Not all things fade by nature. Some are made to disappear.

Evanescent Frequency mirrors a world where decay is no longer organic but imposed, where lifespans—of objects, ideas, and even sound—are carefully engineered to be short-lived. In nature, resonance lingers, and silence comes gradually. But in an age of programmed obsolescence, disappearance is manufactured, ensuring that what was once essential is discarded before its time.

The music unfolds in this same manufactured cycle. It begins with fragments—small pulses of energy, scattered textures that gradually coalesce, gaining complexity and momentum. Harmonies expand, orchestration thickens, and layers accumulate, reflecting the illusion of permanence and progress.

At its peak, the structure begins to dissolve. But this is not destruction—it is an unraveling, an enforced stillness that overtakes what was once vibrant. The density of sound fades into weightlessness, harmonies drift apart, and resonance becomes ghostly, as if the music itself is slipping away into the unreachable. The frequencies do not end abruptly but instead dissolve into an ethereal quiet, mirroring the way things vanish from use yet never fully disappear.

Evanescent Frequency is a meditation on impermanence, on the forces that decide what is allowed to endure and what is designed to be forgotten. It asks us to listen—to what fades, to what remains, and to the silence left behind.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

Recommended, use 🎧 to listen to my songs

⚠️  Another new bug on my SoundCloud page 👀 
display problem, sorry friends, I must be missing some of your new songs but scrolling through the news feed is complicated



https://www.instagram.com/larengonat/

I'm a bass guitarist and I'm thrilled to welcome you to my channel, where the soothing magic of the bass guitar comes to life.
Join me in exploring a world of unique and relaxing music, all crafted using only the bass guitar's deep and resonant tones.

Here at 4 Strings Vibration, I'm on a mission to redefine relaxation through my musical creations. From tranquil melodies to mesmerizing grooves, each composition is a testament to the endless possibilities of this incredible instrument.

If you're seeking a sonic escape, a moment of serenity, or just something extraordinary, hit that subscribe button, and let's journey into the realm of bass-infused tranquility together. Stay tuned for a new kind of musical experience – this is BassGroove Oasis, and I can't wait to share it with you.

Record. Play. Listen. Upload.

Not a musician, just a music lover 
No state-of-the-art equipment, just an old midi keyboard 
No particular skills or talent, just fingers and ears

Enjoy my noises, or not

Simon Alami is a Canadian composer with a passion for blending different musical styles and traditions. He draws inspiration from master composers. Simon's compositional style is characterized by a fusion of diverse elements and a willingness to experiment with new forms of expression. He currently lives in Montreal, Canada and is a proud member of the Canadian League of Composers (CLC), Canadian Music Center CMC and SOCAN.

Pseudonym of Rod Ibanez. 
Mexican musician from Oaxaca State, composes, arranges, performs, is a irredeemable dreamer.

Pseudónimo de Roddy Ibanez músico oaxaqueño, compone, arregla, interpreta, soñador irredento.

https://www.facebook.com/profile.php?id=100089245065363

https://youtube.com/@menelic77

Composer, orchestrator, film music composer and conductor.
Colombian living in Vienna.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

Simon Alami Composer