2008. Written & Performed by Honor by August, Additional Keyboards by John Athayde.

Produced by John Athayde.
Mixed by John Athayde & Brian Frederick.

Honor by August - Happy Holidays

Single out on 6th April 2015. 

Itunes
https://itunes.apple.com/gb/album/ares-single/id978168215
Amazon
http://www.amazon.co.uk/Ares-Winters-Island/dp/B00UWP7WKE

Social Media
www.facebook.com/wintersisland
www.twitter.com/wintersisland

YT Channel Subscribe Link: www.youtube.com/subscription_cent…ser=wintersisland


<a href='https://theartistunion.com/tracks/2f7d22'>Download for free on The Artist Union</a>

Download

Ares

MAALA

Touch

iTunes

Like the flower blooming from Hyacinthus's blood, something new emerges from grief.

(Guitar samples by metachemist)

Apophenia

Hyacinth's Fall

Something About You (Original Mix) available on Spotify now po.st/SABsp
Watch the official video! po.st/SAUvideo
Something About You (The Remixes) available on iTunes: http://odesza.co/SAYRemixiTunes
Download our official app here: http://ODESZA.co/app
 
Hayden James on SoundCloud: @haydenjamesartist

http://odesza.com/
https://twitter.com/odesza
https://www.facebook.com/odesza

Premiered on Complex: http://www.complex.com/music/2015/07/hayden-james-new-song-premiere-something-about-you-odesza-remix

Buy on iTunes

Hayden James - Something About You (ODESZA Remix)

This interview with Brian Eno was not originally intended to be made available for listening. It has been cleaned up and lightly edited, but has some external and peripheral sounds including some cell phone interference, chairs banging around and jack hammering street repairs! In the spirit of Eno himself, these "ambient" additions were left in for interview continuity. Eno and Peter Chilver’s regenerative music app "Bloom" was used for the bed behind the interview.

Thanks for listening!
TapeOp.com

Disclaimer: This audio recording was not originally tracked with the intent of using for a podcast. It was recorded solely for transcription for our print interview (see issue #85). Please forgive any balance issues, background sounds, and lack of clarity.

Sponsored by Soundtoys
http://soundtoys.com

Episode 1: Brian Eno

Higher

Higher (RAC Remix)

The lead off single from "Permanent Daylight"

Produced by Ted Comerford
Co-produced by John Athayde & Brian Frederick
Engineered by Matt Boswell, Rich Stine
Recorded at Lowwatt Recording and The Fidelitorium
Mixed by Paul David Hager
[Unmastered]

Leyla Akdogan - Backing Vocals
Dave McGregor - Drums
Ted Comerford - Bass
Eduardo Rios - Guitar
John Athayde - Guitar, Keys, Vocals, Programming

Clean Lines

This is a demo of a song for my 2nd album which I hope to have out in October, leave lots of comments!

Lyrics:

I remember steeples and trees
When I was a child they were the tallest of things
Higher than all I could see
Steel and stone stole the skyline from me
Now they're gone
Replaced by the work of someone
With different dreams

Concrete and glass fill the sky
And reach for the heavens with their hands lifted high
Our worship became what we buy
These corporate cathedrals are sores in my eyes
And it burns
To witness the end of the earth 
It will not survive

O these holy lands have been led to a slaughter
Greed and avarice spill her blood on the altar
Now the innocent will be heirs to the falter 
What is left to give our sons and our daughters

Pressure to grow fills our veins
The meekest of men become monsters for gain
Who build up what we can't sustain
Like Babylon towers so phallic and vain 
Like the sky
Was lonely and needed our pride
To keep it company

We traded fields in for plans
Succame to our greed and supplied our demands
And yet what we can't understand is
That prosperity sifts the poor through our hands 
Like the salt
That makes up the earth, it's our fault
We forgot what they're worth

O these holy lands have been led to a slaughter
Greed and avarice spill her blood on the altar
Now the innocent will be heirs to the falter 
What is left to give our sons and our daughters

Have we lost our minds?
O Our pride will fail us!

Kyle Shevlin - Steeples & Trees (Demo)

Immunity out on August 2nd

Pre-save the album:
clairo.lnk.to/immunity

Lyrics:
I feel it in my bones
even when I’m alone
momma said, “I told you so”
going down a different road
you call me late at night
I pick up every time
Wish that I could rewind
 get some peace of mind

Shut up, don’t wanna hear it now
I’m fed up
wish I could say it was enough 
to make me walk away
And I’m messed up
‘cause every time I start to get up
my head feels fucked up
and i know it won’t change

The things you do
only make me want to get closer to you
and the things that you say 
only make me want to stay

Can't push me away
I'm not going, I’ll wait
you know this street runs two ways

So, I need to hear your voice
Know I’m standing here by choice
and I can’t hear the background noise, 
anyway

Shut up don’t wanna hear it now
I’m fed up
wish I could say it was enough to make me walk away
And I’m messed up, ‘cause every time I start to get up
My head feels fucked up
and i know it won’t change

The things you do, 
only make me want to get closer to you
and the things that you say, 
only make me want to stay

Closer To You

“Clean lines, no replies, stuck up in the haze again,” The opening line from Rotoscope’s new single could standalone as their musical mantra. Conveying the angst that accompanies the exponential growth of technology, the beeps, clicks and whirs of information flow and the fractured sounds of a broken society which seductively swirl around us in this modern age. 
At the heart of the formerly DC-based  Rotoscope is Charlottesville-based musician John Athayde who has surrounded himself with a stable of trusted collaborators on both the Clean Lines EP and the album Permanent Daylight which is due out next year.  Partially co-written with the likes of Leyla Akdogan from L.A.’s Loch & Key and Courtney Totushek Brown, each of Athayde’s guests have left their own indelible mark before returning to the rush. 
Athayde’s music was forged in the production-orientated electronica scene in DC and with outside influences such as Brian Eno, Depeche Mode and Portishead, his meticulous sound explorations evolve from their skeletal beginnings until they oscillate and brim with layers. Imagine Trent Reznor’s film scores with an added focus on melody and songcraft. 
Named after an old animation contraption which projected a frame under a table so that the artist could trace over it and also a visual effects technique to remove objects from a background by cutting them out by hand, Rotoscope is a fitting moniker for a band that augment their own music with samples to create a continuously shifting sonic landscape.
It’s all there on the simmering Clean Lines EP which ripples with the dangerous thrill of a late-night drive through a neon city. An audio scrapbook of Athayde’s life and the frightening times we live in, its fragments hint at conflicts in the Middle East, the retrenchment of civil liberties in the name of security and the constant hum which accompanies 21st century life. Everything that used to be personal has become impersonal, but in the hand of Athayde and his friends it has also become something quite beautiful.

For press inquiries please contact:
Sean Kelly; seanmfkelly@gmail.com

Clean Lines

rotoscope