Obliodrivers by Aedos Cluster of the Waterfall

Darkness pt.2

Unrequited Apparition Remix (Voces 8 Version)

ONE DAY AT A A TIME

Ogi feel the Beat https://soundcloud.com/ogiftb
João Pedro https://soundcloud.com/jprecordsreposting

Cover art: Johannes Plenio https://unsplash.com/pt-br/@jplenio

One Day At A Time

Not all things fade by nature. Some are made to disappear.

Evanescent Frequency mirrors a world where decay is no longer organic but imposed, where lifespans—of objects, ideas, and even sound—are carefully engineered to be short-lived. In nature, resonance lingers, and silence comes gradually. But in an age of programmed obsolescence, disappearance is manufactured, ensuring that what was once essential is discarded before its time.

The music unfolds in this same manufactured cycle. It begins with fragments—small pulses of energy, scattered textures that gradually coalesce, gaining complexity and momentum. Harmonies expand, orchestration thickens, and layers accumulate, reflecting the illusion of permanence and progress.

At its peak, the structure begins to dissolve. But this is not destruction—it is an unraveling, an enforced stillness that overtakes what was once vibrant. The density of sound fades into weightlessness, harmonies drift apart, and resonance becomes ghostly, as if the music itself is slipping away into the unreachable. The frequencies do not end abruptly but instead dissolve into an ethereal quiet, mirroring the way things vanish from use yet never fully disappear.

Evanescent Frequency is a meditation on impermanence, on the forces that decide what is allowed to endure and what is designed to be forgotten. It asks us to listen—to what fades, to what remains, and to the silence left behind.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

Stranded in Africa 
Words and Music by Tom Harris

[Verse 1]  
 When I was  eighteen, I left Geneva behind  
 Searching for something, a  place to rewind  
Through  Spain and through Italy,  Greece and the sea 
CYPRUS to Israel, the  road carried me    

[Verse 2]
Then to Ethiopia,  the land met my soul  
 First time my father’s  arms took hold  
 A ranch once a kingdom,  now cattle and dust  
 In Addis a home, but the  road called to us  
 

[Pre-Chorus]

 Debbie beside me,  pretty and free  
 The Volkswagen rolling,  just her and me  

[Chorus]
 Stranded on the highway, no sign of the end  
The sun sinking lower, no  help, no friend  
Shadows were watching, spears in their hands  
Fate held its breath in this  foreign land  

 Stranded in Africa, the dust in the air  
The silence was heavy, like  unspoken prayer  
Hearts beat like war drums, waiting for fate  
Would they walk on, or  seal our escape?  


[Bridge]
 Then like a shadow, a  car pulled in slow  
 Araya stepped out, said,  "Someone will know" 
 A two-seater benz,  but no room for two  
 He vanished ahead, and we  prayed he’d come through  

[verse 3]
The wind carried whispers, their footsteps drew near   
Hearts beating louder, tangled with fear  
Then one reached his hand out, not a word, not a sound  
Just pointed behind us, to where help would be found  

[Pre-Chorus] 
 Debbie beside me,  pretty and free  
 The Volkswagen broken,  just her and me  

[Chorus]
Stranded on the highway no sign of the end  
The sun sinking lower, no  help, no friend  
Shadows were watching, spears in their hands  
Fate held its breath in this  foreign land  

Stranded in Africa, the dust in the air  
The silence was heavy, like  unspoken prayer  
Hearts beat like war drums, waiting for fate  
Would they walk on, or  seal our escape?  

[Outro]  
 Dust rose in the distance, a  truck rolling near  
 A moment of stillness, then  fading our fear  
 Ethiopia held me,  the road made me see  
 That adventure was  waiting for Debbie and me. 

Stranded in Africa

🎵 Title: Aria of Desire
🎼 Composer: Michael Herter

🕒 Duration: 03:52
🐢 Tempo: Slow
🎻 Genre: Classical / Aria / Soundtrack
🎧 Mood: Romantic, Emotional, Poetic, Dramatic
🎬 Video: 

📝 Description
"Aria of Desire" is a modern classical composition featuring a female operatic soprano and lush orchestral arrangements. Inspired by the cinematic depth of soundtracks, this piece conveys a sense of longing and mystery, making it perfect for dramatic scenes or elegant projects.

🎼 Key: d-moll | Time Signature: 3/4 | Tempo: 60 bpm

► Support my music: https://bnd.link/sibviolin
—
Your support means the world to me and helps me continue creating music. Every like, share, and subscription is deeply appreciated.

🙏 Thank you for listening!

Aria of Desire

Radio Silence

There was a lot of emotion in me that needed to come out.  I could either cry or write music.  So I did both - at the same time -  and this was the result.
Thank you for listening to this.  I really appreciate it so much!


This Vulnerable Time

It's another experimental track with a new guitar with better voicing and definition, easily inspires the melodic part for this track.

Believe The True Light

disturbing the peace - Robert Grigg & Combstead

¿Te dan miedo las ARAÑAS?

"Viví en 2018 en una casa que se destruía poco a poco, cuando se acabó y me mude a un nuevo lugar, los primeros animales que me recibieron fueron las arañas y eran del tamaño de la palma de mi mano. Al principio les gusta esconderse en los sentimientos, en las emociones y cuando se funden con la palabra van más allá de sí mismas".

VIDEO OFICIAL: https://youtu.be/7U8hWawCnqI

ARAÑAS

Arañas, montañas,
Arañas de infancia.

Arañas, tus auras,
Arañas de ansia.

Tiene el alma de un cristal,
Tallado en la piedra.

Arañas, mañanas,
Arañas del Asia.

Es un polvo de azafrán,
Cruce con la selva.
Es la isla, es un mar,
En giros con la tierra.


CRÉDITOS

Sojue Stradac - Símbolos, signos y presentimientos.
Paulino Robles: Fotografía y Vídeo. #FotoBazarTulancingo
Jos Lino Donato: Diseño de Logo.
Producido en 100 Hertz Home Studio por Sojue Stradac.

¡Gracias amigos, es que su poder impulsa!

SIMBOLOS

Arañas

Simon Alami is a Canadian composer with a passion for blending different musical styles and traditions. He draws inspiration from master composers. Simon's compositional style is characterized by a fusion of diverse elements and a willingness to experiment with new forms of expression. He currently lives in Montreal, Canada and is a proud member of the Canadian League of Composers (CLC), Canadian Music Center CMC and SOCAN.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

Simon Alami Composer