you're saying
It's bullshit what you're saying
in my eyes you're not right
Mirror your disguise, breaking glass today
All along this time, you've been in my way
-------------------------------------------------------
Enter nothingness, throw it all away
Face of emptiness, need some regime change
So complacent with all the thoughts you keep
In too deep with this self indulging way

PROTEST

Promises

Sanctuary - Temple Of The Haunted Man and Cosmic Keanu

Not all things fade by nature. Some are made to disappear.

Evanescent Frequency mirrors a world where decay is no longer organic but imposed, where lifespans—of objects, ideas, and even sound—are carefully engineered to be short-lived. In nature, resonance lingers, and silence comes gradually. But in an age of programmed obsolescence, disappearance is manufactured, ensuring that what was once essential is discarded before its time.

The music unfolds in this same manufactured cycle. It begins with fragments—small pulses of energy, scattered textures that gradually coalesce, gaining complexity and momentum. Harmonies expand, orchestration thickens, and layers accumulate, reflecting the illusion of permanence and progress.

At its peak, the structure begins to dissolve. But this is not destruction—it is an unraveling, an enforced stillness that overtakes what was once vibrant. The density of sound fades into weightlessness, harmonies drift apart, and resonance becomes ghostly, as if the music itself is slipping away into the unreachable. The frequencies do not end abruptly but instead dissolve into an ethereal quiet, mirroring the way things vanish from use yet never fully disappear.

Evanescent Frequency is a meditation on impermanence, on the forces that decide what is allowed to endure and what is designed to be forgotten. It asks us to listen—to what fades, to what remains, and to the silence left behind.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

Check out Oziumpoet:
https://soundcloud.com/oziumpoet

https://youtu.be/Z4Ir4e7Ci-Y?si=ZLRNvUubPVLJcHO_

The Shining One's - Oziumpoet & Robert Grigg

"She Loves February" embodies the intense balance between openness and the unsaid.

The soundtrack is part of a bigger project titled "Johann", a Compilation released under NOOX and dedicated to Piano Day 2025. Whilst this collective effort pays homage to a musical instrument that is more or less our society's paradigm of human expression through sound since the 19th Century, we mustn't forget who basically set the rules for keyboard musical writing, changing the whole game forever. So, happy Piano Day, but also happy "Johann".

▶️ Buy High-Quality Digital Track: https://edoardogastaldi-music.bandcamp.com/track/she-loves-february
▶️ Listen on other Platforms: https://distrokid.com/hyperfollow/edoardogastaldi1/she-loves-february
▶️ Listen to the Johann Compilation on Spotify: https://open.spotify.com/playlist/1AsGdZIAdx9XOlYshkhiHK
▶️ Download FREE Sheet Music: https://www.modernclassicalmusic.com/free-sheet-music/

🔗 Connect with Edoardo Gastaldi: https://solo.to/edoardo-gastaldi

Credits below.

Artist: Edoardo Gastaldi
Genre: Ambient, Piano, Instrumental
Cover Art: Doug Thomas
Mastering: Davide Fasiello
Record Label: NOOX
Release Date: 28/03/2025

© 2025 NOOX
℗ 2025 NOOX

She Loves February [Johann Compilation, Piano Day 2025]

An 87% accurate rendition of Liebestraum S. 541 No. 3 by Franz Liszt.

Support Gom

Liebestraum (with Liszt)

MUSIC FOR CONTENT CREATORS!

***
🎵 Title: Spring Awakening
🎼 Music by Michael Herter
🎻 Genre: Classical, Soundtrack, Cinematic
🎬 Video: 

Immerse yourself in the vibrant essence of spring with "Spring Awakening", a symphonic masterpiece that breathes life into the season's renewal. This orchestral journey harmoniously blends the rich timbres of strings, the expressive voices of woodwinds, the bold resonance of brass, and the subtle accents of percussion. Each movement paints a vivid soundscape, evoking blooming landscapes, gentle breezes, and the joyful awakening of nature. Let "Spring Awakening" rejuvenate your spirit and transport you to a world where music blossoms with the promise of new beginnings.

🎼 Key: Es-Dur | Time Signature: 3/4 | Tempo: 95 BPM

► Support my music: https://bnd.link/sibviolin
—
Your support means the world to me and helps me continue creating music. Every like, share, and subscription is deeply appreciated.

🙏 Thank you for listening!

Spring Awakening

Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/luchador-version-instrumental

LUCHADOR (Texto de Jesús Lainez Betoré)

Se acerca la pausa luchador
Algo va frenando ese reloj
Tus huesos protestan luchador
Y todavía les queda lo peor

Farolas grises luchador
te dejan en la habitación
Cierras tus ojos luchador
tras un mal día otro peor

Recuerda el fuego luchador
que entregaste en la competición
Tu espalda contra el hormigón
Ha dado un claro perdedor

Estribillo

Y el sueño que regresa de nuevo a tu cama
perdió su color y el gris ahora cubre tu cara
Y el fuego que te hizo mover las montañas
ya te abandonó y enfermo no sale de casa

--------------

Se acerca la pausa luchador
algo va frenando ese reloj
Sigues luchando luchador
Para dar a los tuyos lo mejor

Dura lucha luchador
y no se vió en televisión
Pide campana luchador
que todavía queda lo peor

Cierras tus ojos luchador
el fuego ya te abandonó
Tu espalda contra el hormigón
ha dado un claro perdedor

Estribillo

FIGHTER

The break is approaching, fighter
Something is slowing down that clock
Your bones protest, fighter
And the worst is yet to come

Gray streetlights, fighter
leave you in the room
You close your eyes, fighter
after a bad day, another worse

Remember the fire, fighter
that you gave in the competition
Your back against the concrete
Has given a clear loser

Chorus

And the sleep that returns to your bed
lost its color and gray now covers your face
And the fire that made you move mountains
has already abandoned you and sick, he won't leave the house

--------------

The break is approaching, fighter
something is slowing down that clock
You keep fighting, fighter
To give your people the best

Tough fight, fighter
and it wasn't seen on television
Call for the bell, fighter
the worst is yet to come

You close your eyes, fighter
the fire has already abandoned you
Your back against the concrete
has given a clear loser

Chorus

LUCHADOR (Feat. Jesús Lainez)

Saponaria

My new piece based on a theme that surfaced when I was writting my resigned and dark Intermezzo, which in contrast, turned out to be one of the brighest and joyfull of my creations, very lively and bursting with vitality, almost reminding me of a spring flower that ascended from a damp graveyard.
This piece was probably the one I've written in the shortest amount of time,  majority of it written in a mere several hours.

Moment Musicaux for Piano, F Major, No. 2

Simon Alami is a Canadian composer with a passion for blending different musical styles and traditions. He draws inspiration from master composers. Simon's compositional style is characterized by a fusion of diverse elements and a willingness to experiment with new forms of expression. He currently lives in Montreal, Canada and is a proud member of the Canadian League of Composers (CLC), Canadian Music Center CMC and SOCAN.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

Simon Alami Composer