Beauty of musical unity with strongly retained individualy. Lush and magical.

Jazz Pants

Black Is...(Instrumental)

Black Is...(Instrumental) [feat. DSTL, Sareem Poems & Rich Medina]

BBE Music is thrilled to announce the release of Modern Love, a diverse compendium of specially commissioned cover versions of rarities and classics in tribute to David Bowie.

Featuring an array of artists such as Jeff Parker, We Are KING, Meshell Ndegeocello, Helado Negro, Khruangbin, Matthew Tavares, Nia and more, Modern Love seeks to champion Bowie’s lesser-known connection to soul, R&B, jazz, funk, and gospel. The prominent jazz influences throughout Bowie’s final album, Blackstar, were a key inspiration for curating this collection of reimagined Bowie songs with these artists. The resulting album is an eclectic tribute featuring a group of artists who not only fit together creatively, but who, like Bowie, straddle different worlds musically, with soul and jazz at their core.

Modern Love offers a fresh look at Bowie’s trailblazing career, aiming to highlight the often overlooked relationship between his back catalogue and musical genres traditionally pioneered by artists of color. The project was curated by music executive and DJ Drew McFadden, alongside BBE Music founder Peter Adarkwah. “I felt that the connection between Bowie and R&B, jazz, funk, gospel and all things soulful, had never really been explored before — at least not so much in covers, which tend to lean more towards rock and pop,” says McFadden. “Certainly, there’s been plenty of Bowie covers over the years, but none that have really tapped into what seems to have been a big part of his core musical
style and direction.”

Modern Love is an interactive sonic map. Here, seventeen artists make their way into the varied regions of his sundry catalog and circle back with seventeen unique re-imaginings of both his cornerstone and lesser-known tracks. Some, in atmosphere, feel like a sly alternate take from original sessions (Khruangbin’s ethereal, funk infused version of “Right” from Young Americans); others nod at the source, then wink before diving into the deep waters of another musical stratosphere (Sessa’s sexy Tropicalia-drenched “Panic in Detroit” from Aladdin Sane). Still others take tunes down to the studs and then re-arrange the moody interiors: Meshell Ndegeocello’s pensive “Fantastic Voyage” from Lodger and Tavares’ clever take on “Heroes” which is restructured into a kinetic hardbop-esque backdrop, fronted by ice-cool, held-back vocals. The bullseye these artists aim for is Bowie’s fearlessness. “Fame was an incredible bluff that worked,” he once reflected. “Very flattering. I’ll do anything until I fail. And when I succeed I quit too.”

Modern Love packs us off on a journey that balances on risk’s sharp blade. Track-to-track, it explores what happens when a musician throws out notions of should and safe and stretches beyond the known. These artists use Bowie both as a guide and a prism: A way of being and seeing. Their offerings, widely divergent, explore the inheritance from an artist who freed himself from labels, genres and, consequently, pigeonholes. While he was at it, he decimated fixed notions about territory (or terra) itself; boundaries hemmed-in his creative process, but his essence remained free to roam. He may have vanished in earthly form, yet, as he also promised in the lyrics of “Modern Love,” But I never wave bye-bye . . .” This compilation assures us that his spirit swirls around us. His force is alive to all of us and, here, it is summoned with an incantation that celebrates possibility.

Khruangbin - Right

A smoothed out, catchy little downtempo bobber from a cool late-winter night in The Vault.  Makaya bounces on a flammed rimshot, Abrams jumps in quickly with some nice bass chords, Justefan colors the progression with his singing vibraphone harmonies, and Marquis tops it all off with a gorgeous trumpet melody and solo verse.

Recorded on March 5th, 2014 by Dave Vettraino.  Personnel: Makaya McCraven - drums, Joshua Abrams - bass, Justin Thomas - vibraphone, Marquis Hill - trumpet.

Steppe Smoothe

The title track from Jose James' new album out now on Brownswood Recordings.

Itunes: https://itunes.apple.com/fr/album/blackmagic/id547333074

Bandcamp: http://brownswoodrecordings.bandcamp.com/album/blackmagic

Amazonn: http://www.amazon.fr/Blackmagic/dp/B008OCN95E/ref=sr_shvl_album_1?ie=UTF8&qid=1370355304&sr=301-1

Jose James - BLACKMAGIC

Robert Glasper - piano, Rhodes
Vicente Archer - bass
Mark Colenburg - drums

Live From the University of North Florida 4/21/11

recorded, mixed and mastered by Santiago Latorre

Smells Like Teen Spirit (Nirvana Cover)- Robert Glasper Trio

RoostR's 16th music project "Not Exactly..."

STAYwarm

05 Wrong Questions

Rye Lane Shuffle

04.HER HANDS Feat. Allysha Joy - SO.Crates

Diaspora

Christian Scott aTunde Adjuah - Diaspora [Feat. Elena Pinderhughes]

"Lost in the Sauce" is the second single from King Garbage's debut LP, Make It Sweat, out 9/22 on Styles Upon Styles. Kicking off the album with a bittersweet vibe, laid-back yet celebratory with a hangdog's sense of perseverance, the track is a lover's inebriated lament for one last jam before heading home and starting it all over again.

King Garbage’s Make It Sweat LP will be available on September 22, 2017 from Styles Upon Styles.

Learn More: bit.ly/SUS025-KG

King Garbage – Lost In The Sauce (SUS025)

We decided to take advantage of the remix competition for jazz musician Robert Glasper's new track "Move Love" from his forthcoming album "Black Radio". The rhodes, piano and vocals are taken from the original. We hope you like it.

Download link: http://www.mediafire.com/?02hbm6d7xpg4f6m

Robert Glasper Experiment - Move Love Ft. KING (Sivey & Evil Needle Remix)

- Lyrics & Vocals by Alex rita
- All Production by Alex Rita and Mads Oustrup.
- All, recording, mixing, mastering done by Mads Oustrup in Nest Studio
- All Instruments played by Mads Oustrup

Coverart by Alex Rita

www.okapii.bandcamp.com
www.facebook.com/okapiimusic 

okapiimusic@gmail.com

Don't Mind The Rain

mini jass

Do What I Do ft Omar preview

Quick intro edit I made of @lionbabe's really dope single, opening with the sample used on the beat. 

Eunice Collins is forever!

Treat Me Like Fire (Eunice & Mawkus' Hotel Edit)

Ropeadope is a story of inclusion. We view the world as a place of one, where music is a unifying force connecting all of us. 

We accept that musicians know their art better than businessmen do. 

We know that this concept, this thing called Ropeadope, is larger than any of us. And so we follow wherever Ropeadope may lead.

Christian Scott aTunde Adjuah - Diaspora [Feat. Elena Pinderhughes]

Ropeadope

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