Booking @ INQUIRE:
jimmype.booking@gmail.com

DOWNLOAD/BUY:
- Stupid Jokes EP
- Blip Blop EP
- Street Circus EP
- WuShu EP
- Masika EP
- Fake Fantasy EP 
- Insomnia (Debut Album)
- Fairy Tale EP
- Passengers EP

@qualitygoodsrecs
@crucast 
@wormhole-music-group
@saturaterecords
@slowroastrecords
@crispycrustrecs

Claude VonStroke spent over 20 years shaping underground dance music and building a community. After selling the Dirtybird brand and taking a 2 year hiatus, he’s back with a new mindset - playing only where he wants, for those who love the originality of his unique style.

His new "Life of Leisure" rebrand is not a status flex; it’s a vacation on the dance-floor.The ravers are the heroes; Claude is just the guide. Leave your villains at the door—fear, anxiety, and stress have no place in
VonStroke’s vibe. Only music, movement, and energy matter. Every show is intentional, every moment sacred.

Claude VonStroke is finally doing more of what he loves and dumping all that stuff that sucks. Shedding his stressed-out, overachiever role for a more reflective and grateful approach. "Life of Leisure" is a victory lap, but we all know it’s not so easy to forget reality. Join him, even if it’s just for a few hours in the club on a Saturday night.

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

The FADER is the definitive voice of emerging music and the lifestyle that surrounds it. Through in-depth reporting and a distinct street sensibility, The FADER aggressively covers the most dynamic breadth of music and style emanating from the fringes of the mainstream to the heart of the underground. The FADER is the authority on what's next.

All my podcasts on www.mixcloud.com/electronature

ELECTRONATURE is a radio show  which has been aired on Radio Blackout, Turin, since 2002. You can listen to me every Saturday night from midnight to 2 a.m. on http://radioblackout.org/streaming/
If you want to listen to all my previous podcasts, just go to ELECTRONATURE (Dj Dino). Here you can find many podcasts from reggae to funk, soul, drum and bass, electro, house, disco, trip hop, chillout, dubstep, hip hop, rap and more. 
Listen and share.
Dj Dino.


FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Brighton based producer & DJ, currently in Cambodia. 

Sound Design & Production Service now available by request : 
https://soundcloud.com/somlengstudio

Sound Architect, DJ, Producer, Engineer, Cosmik B-Boy and Praying Mantis. Man of many pseudonyms; Mystic Letter K, Mr. Barth, Fred, Braincell, Rotor-Type, Vector, Phunkey Rhythm Doctor, Rubberneck, Shape Changer, Agent Orange, Magenta, Crushed Insect, Yakari, The Mantis, C-Blast, Deform-Anti.

Rowanna is following