Alberto Ritter Tusi,
Ecoaudio Music producer, soundtrack composer, and sound designer from Brazil.

albertoritter@gmail.com


0555596664312

Kevin McNeilly talks and writes. He also teaches in the English Department at the University of British Columbia.

The Tender Threads is a Canadian music group founded in 2013 and has since spent time living and working on their music in Europe, Asia and North America. In this project, the members of The Tender Threads engage in a collaboration between disparate musical worlds like psychedelic soft-rock, experimental, contemporary classical, traditional folk, among others.  Tender Threads is an examination of human perspectives, social climate, seeking to contribute to illuminating environments by encouraging conversation between people.

Nakama is Japanese and can be translated as «comrade», or simply a community of people where no one is above the other. Nakama is an expansive band, and as of 2015 it consists of four genuine artists who give life to a material which can be characterized as European jazz anno 2000, American contemporary music anno 1960, Japanese traditional music and a touch of romantic music. Nakama is emptiness and form, form and emptiness. It is what you get when you mix
Japanese anime, minimalism, chili and zen-buddhism. Nakama is an attempt to make the world a better place through the exploration of sound and silence. Nakama is what it is, and Nakama is:
Adrian Løseth Waade - violin
Ayumi Tanaka - piano
Andreas Wildhagen - drums
Christian Meaas Svendsen - bass

(Ali Berkok - piano/accordion, Pete Johnston - bass, Jake Oelrichs - drums/percussion, Mike Smith - electronics) Formed in the autumn of 2012, these musicians have played with each other in various combinations in numerous groups in Toronto over the last ten years, including Muskox, Arkana Music, See Through Trio, and the Toronto Jazz Orchestra. This quartet emerged out of a shared desire to create extended improvised musical structures in which the instruments would function as equal partners in the ensemble texture. Drawing on a range of influences including jazz, dub reggae, American minimalism, electronic music, and punk rock, Aurochs seeks to expand the traditional palette associated with this instrumentation. To this end, Aurochs focuses on developing sustained, gradually unfolding ensemble improvisations. Aurochs's wide open approach to music-making means that they never end up with the same song structure twice.
You can catch Aurochs playing at the Tranzac on the final Friday of every month, at 7:30p.m.

These are some of the songs I have written, several versions in some cases. Live versions at this time. I will post recorded versions as I can get to do them. Everything is SOCAN.

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