MOONBOOTICA

"I can sell out Madison Square Garden masturbating." 
—Mike Tyson


MOONBOOTICA saves lives. MOONBOOTICA guarantees the fun of excess. A great gift to mankind. Without fun, this world would recede into clouds of grey. And who wants that? With MOONBOOTICA, everybody has the freedom to say no to grey. On one condition: fun has to be discovered and used to full effect, with every sinew stretched. Once you’ve got that far, things begin to relativize, delusions of grandeur seem as easy as ABC, thanks to MOONBOOTICA. The powers that be strive for greatness, growth, expansion? MOONBOOTICA rise up to the challenge twice over! Composure through relativization, at the end of the day, MOONBOOTICA always have more in the tank. This calming influence comes courtesy of the “bigger than life” mindset, the classic Funkadelic lesson succinctly stated: “Free your ass and your mind will follow.”

As a DJ and production team, MOONBOOTICA has represented maximum torsion since 1999. But endurance is merely one of the Hanseatic duo’s most distinguished qualities. Together they represent a bulwark against inconstancy and are nevertheless always ready to smash borders. Including their own. There are two of them, after all. A two-headed unity IS MOONBOOTICA, and that’s what it’s all about, IS: double-loaded, twice as focussed, twice as big. The double greatest. Even when Kowe Six or Tobi Tobsen should tread the boards alone,the format remains the same. Each of them is double MOONBOOTICA. And vice versa.

MOONBOOTICA’s unique lack of respect in the interests of wildstyle is both a virtue and a call to arms. If refinement of taste should run the risk of imploding, there’s no better tonic than a dose of MOONBOOTICA. The antithesis to light and minimal dictates. It couldn’t be any easier or more effective. A track, an album, a set – well-being is just a question of the right dose. In case of doubt: more is more. Whilst somehow, the love of a grand pose notwithstanding, remaining the same, in appearance and reality. Without resorting to trickery, ironic dissociation or in-jokes, MOONBOOTICA offer themselves up to the audience. As vulnerable as they are sure of victory, the duo has everything a good, open drama needs. Only that everything does not end up in pools of blood.   

When others reach for anabolics and pimp their track to the limiter with everything they can get their hands on, Kowe Six and Tobi Tobsen simply rely on where they came from. Style was laid in their cradle like a golden curb chain. Their musical trajectory, five albums and hundreds of shows prove as much. MOONBOOTICA is, by nature, greater than everything else. Greater than you or I. Greater than Tobi and Kowe even. At which point we finally come to the introductory quote from Mike Tyson -  but we don’t want to explain the fun of excess again. Take a look in the newspaper if you want to know how important it is. Or spend an evening with MOONBOOTICA.   



Official Moonbootica @ Soundcloud
For every request please contact:
info@moonbootique.com
Presscontact: bruno@freelastica.com



Booking contact!
alexaduus@hotmail.com


(Unsigned)

Looking back on more then one decade of intense involvement in the Trance scene, Benjamin Halfmann aka Audiomatic witnessed the rich evolution of this sub culture with all its innovations, variations and all its ups and downs. Even more: During the years his project constantly gained quality and became a reference for sophisticated, high-functional Progressive Trance. Therefore Audiomatic became an integral ingredient of this scene and has shaped its musical development with his unique sounds which have been part of legendary parties and festivals all around the globe.

It all started with some powerful Heavy Metal: Benjamin Halfmann banged his head to the music of AC/DC and posters of Punk, Hardcore and Metal bands adorned the walls of his room up to the age of 15 years. Then he discovered the fascinating worlds of Psy Trance and rapidly became engaged as a DJ, first public performances followed in 1999. 
But soon a strong desire to convert his creativity into own music arose, and so Audiomatic got hungry for more. His producer’s breakfast consisted of some tasty Fruity Loops and this simple production software instantly made him aware that the games on his computer were not only a waste of time, but also of hard disc space.

 Not even one year later his music already convinced the label management of Leviathan Music and so the track “Woodstock” became the first official release in 2002. Various contributions on different compilations followed and the year 2004 delivered the first full length Album “Multiplayer”. Together with Stefan “Magnetrixx” Lewin, who has always been a good friend and important source of inspiration for Benjamin Halfmann, the project “Audiomatrixx” was formed, gained euphoric feedback and also brought to life a studio album in 2008. The same year, Audiomatic’s second album was released. Of course this is not the end of his productivity: Dedicating the next work to his fellow citizens in mind, the album “Weekend Society” became another pleasant success in 2011.



Dynamicro's Upcoming Gigs
Sat 16 Aug, 14 
Trinity, UG, Bülach, Switzerland

Powered by GigaTools

Dynamicro alias Fabio, geboren in Zürich am 30.10.1989 fand den Weg zur elektronischen Musik schon mit 13 Jahren als er sich seine erste Street Parade CD kaufte.

Mit 16 Jahren ging es dann in die Club Szene, von House bis Hardcore, alles wurde ausprobiert.

Am meisten hat es ihn im OXA angetan, als um 6 Uhr draussen die ersten Sonnenstrahlen erwachten, gingen dort die After Hours los. Der Sound: Minimal / Techno.

Er verbrachte viel Zeit auf solchen Veranstaltungen und wechselte somit ganz zu Minimal / Techno.

Dynamicro ist ein Tüftler, probiert immer wieder Neues aus. Am wichtigsten ist ihm seine Sets der Öffentlichkeit zu präsentieren:

"Ich möchte die Leute auf eine Reise durch die Sinne führen". Deshalb mag er auch keine kurzen Sets: "Um etwas aufbauen zu können braucht es mindestens zwei bis drei Stunden“

Wenn alles gut geht möchte Dynamicro seinen eigenen Traum verwirklichen: Unabhängigkeit und ein eigenes Musik Studio.

“Ragas to Reggae: Sitar Meets Guitar in World Fusion and Live Looping”

After 19 years of sitar study and festival performances around the world, Prosad’s one-man show features guitar, sitar, Indian flute, didgeridoo and lead vocals with layered harmonies. From lush soundscapes, to contagious reggae grooves and inspiring lyrics, Prosad loops everything live and takes you on a journey of the soul.
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Full Bio:

For Prosad, life in music is international, spiritual and full of good vibrations. He’s a multi-instrumentalist and singer who has travelled the world sharing his unique blend of sitar, guitar, reggae and world music.
 
On stage, Prosad is far outnumbered by his musical instruments but he brings them all together with live looping; recording guitar, layered vocals, flute, didgeridoo and more while soloing and singing over his spontaneous creations. He has performed all over the globe, including New Zealand, Australia, India and Europe. A career highlight was performing to a stadium of 50,000 people at the Dhaka International Folk Festival in Bangladesh. The next day in the hotel, the locals were humming his catchy melodies. 

Prosad has composed music for two Hollywood films; his song "Byron Bay" was featured in the movie The Love Guru, with Mike Myers. He also also composed the complete score for the independent film, Nice2MeetU. Prosad has performed and recorded with great artists such as Grammy Award winner Chris Berry and Australian legend Xavier Rudd (on his album Spirit Bird). He also had the same first sitar teacher as George Harrison.

Prosad's intention is to create a spiritual vibration in his music by blending sitar and other ancient instruments with uplifting lyrics, good vibes and messages of hope and rising into our power. He's been inspired by artists like the Beatles, Bob Marley and Trevor Hall as they have all shared a spiritual message through their music and Prosad is here to do the same. In his latest single, Rise Like the Sun, Prosad concentrates on combining all of his eclectic musical passions – mixing sitar with reggae and world music to create a style that is all his own. 

With the addition of nineteen years of classical sitar study and inspiration from the twenty plus years he spent studying with his spiritual teacher, Tulshi Sen, Prosad has a unique blend of music and wisdom to share. Daily meditation with mantra and sound as well as having a strong vision and realizing that we have the divine power to manifest that vision - this is Prosad's message . Contagious and uplifting - spreading joy and happiness: That’s Prosad’s vibe.

Ronny Straub is following