💗

After another weary year, allow us to soak your digital tendrils in our tepid aural ooze – a sonic silicone secretion to reboot the limbic system to its most primal state of ecstasy.

INDEX0X0XL is the second release of our pan-sensory bouquet, distilled to provoke and whet our deepest of lusts. An atomised, sway-inducing solution to seduce and ensnare the most sated souls, thru an intoxicating rhapsody of notes – a Venus in slurs.

The tracks will be available as 'pay as you feel' on Valentine's Day 2022. There will also be love inspiring merch to accompany the compilation: a colour-customisable, individually handmade INDEXOXOXL dildo by xoxo.dilco. Head to Bandcamp to order, or send us a dm.

@keptmale @benbondy @connaharaway @specialguest-dj @pontiacstreator @cybermission @drmystery @vasesound @rreinartz @mathisruffing @jpeglove @faffldn @loiflan @kingsofty @user-951049725-782254964 @dj-sweat @aradacid

💕

Mastered by @ikezwanikken
Artwork by @kingsofty
Curated by @connaharaway & @kingsofty

INDEXOXOXL

dildos n digis

Conna Haraway – don't @ me

helix

@SaintAbdullah & @Eomac rekindle their longstanding collaboration in this fiery new release sourced from the multiple cultural references and personal stories of its producers.

In their third installment entitled “Light meteors crashing around you will not confuse you”, the New York-based Iranian-Canadian siblings Mohammad and Mehdi Mehrabani-Yeganeh aka Saint Abdullah & Wicklow-based Irish producer Ian McDonnell aka Eomac continue their exploration of sounds and rhythms through an expansive use of sampling and heavy distorted beats. Passionately curious about diverse vocal and musical cultures as well as their own, the trio began their long-distance collaboration in 2019, releasing their first two albums, “Patience of a Traitor ” (Other People) and “Chasing Stateless” (Planet Mu) in 2022 and 2023 respectively.

The trio recorded the album as the world witnessed the genocide on Gaza, Mohammad notes that all tracks were “recorded within a few weeks in October after the war broke out as we tried to keep our heads above water.” The sound of Saint Abdullah is characterized by a keen interest to challenge cultural perceptions and expectations of diasporic narratives, by foregrounding sounds, field recordings, and sacred and profane music from the multiple worlds they belong to. They pay homage to the distinct influences, however sonically and culturally disparate, that have permeated their records and musical process so far. Together with Eomac, they continue a conversation shaped by their ever-growing sonic heritage and shared musical affinities. The inclusion of field recordings for example, often personal ones, are not ornamental but are integral parts of the whole album in which vocal samples are both used in moments of release or through thrusts of heavy beats, continually mirroring a state of unease.…

Reflecting on the recording process, Eomac notes that: “There is a strong influence and inspiration from hip-hop culture here. The beat-tape in particular. It’s rough, raw; rhythms are direct and not overthought. The beats are heavy and distorted for the most part, often shifting and changing throughout a single track. This brings an intentional “ungroundedness” to the record and a sense of tension.” Echoing this state of unsteadiness, Mohammad writes in a poem during the recording: “Those in the diaspora, are those that have left their home, by force, by will, somewhere in between. Are we the connective tissue that makes things more interesting?” Tracks like 'Bitch, I am Islam’ and ‘Rocknrallah’ relieve some of the sense of disorientation but are no less poignant. In the former, 'Bitch, I am Islam', Mohammad uses old personal recordings of his sisters reciting the Quran or repeating Iranian revolutionary chants like “War war, until victory”, an acknowledgment of the worlds they left behind and the ones that need building. In ‘Rocknrallah’ Abdel Ja7eem Hafeth sings a rendition of the 1933 American standard tune ‘Smoke gets in your eyes’ only to evoke the smoke coming out of Gaza.

The record also features fellow Iranian artists in the diaspora, musician and sound artist based in Paris Cinna Peyghamy and club experimentalist Aria Rostami. Ian Bruner, who worked on the album’s artwork, created a composite of the different elements and motifs that form the album, an image of arduous travel towards the mirage of Americana. In this historic period of grief and anger, ‘Light meteors crashing around you will not confuse you’ musically and conceptually engages world systems and beliefs through the experiences and stories of its producers.

—Rayya Badran

All proceeds UNRWA

Produced by Saint Abdullah & Eomac Featured Artists: Cinna Peyghamy, Aria Rostami, Abdel Ja7eem Hafeth Mastered by Rashad Becker Art by Ian Bruner

DBL24DL

Light meteors crashing around you will not confuse you

Saint Abdullah & Eomac - Bitch, I am Islam feat. Aria Rostami

"one by one these desires are wiped away"

"wanting less" out 27th of september
mu-tate.bandcamp.com/album/wanting-less

Produced and mixed by mu tate
Mastered by Adam Badí Donoval

Cover photo by panddr
Center labels by Art Crime
Design by mu tate

one by one these desires are wiped away

Florian TM Zeisig returns to enmossed with an LP of new material, 𝑴𝒐𝒔𝒔𝒆𝒅 𝑪𝒂𝒑𝒂𝒃𝒍𝒆 𝑶𝒇 𝑩𝒆𝒊𝒏𝒈 𝑶𝒃𝒔𝒆𝒓𝒗𝒂𝒏𝒕 under a new moniker, Angel R. On this latest sonic offering, Angel R arranges the recordings with an undertone of hope, letting the aural dramaturgy unfold sans forced melancholia typical of the genres contemporary cliches. Zeisig’s signature attention to the circular gravity of the loop is again showcased, but Angel R takes the dynamic to another plane for 𝑴𝒐𝒔𝒔𝒆𝒅 𝑪𝒂𝒑𝒂𝒃𝒍𝒆 𝑶𝒇 𝑩𝒆𝒊𝒏𝒈 𝑶𝒃𝒔𝒆𝒓𝒗𝒂𝒏𝒕 and allows for a swaying and staggered syncopation through choice album selections.

Filtered samples bounce off each other as they rain atop muted synth pads. Familiar sounds of nature become redefined through bit reduction, where grain illuminates new beauty in the re-examination of the sources. Angel R uses delay as a method of recall and deterioration, at once creating the new and delineating the end of the passages provided. At times reserved, at other moments bold and declarative, the album takes on the gamut of emotive signals to take the listeners through a narrative of complexity.

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@floriantmzeisig is an artist, producer and musician.

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Proceeds to western NC hurricane relief.

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recorded by Florian TM Zeisig
audio finalized by Glyn Maier
artwork by Sam Lubicz
obi design by Joe Bastardo
insert photo by Florian TM Zeisig
insert design and silkscreening by Mark Rice

Mossed Capable of Being Observant

Angel R - Dreams (ENM-13)

Heith - The Scrollkeeper (PAN 147S2)
Label: PAN
Cat.No.: PAN 147S2
Release Date: 15 April 2025
Purchase: pan.lnk.to/TheScrollkeeper

Heith shares 'The Scrollkeeper', the second single from the upcoming album 'Escape Lounge', out via PAN on April 25th, 2025 - accompanied by a new music video.

Written and produced by Heith and Leonardo Rubboli
Drums by Jacopo Battaglia
Harmonica and Synthesizer by Leonardo Rubboli
Mixed at TWS
Mastered by Amir Shoat
Artwork by Heith and Nicola Tirabasso

Heith - The Scrollkeeper (PAN 147S2)

David Toop's Entities Inertias Faint Beings

Dry Keys Echo In The Dark And Humid Early Hours

Nkisi - Destruction Of Power (CM-008) 
A : Destruction Of Power (16:54)
B : Destruction of Power (Live at Café Oto 03.03.2019) (13:47)

 All tracks by Nkisi
Mastered by Josh Eustis
Designed by Ethan Assouline

Cassette out Octobre 1st, 2019

© Collapsing Market - 2019

Nkisi - Destruction Of Power (Live @ Café Oto) - Excerpt (CM-008)

Simulacrum

Blind Power

Black Bandcamp:

"We return for our 3rd installment of ‘Black Bandcamp Presents’ on @publicrecordsnyc. For December’s audiovisual tracklist, our community of artists submitted their own music, with a continued focus on ambient and melodic sounds.

Swipe through for the full tracklist, and to read about the audio and visuals in more detail. 

Thank you to the wider Black Bandcamp community for sharing all of your beautiful music with us and to @milestakes and @_.danielfoster for navigating through the medium of visuals and sound. "

Live on PRTV - Friday 4th December - 18:00-22:00 EST

Bandcamp

motion man

Pre-order: https://wherethetimegoes.bandcamp.com/album/frog-of-earth

The humble Frog of Earth ponders nothing as it watches its world unfold. Surprised with a sprinkling of rain the Frog quickly becomes overwhelmed and we hear the bubbling of its brain. As the shower passes, the Frog settles into a stupefied calmness and we can hear the swirling water rushing by and the clarity of the air. As panicking birds swoop and flutter around, the Frog is overcome by a fascination and an acceptance of its world. However, as a screeching train approaches and roars by, the Frog is taken from its acceptance and inverted into a world of denial and confusion where faint questions of how and why have seemingly no answer. But as the sun beams out from behind the clouds, the quiet drone of a bee goes by and the Frog, seeing its own glistening reflection, deftly lets go of its questions, and the need of any answers.

Frog of Earth is the debut LP by the Frog of Earth, and is available now to pre-order via bandcamp in single disc 12" vinyl, and in all digital formats. 

Worldwide distribution handled by Rubadub.

Artwork by Mel & Dean.

Dry Keys Echo In The Dark And Humid Early Hours

ROOM40