Boutique music pr firm with a focus on indie rock, indie folk and electro pop. 

Reach us at info@glgpub.com for EP/album release campaigns, band inquiries etc.

A blog seeking out rare gems in artist and song. Please send us your tracks and also tips on sleeping. diamonddeposits@gmail.com

The New Album 'SVIIB' Out Now.

iTunes: 
http://smarturl.it/SVIIB

Store/Vinyl: 
http://smarturl.it/SVIIBStore

Amazon: 
http://smarturl.it/SVIIBAmz

Spotify: 
http://smarturl.it/SVIIBSpotify



Loi Loi is electronic synth-pop duo of Kristie (vocals, keyboards, synthesizers), and Johnny(Electribes, backing vocals).  The real-life siblings started creating music as Loi Loi four years ago in China, where Kristie paired Mandarin compositions with radical experimental sounds.  Loi Loi continued to develop in Spain, mixing original Spanish lyrics with 
an eclectic background of rock and roll, R&B, electronic, and soul influences.  
Loi Loi embraces an economical setup but maximizes on a suite of atmospheric effects, original samples, and a multi-tiered song structure.  

Loi Loi's first BLIGHT.Records single release is "1985", a byte-by-byte whimsical reckoning of "cigarettes and promises, popsicles and mortgages". The song shapes Commodore 64 electronic waves into a kaleidoscopic pattern, widening into the landscape of the year that was 1985. In perfect harmony with the BLIGHT label, "1985" serves up flecks of acrimony in the frolick.

Loi Loi es un proyecto electrónico con influencias de rock n roll, R&B, y soul, que cantante/teclista Kristie lleva trabajando en el tres años, desde Washington DC hacia China, y luego, a España. Loi Loi es 100% original y DIY con temas propias en Ingles, Español, y ademas en Chino.  

Loi Loi ha sido criticado positivamente según el periódico local de Washington; "Con energía como para atraer mil personas a sus pies" y la revista In and Out en Guangzhou.

Pastoral Musician, Composer, Teacher, Director of Music

46 4F 55 52 20 4F 4E 20 54 48 45 20 46 4C 4F 4F 52

clairo aka DJ baby benz
ty for listening <3

'Charm' out July 12th

Purchase/Save the album:
https://clairo.lnk.to/charm

“Clean lines, no replies, stuck up in the haze again,” The opening line from Rotoscope’s new single could standalone as their musical mantra. Conveying the angst that accompanies the exponential growth of technology, the beeps, clicks and whirs of information flow and the fractured sounds of a broken society which seductively swirl around us in this modern age. 
At the heart of the formerly DC-based  Rotoscope is Charlottesville-based musician John Athayde who has surrounded himself with a stable of trusted collaborators on both the Clean Lines EP and the album Permanent Daylight which is due out next year.  Partially co-written with the likes of Leyla Akdogan from L.A.’s Loch & Key and Courtney Totushek Brown, each of Athayde’s guests have left their own indelible mark before returning to the rush. 
Athayde’s music was forged in the production-orientated electronica scene in DC and with outside influences such as Brian Eno, Depeche Mode and Portishead, his meticulous sound explorations evolve from their skeletal beginnings until they oscillate and brim with layers. Imagine Trent Reznor’s film scores with an added focus on melody and songcraft. 
Named after an old animation contraption which projected a frame under a table so that the artist could trace over it and also a visual effects technique to remove objects from a background by cutting them out by hand, Rotoscope is a fitting moniker for a band that augment their own music with samples to create a continuously shifting sonic landscape.
It’s all there on the simmering Clean Lines EP which ripples with the dangerous thrill of a late-night drive through a neon city. An audio scrapbook of Athayde’s life and the frightening times we live in, its fragments hint at conflicts in the Middle East, the retrenchment of civil liberties in the name of security and the constant hum which accompanies 21st century life. Everything that used to be personal has become impersonal, but in the hand of Athayde and his friends it has also become something quite beautiful.

For press inquiries please contact:
Sean Kelly; seanmfkelly@gmail.com

Space Above is the atmospheric-electronic project of New Zealand music producer Aaron Short. Space Above strays from pop structures in an exploration of ethereal sounds and dance floor progressions. Blending spacious vocal melodies from artists including Alisa Xayalith, BOYBOY, So Below, with intoxicating electronic twists, Short is always looking further outwards for inspiration.

Atwood Magazine is your one-stop shop for discovering your new favorite music!

We are celebrators of creativity, an independent music journal dedicated to providing authentic writing, engaging, insightful editorials, and unique perspectives on music. Our passionate writers hail from all over the world: New York to Los Angeles, London to Melbourne, and more!

Email mitch@atwoodmagazine.com with inquiries. Please include lyrics and hi-res images!

#music #newmusic #indiemusic #independentmusic

rotoscope is following