Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Booking : anais@combobongos.com
@ComboBongos

Sa personnalité et la qualité de ses prestations lui offrent un joli CV à faire pâlir un newcomer.
En 2011 il se permet de remporter le Remix contest de Burn studio avec son remix de « Pearl » pour Manaré (cleckcleckboom).
Ce qui l’amène à jouer avec ses mentors musicaux, et une longue liste de Dj’s influants.
Peu importe l’heure ou l’endroit, Marquise s’adapte systématiquement de part sa technique et sa culture musicale: Trap - Hip-hop - Uk - Bass - House. Des influences que l’on retrouve dans ses productions personnelles et collectives.
Son rôle de Beatmaker affiné pour les lives du rappeur Sanik, et du conteur solaire Amour Mutant, lui donne de plus en plus goût à la scène et au travail accompli. A la source du label Enlace-Records, il prépare un Ep Hybride, abstract et intense que nous attendons tous avec impatience.

TONINI - Global Charming
Bruxelles, Belgium

- ER + skryptöm World Bookings: moulay@paradoxbooking.com
- ER French bookings: vincent@astropolis.org
- promos, démos, remix or music enquiries : electricrescue@gmail.com

In 2025, it’s 35 years of activism with passion. Electric Rescue is considered one of the made-in-France masterpieces of the electronic music but also a worldwide renowned artist. His hits are regularly played by electronic music masters like: Laurent Garnier, Len Faki, Ben klock, Dax J, Fjaak, Ellen Allien, Perc, marcel Dettmann, Sven Väth, Slam or luke slater. 

Electric Rescue has been forging a strong specificity in the electronic landscape by defending a techno neither conceding nor creating compromises, similar in this aspect to his friend Laurent Garnier.His productions have been signed on labels like Cocoon, Virgo, Arts, F Communications, Cod3QR, Soma, Sci + Tec, Boys noize and his own label Skryptöm of course…..
 
Electric Rescue is also a famous name as live artist and DJ. Since more than two decades, he has been traveling the world preaching the techno good word with passion and modesty. He had the opportunity to play in mythic clubs such as Berghain/Panorama Bar (Berlin), Tresor (Berlin), Weather Festival (France), The Edge (São Paulo), Concrete (Paris), The Egg (Londres), Herr Zimmerman (Rotterdam), Air Club (Tokyo), Moog (Barcelone), Lantern (pekin), Dama de Fero (Rio de Janeiro), Bahrein (buenos aires), Norte club (Cordoba), Club 69 (Edinbourgh), Le Sucre, Le Kalt, Le bikini,, even in well referenced festivals Amsterdam Dance Event (Pays-Bas), 3rd Empire (Israël), Astropolis (France), Noisily (England), Weather festival (france), Piknic Electronik (Canada), Mapping Festival (Suisse), Nördik Impakt (France).
His artistic effervescence is also the result of his good Skryptöm Records management, an establishment he founded in 2006, on which he has signed many tracks for Traumer, Moteka, Kmyle, Popof, Julian Jeweil, Scan X, Maxime Dangles, Commuter, dusty kid, the label has collaborated with renowned remixers like: Antigone, Mark Broom, Truncate, Slam, Johannes Heil, Secluded, Xhin, Inigo Kennedy, Zadig, Laurent Garnier, Jonas Kopp, , Flug, Danton Eeprom or The Hacker. On his former label, Calme Records (1999/2005), he was releasing tracks and remixes of Surburban Knight, DJ ESP / Woody Mc Bride, Thomas P Heckmann, Neil Landstrumm, Oxia, Paul Nazca, Southsoniks.
Electric Rescue is also involved in organising parties in Paris, with its Skryptöm residency at Kilomètre 25, Glazart, Rex Club, 1988 live club in Rennes and its famous Play parties in unusual and secret venues around the French capital. Always on the lookout for new artists emerging in techno, he was the first to invite artists like Boys Noize, Laurent Garnier, Ben Klock, Ellen Allien, Stephan Bodzin, Dave Clarke, Anthony rother, Oscar mulero, Dusty Kid, Gary Beck, Alan Fitzpatrick, blue hour, cleric and Paul Ritch to mix in Paris, from the newcomer to the biggest artists from our electronic Scene.

At the same time, he is pursuing a lesser-known activity in his career, the artistic direction of clubs such as Kilomètre25, Glazart since 2021, and a new huge mysterious club for the end of 2024. He founded Nexus in 2019 and withdrew in September 2022 to devote himself solely to Kilomètre25 and Glazart. He is also programming digital arts events such as Skryptöbox, an immersive installation with 3D sound and 360° video, as well as ciné-live or Ciné mix and many other installations mixing electronic music and digital arts.
Considered as a discrete but efficient techno activist, Electric Rescue has been insuffling in his entire work the Rave values which he has been adopting, defending them and making them self-references (exchanging, sharing, brotherhood, freedom, underground culture) rejecting so the blinding DJ business spot lights.
After the highly confidential album El.Ue, released in 2005 on Scandium Records, and his superb second album "sonic architecture" released on Bedrock, Electric Rescue imagined a contemporary techno odyssey for his third full-length, "parallel Behaviors", released on his own label Skryptöm. His fourth, double album, "esquisse du nouveau monde", was released in two parts on two different labels: the dance floor part was released in spring 2020 on Skryptöm and the second, more electronica and contemplative, on Wic recordngs. A new album, 'The frontier of the Sea', is due for release on KR/LF records in December. 

In 2026, A new album will be released on Cod3QR Laurent Garnier label, a very surprising opus with some group collaborations with artists such as Abd Al Malik, Amélie Nilles, Gaspar Claus, Boscaro and his brother Maxime Dangles who will arrive on a huge label to be name soon.
2026 promises to be another nice year for Electric Rescue.

Connecting club culture to the wider world, on screen and irl through parties, film and video.

Not many artists are lucky enough to release a track that defies genre classification and reaches into mainstream culture, with people enthusiastically embracing its melody and adopting it as if it were a football anthem.
His track “Rave” has become an instant classic, a timeless piece of music gaining more than 100 million streams (becoming the most clicked Techno track ever).
Since 1996, a landmark year for him thanks to the worldwide success of his track “Zoe” produced as Paganini Traxx, Sam Paganini’s stylistic experimentations have gone from strength to strength, leading him to collaborate and release his music on several record labels like Plus8, Cocoon Recordings and Drumcode, reaching the highest spots on Beatport’s Techno Chart several times. His unique musical journey has achieved great success both on the underground circuit as well as on the mainstream channels.
In 2016 Sam founded his own record label JAM as a new platform to play out his vision of techno music. At first an outlet for his own productions releasing 3 albums and nowadays also a platform to discover new talented Artists.
Beside his studio work and production time, Sam’s DJ appearances are among the most requested by promoters worldwide: his sets are characterized by powerful grooves and have been described as “Sexy Groovy Dark Techno”, which speaks volumes, literally, on what to expect from his performances.
He has taken the stage at legendary clubs such as Berghain (Berlin), Output and Cielo (New York), Rex (Paris), Fabric (London), Crobar (Buenos Aires), Exchange (Los Angeles), Fuse (Bruxelles), Stereo (Montreal), Pacha (Barcelona), Fabrik (Madrid), Amnesia (Ibiza), Privilege (Ibiza) and Cocoricò (Riccione) just to name a few, and at Festivals like Awakenings (Netherlands), Nature One (Germany), Mayday (Germany), Tomorrowland (Belgium), Sziget (Hungary), Sonus (Pag Island), Time Warp (Germany), Ultra (USA). KAPPA Future Festival (Italy), Dour Festival (Belgium) and Monegros (Spain).

Roxane Bfls is following