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kirtan albums

Traditional Gaudiya Kirtan

ISKCON Krishna bhajans

Rohith's Bhajans-Bindu

The bhajan Damodarastakam by Sri Vyasadeva followed by The Hare Krishna Mahamantra performed by  Agnideva Dasa

Damodarastakam ~ Hare Krishna ~ Agnideva Dasa

Mama Mana Mandire

Hare Krishna Mahamantra - Bengali Style

Nache re nache re Nitai

Narad Muni Bajay Vina

Parama Karuna

Udilo Aruna

Kirtan ISKCON NEWCASTLE TEMPLE

Nityananda Band: 01 Manasa  deha geha

HG Vaiyasaki Prabhu - Mama Mana Mandire

Purusha Sukta

mesmerizing shiva poetry written by ravana

Shiv Tandav Strotam Pt. Jasraj.mp3

Spandan
“Spandan”, in Sanskrit, means throb, pulsation, trembling, quivering, vibration. Through the present work, I attempt to convey the very basic throb or pulse of music and the environment of music manifesting, thereby.

About the album:
“Spandan” comprises of a group of ten Raags. A Raag in Indian classical music is a melody consisting of a group of notes within the musical octave, guided by definite grammar of patterns and movements, which convey a definite emotion. Eight of these ten Raags are in current usage. Two are my own creations. The entire work is my original conception and execution on the Indian bamboo flute, commonly known as “Bansuri”.
The ten Indian Classical Raags forming the body of this work are -
1) Bhairavi, 2) Smarana, 3) Gunkali 4) Bairagi, 5) Dhani, 6) Gyaankali, 
7) Bilaskhani Todi, 8) Rahasya, 9) Malkauns, and 10) Bhoopali Todi. 
(In the order of track listing)
Bhairavi is the parent Raag in this group. Seven out of the other nine Raags are its subsets and derivatives, whereas, the remaining two Raags are derivatives of other parent raags. Gunkali is a subset of Raag Bhairav, whereas, Dhani is derived from Raag Kaafi. But in my personal opinion, which goes contrary to the established norm, Raags Gunkali and Dhani can also be grouped under Raag Bhairavi, in terms of their note values. Out of the seven notes of the musical octave, Sa, Re, Ga, Ma, Pa, Dha and Ni, five notes, namely, Re, Ga, Ma, Dha and Ni are flat in Bhairavi, whereas, Sa and Pa are, perforce, natural. Hence, all the notes that can possibly go flat, do so in Bhairavi.
Raag Bhairavi and its subset Raags are particularly difficult to play on the flute because of the maximum number of flat notes present in them. A flat note corresponds to a half stop on the flute. This means that to play a flat note on the flute, the corresponding hole is opened only half, that too, not exactly half but precisely as much as would produce the desired frequency of the note in question. This difficulty is further augmented by the necessity to open the hole sideways from the outer end for reasons of dexterity and pitch. Since the flute is the least calibrated of all musical instruments, maintaining an equilibrium among the angulation, the volume modulation and the pitch, can be a rather tight rope walk.
Utmost care has been taken in maintaining the purity and character of Raags here. The form and the arrangement is where this work deviates from the tradition. Indian Music is essentially monophonic, i.e., only one melodic line is uttered at any given point in time. I have introduced the Western concept of harmony by creating polyphonic arrangements of each of the ten Raags as played by me on the flute. Essentially, this work is a flute ensemble. The only respect in which it differs from an ensemble, strictly speaking, is that it is a one-artist ensemble. Separate tracks of my rendition of a Raag are layered together to create a multi-flute arrangement set to that Raag. The same process is applied to the arrangements of all the pieces of music.
The only sound employed in the music other than the flute is the Tanpura as the background drone.


1 - Elephant's Gait - Raag Bhairavi

Morning Kirtans

Adventures of the Great King Ram

Sudama Brahmin

Jaya Sri-Krishna-Chaitanya
prabhu Nityananda
sri-Advaita Gadadhara
Srivasadi-Gaura-bhakta-vrinda 

Chant Hare Krishna and Be Happy:

Hare Krishna Hare Krishna 
Krishna Krishna Hare Hare
Hare Rama Hare Rama
Rama Rama Hare Hare



Sweet Kirtan reservoir:
http://musicofyoga.com/music/ 

Kishori Mohan das & Sudevi Dasi - Hare Krishna Mahamantra

গান: লালন ফকির 
কন্ঠ: সুদীপ্ত চট্টোপাধ্যায়
সঙ্গীত-আয়োজন: তাপস রায় 

চাঁদের গায়ে চাঁদ লেগেছে

Friday- Morning Program - Ohe Premera Thakura - Madhukar

Madhukar- Gurudeva Kabe Tave Karuna Prakash

10 Hare Krishna Hare Rama [Raag Bhairavi]

Hare Krishna

Udilo Aruna - Jahnava New Braj 2012

Gay Gaura Madhur Sware

Krishna Chants for ISKCON by Sandeep Khurana

Chakrini - He Gopinath HD HQ

Kirtan with Krishna Krpa, Vraja Mohan, Madhukar, Prempradvip, Gaura Prana, Krsna Prema in Navadvipa parikrama 2013 at Sripad Premananda Prabhu's courtyard while we waited for Prabhuji to come out to give Hari Katha.

Kirtan at prabhujis house-thakura

Gurudeva krpa bindu diya

Udilo Aruna

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