Lil Toby – Trilogy

dontCall.5

She calls herself Dirty Donna

Qoso's new record on TTT is out today.
Keep your eyes peeled, not that many about.

@qoso @qoso @qoso

https://www.instagram.com/charlieqoso/

TTT at Honest Jon's

QOSO MIX

As we celebrate International Women's Day, Hyperdub's Loraine James supplies a mix of awe-inspiring productions from some of the most exciting womxn in music.

See the tracklist: https://crackm.ag/2xiu44d

Made by womxn – Mixed By Loraine James

Full tracklist: http://www.radioraheem.it/resident/ehua/#episodio-8985

EHUA W/ AIR MAX '97 | Radio Raheem | July 2020

Shamos - 100% Original Material (NTS 01.07.20)

“Stereomodernism” is a mix that frames techno as embodied aural history, from a Black theoretical perspective—and as a direct foil to Rainhald Goetz's “Rave,” an attempt to counter the fantasy that is the white, Eurocentric view of a distinctly African American artform. DeForrest Brown, Jr., who produces music and other media as Speaker Music, draws on the poet Tsitsi Ella Jaji’s concept of “dubbing in stereo for solidarity”: his mix melds Detroit techno and adjacent sounds of African-American culture, illuminating the relationship between techno and “centuries of attempts to evade and subvert the status quo in America.” With an illustration by Abdul Qadim Haqq.

1. Alabama A&M University Marching Maroon & White Band, “Homecoming Marching In/Tunnel,” live recording, October 5, 2019
2. Bookworms, “Appropriation Loops,” Appropriation Loops (2018)
3. Atlantis, “Words from Atlantis,” Interstellar Fugitives - Destruction of Order (2005)
4. YATTA, “Cowboys,” WAHALA (2019)
5. The Detroit Escalator Co., “Folding Space,” Black Buildings (2001)
6. Mad Mike (ft. Atlantis), “Chaos & Order,” Interstellar Fugitives - Destruction of Order (2005) (Speaker Music’s Black Atlantic edit)
7. Population One, “Free Falling Forever,” Unknown Black Shapes (1994)
8. Arpanet, “The Analyst,” Wireless Internet (2002)
9. Aybee, “The Professor,” The Odyssey (2017)
10. Dopplereffekt, “Scientist,” Gesamtkunstwerk (1999)
11. Der Zyklus, “Facial Vectors,” Biometry (2004)
12. Urban Tribe, “Biohazard,” Authorized Clinical Trials (2006)
13. Lab Rat XL, “Lab Rat 2,” Mice or Cyborg (2003)
14. Derrick May, “Feel Surreal Ends the Feel Surreal,” Innovator (1998)
15. L.A.M. (Life After Mutation), “Nuclear Facelift,” Balance of Terror (1992)
16. DJ Di’Jital, “Mutant Creations Compute,” Finyl Frontier of Electro (2017)
17. Alice Coltrane, “Ptah, the El Daoud,” Ptah, the El Daoud (1970)
18. DJ S² and Von Floyd, “ISF2 Post Emancipation Psychosis,” Interstellar Fugitives - Destruction of Order (2005)
19. AceMoMA, “Start the Riot,” A New Dawn (2020)
20. Suburban Knight, “Maroon,” Interstellar Fugitives (1998)
21. Andre Holland, “Unabomber,” Interstellar Fugitives (1998)
22. The Vision, “Crush, Kill, Destroy,” Gyroscopic (1991)
23. DJ Stingray 313, “Interest Rates,” F.T.N.W.O. (2012)
24. Underground Resistance (Mike “Mad” Banks), interview, Slices: The Electronic Music Magazine 3-06, September 10, 2006
25. Joe McPhee, “Cosmic Love,” Cosmic Love (1970)
26. The Clark Sisters, “Is My Living in Vain? (Live),” Gospel (1983)

 
Composed and recorded between Laika Lane Studio at the Rauschenberg Residency in Captiva, Florida, and DeForrest Brown Jr.’s home studio in New York.

To read ”Stereomodernism,” visit: https://www.canopycanopycanopy.com/issues/26/contents/stereomodernism

To read ”Rave,” visit:
https://www.canopycanopycanopy.com/issues/26/contents/rave

DeForrest Brown, Jr. is a New York-based theorist, journalist, and curator. Learn more at: https://www.canopycanopycanopy.com/contributors/b#de-forrest-brown-jr

Abdul Qadim Haqq is an American visual artist who was born and raised in Detroit, Michigan. Learn more at: https://www.canopycanopycanopy.com/contributors/h#abdul-qadim-haqq

“Stereomodernism” was published as part of Two Ears and One Mouth, Triple Canopy’s twenty-sixth issue, which is made possible through the generous support of the Stolbun Collection, the Andy Warhol Foundation for the Visual Arts, the National Endowment for the Arts, the New York State Council on the Arts, and the New York City Department of Cultural Affairs in partnership with the City Council.

DeForrest Brown, Jr.: Stereomodernism

CKUT

IRL & Choozey - Enough Is More Than A File

100 NIGHTS MIX // C POWERS REPORTING FROM THE GROUND

WORDS FROM C POWERS: This mix documents the passing of over 100 days of being inundated in the  uprising here in Portland OR. I wish to be following what Mac Smiff (who's speech in early August is featured prominently in this mix) and other local black organizers (also featured in the mix) have said, that the concept of "We take care of Us" is central to creating wholesome and lasting change for Black lives. This this mix also functions as just another gift, item of use, or document to be shared via the network of mutual aid that has been sustaining us and keeping us safe while the agents of neoliberal fascism attempt to close in. By creating these networks and systems of trust we are offering and actualizing a vision of community unhampered by an illegitimate and racist state.

@cpowers
https://twitter.com/cpowers1986

MX084 - C POWERS

For episode 36, Shannon chats with one of the founders of NYC based collective and talent agency @Discwoman --Frankie Decaiza Hutchinson. She’s an incredible event organizer and promoter as well as a prominent voice and activist for diversity and representation within nightlife. 

Hutchinson has planned and curated a number of shows all while giving space and opportunities to marginalized artists who are often overlooked in the industry.

With Frankie at the helm, Discwoman has showcased and represented a loaded roster filled with female producers, artists and, DJs. The label started in 2014 and has grown to produce and curate over 20 events in different cities across the globe. 

In 2019, Hutchinson began to work on another passion dear to her heart and community work. The techno evangelist created Dweller, a 6-day festival celebrating Black artists from all walks of Electronic music. The festival also served as a way to pay homage to today’s artists pushing forward Electronic Music’s undeniable influence and inception within Black culture. 

Frankie joined Shannon on the pod to chat about why Black lineups and inclusivity within the industry matter, her plans on growing Dweller, and what changes she would like to see in nightlife when the rave returns.

~ Tracklist

 Riven - UMFANG

Gaza Border Violence - Bergsonist 

Change 4 Me - Fauzia 

Follow Club Management - linktr.ee/ClubManagement

Follow Frankie  - @FrankieFatGold (Twitter & Instagram)

Follow Discwoman - https://soundcloud.com/discwoman

Want to make a podcast? Buzzsprout has everything you need to get started. Get a $20 Amazon gift card if you sign up for a paid plan. It will help support our show too! www.buzzsprout.com/?referrer_id=1535594

*Whoops our email is - ClubManagementLLC212@gmail.com if you'd like to write into the show. Sorry for the boo boo!

Rave Revolutionary With Frankie Decaiza Hutchinson

freedom of association

demos, promos, commissions: info@room.haus

MX084 - C POWERS

ROOM

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