--TECHNO / ELECTRO / ACID--  
--MARK NEENAN-- 
--FILTH INFATUATED-- 
--NAKED VAN MIRK--
--COLLIDE RESIDENT--
--FNOOB RADIO DJ (FILTHCAST)--
--ZONE MAGAZINE TECHNO REVIEWS--

Labels:
Filth Infatuated Digital
Bass Agenda
Infamous Player
Resilient Records 
UKR
Biotech Recordings
HardCoded
Ushuaia Records
T Sessions
Anti Gasmask Techno Militia
Frame Workxx
Urban Chaos Records
Keep On Techno
Hypnohouse Trax
Fnoob Digital
Vezotonik
Collide Digital
Capital Techno
Oxytech Recordings
Bubblejam Gold
Nothing But Records 
Mastoid Kollektive
LW Recordings 

Please also check out my other pages:
@filth-infatuated-digital
@naked-van-mirk

Perhaps due to his relative youth and inexperience, Jim E Scavenger's DJ sets up to the age of ten are, objectively, relatively forgettable. Competent and functional as they were, they leave little lasting memory. That's not to say they weren't pleasant, but really they were like a motorway service station sandwich. They served a purpose, but left you wanting something more substantial. 

It is only around the age 11, following an incident in the sewers of New York with radioactive gloop, that Jim would discover "his" sound.
As the neuro-poisons bonded with his DNA, Jim felt renewed enthusiasm for the art of DJing and under the strict tutilage of his pet rat Xiansheng Sensaî, Jim threw out the rule book, eschewing traditional mixing techniques in favour of a more abrasive head on style.
This approach - that has been compared to brutalist architecture - would see Jim quickly establish himself in the field as a no compromise DJ that even today, few can compare with.
Of course, the dramatic change in oeuvre did inevitably lead to Jim losing his daily Drive-time slot on BBC Radio 2, but traffic jam radio's loss was the underground's gain.

Stand out moments in the J E S timeline are his landmark set at the WWF world summit, where he played a piece of fiberglass for three hours, and his third long playing album which reached number one in 48 countries and remains the only spoken word techno album to have sold more than one copies. 

Jim E Scavenger won the Taylor Tea award for a lifetime contribution to Hard Techno in 2017 and it seems likely more awards will follow soon.

If you can find him, and if you can afford him, maybe you can book Jim E Scavenger.

Dj Trev, New York Times, November 2018.

Metalhead with love for iDM and experimental sounds

MY HART IS ON PAPER... ILL DEAL WITH IT LATER!

Signed to labels across multiple genres, in the UK and Chicago. 

A BBC introducing featured artist over several years.

Tom and Richards weird Welsh cousin.

Produces/releases and remixes Breakcore, DnB, Jungle, Crossbreed and Hardcore as Pritchard is Xohuman.

Produces/releases/remixes Techno, Tech House, House and Electronica as Sean Pritchard.

https://mobcorechicagorecords.bandcamp.com/album/pritchard-is-xohuman-lone-automata-mcr-054

www.mobcorechicagorecords.bandcamp.com/album/sean-pritchard-gwal-026
- Second and third albums available through the formidable Mobcore Chicago. 

www.twentythirdmedia.bandcamp.com 
- First album, current music available to stream, purchase or licence for commercial use.

www.soundcloud.com/twentythirdmedia 
- Audio production services available through Twenty Third Media.

Psytrance Label from Northern Ontario Founded by Limix (Psyfaun)
please check our Bandcamp link for purchases and to support the label <3

Welcome to my page & thank you for listening.
Old/Unmastered Track's: https://kazan303.bandcamp.com/music

ZE GEAR:
Roland: TR-6s, SH-01a.
Korg: Electribe 2s, Micro Korg, Kaoss Pad 3, Mini Kaoss pad 1 & 2s.
Cyclone Analogic: TT-303, ME-303, TT-303 mkII, TT-606.
MAM: MB33 (modded), SINE MB33 II
Acces: Virus TI Snow
Audiothingies: MicroMonsta
Patchblocks: patchblock, Midiblock.

ZE MODULES:
Moog: Mother-32
Open Source Hardware: µBursts
Synthrotek: 308, DIRT
Polyend: poly 2
EricaSynths: Bassline, Mix
Gamechanger Audio: Plasma Drive
Acidlab: M303

ZE PEDALS:
Proco: RAT
TC electronics: JUNE-60
& sometimes some borrowed stuff, enJOY
👊💀

23

R.O.J .