Audio rip of the 1993 bootleg CD, A Tribute To A Bass Thing recorded at the Irish Centre in Digbeth, Birmingham on 26th August 1993.

Track listings as taken from the CD sleeve but Track 11 Colour Blind is actually Full Of Life (Happy Now).

A Tribute To A Bass Thing

Hush

Recording of a broadcast from January 2017 featuring Wonder Stuff fan Andy Brooker talking to Steve Lemacq.

BBC 6Music Good Day, Bad Day  -  Andy Brooker

Blame

Blame (Bunker Sessions)

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Written by Tinashé Fazakerley
Produced by Rationale
Additional production by Mark Crew and Braque
Recording Engineers: Tinashé Fazakerley and Mark Crew
Recorded at Unit 24
Mixed by Mark Crew

Deliverance

Hear me reading a short excerpt from the second of my 'The Wonder Stuff Diaries' trio of books.

Order your print copy here;
http://www.thewonderstuff.bigcartel.com/

*PLEASE NOTE THAT BOOKS AREN'T SHIPPED UNTIL AUGUST 2017*

Bolsover St. Sewage Saga

Glory

Glory (Bunker Sessions)

Glory (Jack Wins Remix)

Basket Case

Basket Case (From ‘The Tick’ TV Series)

Bastille - World Gone Mad from Bright: The Album 

Bright The Album Available Now
Download/Stream Now - https://Atlantic.lnk.to/Bright 

Watch Bright exclusively on Netflix starting 12/22

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Bastille - World Gone Mad (from Bright: The Album)

INTRO ("Other People's Heartache, Part 4")

A rough, unmixed and unreleased version of 'How Many Saints?' recorded with Michael Ferentino & Andres Karu in the summer of 2001. Recorded in New Jersey, USA, the intention was to include the track on my Miles Hunt Club album, but it never made the cut. I still think it has some great qualities though. Miles. x

Unreleased Album Session Track

unreleased

How Many Saints?

Room 512 is an unofficial website for The Wonder Stuff as well as groups and projects that are directly associated with them.  In 2006, following the tragic death of The Wonder Stuff's original drummer Martin Gilks, I compiled an album of material recorded by a group he was later in called We Know Where You Live.  They only released a couple of singles but had recorded enough demo tracks for an album that never saw the light of day commercially.  The album I released contained all of the tracks that Martin had worked on, plus a couple of other later works, as well as a compilation of live material because WKWYL were an outstanding group live and were sorely underrated.  Oh, if you want to buy a copy of the album then head on over to the Room 512 website for more information as limited copies are still available.  Keep on rocking, Groove Controller....

Hush

room512

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